Speaking of Idelias, I saw a singularly interesting one this week. The  
reproducer was wrong (not oxydized), the horn was wrong (14" black with brass  
bell), the crank was wrong (some bizarre brass fabrication) but the case and  
bedplate finishes were original and in good condition, if covered with massive  
amounts of dust. What made my heart start pumping was that the usual Edison  
trademark signature plate on the bedplate was missing, replaced with an  
elegantly engraved oxyidised-finish plate saying "Presented to William H. Taft  
from 
Thomas A. Edison." I regret that I didn't have a camera with me to  photograph 
it. I wish I could get my mitts on that one!! 
 
As for the auction, there are (as Ray Wilenzik noted) well over 50  known. 
Most are probably restored, Guido's included. But, like Class Ms, of  which 
there must be at least 100 in existence, they so rarely change hands that  they 
get premium prices when they do sell. Guido's was a gorgeous restoration,  the 
repeating attachment was a lovely addition, and the presumably  original-finish 
mahogany-painted metal horn was a nice touch. I felt it was  probably worth 
the $25K reserve, I never expected it to go more than $1K-$2K  more than that. 
But obviously there were at least 3 bidders who felt it was  worth a lot more 
than that. That's what the free market is all about. If you  really, really, 
REALLY want something, and it comes up for sale very  infrequently, you have 
hard decisions to make. 
 
As for me, I have never regretted "overpaying" for any phonograph I own.  
Eventually the price always seems to surpass what I paid, and in the  interim 
I've had the enjoyment of owning it and admiring it. I know of a few  people 
who 
passed up the Idelia I own today because it was too expensive. And  they were 
right, it was. But I've never regretted buying it, though it was  a hell of a 
lot cheaper than $41K. And if someone offered me $41K tomorrow,  I wouldn't 
sell it. I'd rather have the machine than the money, at least  at this point in 
my life. Talk to me in 20 years and I may feel  differently. But it's 
precisely this kind of long-term ownership that makes such  machines so 
expensive when 
they do turn up. (I'm only the third owner of my  Idelia, in 98 years. 
Obviously this hasn't been bandied around the collector  circuit!)
 
Best regards,
Rene Rondeau

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