Jerry,

It may have been "providence" that led you to the Schwinn, but it was
"provenance" that you sought from the dealer!

;-b

Jeff
Wiscosnin 

-----Original Message-----
From: [email protected] [mailto:[email protected]]
On Behalf Of DeeDee Blais
Sent: Tuesday, January 11, 2011 11:01 PM
To: [email protected]
Subject: [Phono-L] Human nature...

Years ago I purchased a Victrola that was autographed by Louisa
Tetrazzini. 
 Next to the turntable, handwritten in white ink was "Souvenir from
Louisa 
Tetrazzini, April, 1923". Over the years I acquired other Tetrazzini
items that 
were signed with the same signature and I'm reasonably sure that the
Victrola 
autograph is genuine. But why did she sign the Victrola?  I developed a
romantic 
theory that she was in Portland, Oregon for a performance and instead of
staying 
in one of the hotels, she stayed with a wealthy Portland family.  As a
courtesy 
for their hospitality, she signed their Victrola.  I really wanted to
believe my 
theory, right up to the moment that I saw another Victrola with the same

inscription and same date! I had to face the fact that she must have
signed 
several Victrolas, probably at a Victrola sales promotion for a large
dealer.  I 
really wanted to believe that my Victrola XVI was the only "Tetrazzini" 
Victrola. Then I saw a second and it was a XVII!  
*
I know strange things happened but they were the exception.  I've
personally 
seen a Vernis Martin Victrola with an upside down decal.  I was
dumbfounded! 
 With that said, I still think 99.99% (or more) of the big Amberolas
left the 
factory with matching numbers. Those numbers were there for a reason.
When an 
Edison was traded in, the number was recorded by the dealer.  Stolen
machines 
were identified by the serial numbers.  I would not expect a dealer to
swap a 
mechanism from one new machine to another but it was possible. Those
machines 
are a century old and the original owners a long gone.  Even a machine
that has 
been in one family has gone through several family members and probably
repairs. 
 When those same machines started to be collectable I suspect first
generation 
collectors upgraded mechanisms and cabinets until they were pleased and
gave no 
thought to the serial numbers.  I remember reading a modern collector
statement 
that he was against swapping any mechanism or cabinet.  I immediately
realized 
that I had violated his ethical position by swapping out a very ordinary
and 
dull works for a nicer one in my mahogany Edison Standard B. Even though
the 
replacement mechanism was period correct, I had not even considered for
one 
moment what I was doing something wrong.  
*
I recently bought a NOS 1968 Sting-Ray Run-A-Bout from a man that was a
dealer 
in the 60's and 70's.  The bike was never sold until I bought it.  I
asked the 
seller if he would write a note on his old letterhead with a brief
history of 
that bike.  I was with my son, Tyler, and grandson, Wyatt.  Tyler
inquired why I 
asked for the note and I replied that "providence" of the bike was
important. 
Wyatt asked what that meant and I replied that the note would show the
history 
of the bike from the Schwinn factory to me.
*
If I were buying a big Amberola and questioned the seller why the
numbers didn't 
match and his reply was "it's always been that way... my grandfather
bought it 
new...", that's really not providence.  Too many things could have
happened.  I 
may really really want to believe it but my better judgement says
otherwise.
*
I'll stop now or I'll need to get a title for this book.


      
_______________________________________________
Phono-L mailing list
http://phono-l.oldcrank.org
_______________________________________________
Phono-L mailing list
http://phono-l.oldcrank.org

Reply via email to