Hi:

I don't think platinum would be a good choice as a start to alternative
processes - not that its difficult, its just expensive.

You might try salted paper printing, or albumen - maybe even cyanotype
Lots of info on albumen and salted paper here:

The Albumen and salted paper book:
http://albumen.stanford.edu/library/monographs/reilly/

and lots of other albumen salted paper info:
http://albumen.stanford.edu/

All of these processes require contact printing under UV light.  This
means producing an enlarged negative and a UV light source - or the sun

Not difficult, but a significant amount of learning for a single show.

You might try bromoil.  Its kind of like printmaking - I haven't used this
process.  Its not a quick and easy process to learn though and requires
its own specific materials.

Its very much a hands-on process.  Very much the antithesis of digital :)

Bromoil uses a B&W  print as its starting point.  If you already have
a standard B&W darkroom you can make this.

Here's a brief summary:
http://duke.usask.ca/~holtsg/photo/faq.html#bromoil

more detailed
http://home.powertech.no/pervo/bromoil.htm

More info here:
http://alt-photo.com/alt-photo/bromoil/
http://www.bromoil.com
http://members1.clubphoto.com/gene46746/guest-1.phtml
http://home.earthlink.net/~trans40/hopperlist/


If you're interested in collodion the place to begin is
http://www.collodion.org/ by Mark Osterman and France Scully Osterman

Gord

On Wed, 29 Jan 2003, Catherine Just wrote:

> Hi Everyone,
>
> I've bene getting the BEST mail lately - Thank you to
> everyone who is sending images! I hope you enjoy mine
> as well.
>
> I just spoke with a gallery owner and showed her my
> new series of pinholes I shot while in England. My
> boyfriend shot images with a digital camera and we are
> trying to have a show that has both our work. It's
> actually very interesting to see digital versus
> pinhole. The oldest technique and the newest, of the
> same place.
>
> He is going to print them in the most recent
> developing practice - like Iris printing, and I want
> to do an old process like platinum palladium, or
> something along those lines and I'm thinking I want to
> print BIG. I want 30x40. But may go 20x24. I think he
> is printing small.
>
> Curious if you know of any workshops in alternative
> printing practices that you recommend. I've seen some
> - there is one in Yosemite on Platinum.palladium that
> looks amazing.
>
> I LOVE the collodion look but that's done on the glass
> plate before exposure. ( Can you do collodion with a
> pinhole?? )
>
> Any workshop experiences or advice will be great.
>
> I would like to start printing in a month. I just need
> to decide which process would look the best for this
> type of imagery. Since I was holding the camers for 45
> second exposures - the images are pretty soft. and
> have motion to them.
>
> Sincerely,
>
> Catherine
>
> =====
> Catherine Just Photography
> Weddings~Portraits~Fine Art
> http://www.catherinejust.com
>         619.294.3195
>
>
> "Don't just state your intent, Live it." ~Jerry Seiner Jr.
>
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---------------------------------------------------------
Gordon J. Holtslander           Dept. of Biology
hol...@duke.usask.ca            112 Science Place
http://duke.usask.ca/~holtsg    University of Saskatchewan
Tel (306) 966-4433              Saskatoon, Saskatchewan
Fax (306) 966-4461              Canada  S7N 5E2
---------------------------------------------------------


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