What happened to the Carolina phono show scheduled for March 15?  Why was it 
cancelled?
Ray
From [email protected]  Mon Feb 11 07:47:48 2008
From: [email protected] (Ron L)
Date: Mon Feb 11 07:51:21 2008
Subject: [Phono-L] Portables
In-Reply-To: <[email protected]>
References: 
<[email protected]><024b01c868b7$77e72500$6500a...@your4dacd0ea75><[email protected]>
        <[email protected]>
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It looks like an earlier reproducer than what it should have had.  That is
an Orthophonic looking arm.  Maybe the arm is wrong too?

Ron L

-----Original Message-----
From: [email protected] [mailto:[email protected]] On
Behalf Of Robert Wright
Sent: Monday, February 11, 2008 1:17 AM
To: Antique Phonograph List
Subject: [Phono-L] Portables

Here's another Carryola on eBay:

http://cgi.ebay.com/VINTAGE-1920S-ORNATE-VIOLIN-CRANK-PHONOGRAPH-COOL_W0QQit
emZ300197975631QQihZ020QQcategoryZ1442QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

My question is about the add-a-tone patent of 1925 referenced on the 
reproducer.  It looks like a combination recorder/reproducer design from the

late 1870's (figuratively, of course)!  Surely this wasn't intended for home

recordings.  More likely, I assume, just another sound source for more 
volume.  This typically wouldn't be conducive to pleasant playback (and 
certainly not accurate playback), as waves coming from the front side of the

diaphragm (the side not facing the tonearm tube/horn) would be out of phase 
and time-misaligned with the waves coming from the horn, but maybe they 
thought the extended length of that overly-curvy tonearm would make the 
distance traveled by the waves coming out of the horn long enough that phase

issues would no longer have a detrimental effect -- thus by amplifying the 
waves coming from the non-tonearm side of the diaphragm, they were "add"ing 
more "tone".

Or was it just another way to establish a BS patent/avoid a Victor patent 
infringement?

Thoughts?

Best,
Robert


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