Thanks - I saved two big ones (42 oz.) for my daughter's Halloween costume and she ended up not using them. 5" diameter - should take 8 x 10 sheet I guess, or 5 x 7.
Thanks Murray ----- Original Message ----- From: <pinhole-discussion-request@p at ???????> To: <pinhole-discussion@p at ???????> Sent: Monday, November 05, 2001 10:39 PM Subject: Pinhole-Discussion digest, Vol 1 #503 - 9 msgs > Send Pinhole-Discussion mailing list submissions to > pinhole-discussion@p at ??????? > > To subscribe or unsubscribe via the World Wide Web, visit > http://www.pairlist.net/mailman/listinfo/pinhole-discussion > or, via email, send a message with subject or body 'help' to > pinhole-discussion-request@p at ??????? > > You can reach the person managing the list at > pinhole-discussion-admin@p at ??????? > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of Pinhole-Discussion digest..." > > > Today's Topics: > > 1. RE: 'nother question - cylindrical oatmeal vessels (Andy Schmitt) > 2. Re: Cool News (Kosinski Family) > 3. What is Lith Printing? Lith Printing 101 (Guy Glorieux) > 4. RE: slit cameras? (Andy Schmitt) > 5. Re: slit cameras? (Tom Miller) > 6. Re: slit cameras? (Tom Miller) > 7. Re: slit cameras? (Guy Glorieux) > 8. Re: slit cameras? (Guy Glorieux) > 9. Re: slit cameras? (Tom Miller) > > --__--__-- > > Message: 1 > From: "Andy Schmitt" <aschm...@warwick.net> > To: <pinhole-discussion@p at ???????> > Subject: RE: [pinhole-discussion] 'nother question - cylindrical oatmeal vessels > Date: Mon, 5 Nov 2001 18:07:08 -0500 > Reply-To: pinhole-discussion@p at ??????? > > I have been using the "new" model with no real problems after I painted the > inside of the lid... > andy > > -----Original Message----- > From: pinhole-discussion-admin@p at ??????? > [mailto:pinhole-discussion-admin@p at ???????]On Behalf Of Murray > Sent: Monday, November 05, 2001 5:56 PM > To: pinhole-discussion@p at ??????? > Subject: [pinhole-discussion] 'nother question - cylindrical oatmeal > vessels > > > Hello: > > What has made the cylindrical oatmeal vessel fall from favor? Is it the > translucent lid vs. the old opaque one that fully sealed the end? > > Murray > > > _______________________________________________ > Pinhole-Discussion mailing list > Pinhole-Discussion@p at ??????? > unsubscribe or change your account at > http://www.???????/discussion/ > > > > > --__--__-- > > Message: 2 > From: "Kosinski Family" <zin...@telenet.net> > To: <pinhole-discussion@p at ???????> > Subject: Re: [pinhole-discussion] Cool News > Date: Mon, 5 Nov 2001 18:22:25 -0500 > Reply-To: pinhole-discussion@p at ??????? > > Thanks to Guillermo and YAHOO to Rosanne! > Jim K > > ----- Original Message ----- > From: "Guillermo" <pen...@home.com> > To: <pinhole-discussion@p at ???????> > Sent: Monday, November 05, 2001 8:30 AM > Subject: Re: [pinhole-discussion] Cool News > > > > > > ----- Original Message ----- > > From: "Gordy Emery" <geme...@hotmail.com> > > To: <pinhole-discussion@p at ???????> > > Sent: Monday, November 05, 2001 7:49 AM > > Subject: Re: [pinhole-discussion] Cool News > > > > > > > WHAT IS THIS????? > > > > > > > >YAHOO! > > > > YAHOO: > > > > Yet > > Another > > Hierarchical > > Officious/ > > Obstreperous/ > > Odiferous/ > > Organized > > Oracle. > > > > It also NOW is used as a shout of joy, perhaps in a similar way you would > > say HURRA. > > > > Guillermo > > > > > > > > _______________________________________________ > > Pinhole-Discussion mailing list > > Pinhole-Discussion@p at ??????? > > unsubscribe or change your account at > > http://www.???????/discussion/ > > > > > > --__--__-- > > Message: 3 > Date: Mon, 05 Nov 2001 20:49:33 -0500 > From: Guy Glorieux <guy.glori...@sympatico.ca> > To: Pinhole List <pinhole-discussion@p at ???????> > Subject: [pinhole-discussion] What is Lith Printing? Lith Printing 101 > Reply-To: pinhole-discussion@p at ??????? > > Hi Leezy, > > You asked for it, so here it is: Lith Printing 101! A bit long but > thorough... > > Lith printing is a process which allows you to produce wonderful color > shades on chlorobromide-silver emulsion B&W fiber-based paper (e.g. > Forte PolyWarmtone) using highly diluted Lithographic developer.. > > With this process, and depending on the type of paper you use (Forte vs > Luminos vs Foma), the shadows will print in dark earth tones and the > mid-tones will print in peach or olive-green shades. The effect will be > somewhat similar to split toning. Further tones can be achieved with > selenium or gold toning and/or with advanced chemistry kits. > > 1. THE PROCESS > > The paper is overexposed by several stops under the enlarger and then > processed for a period of between 8 to 20 minutes - with constant > agitation - in highly dilute Lith developer (Kodalith A+B will do, but > there are some more sophisticated developer available) which has been > contaminated with some oxidized Lith developer saved from the previous > session. > > The image does not start to form on the paper until something like 5 > minutes in the developer. (You really need to have a CD player in your > darkroom because this can be awfully boring...) The image then builds > up very gradually until a rather special reaction begins to occur in the > shadow areas, spreading slowly then rapidly to the mid-tone and > eventually the highlights. > > The art is to anticipate when the reaction will be just enough for your > print to be a gallery print but not so much that it turns into a garbage > print... You usually only have a few seconds to make that choice. The > trick is that the contrast of the print will markedly increase (or > sometimes diminish) when the print moves from the developer tray and > sits in the fix bath for a few seconds... Then and only then can you > tell if you've got a good print or a bad print. > > The other trick is that the developer oxidizes rapidly both because it > is in the open and because it is used to process prints. Which means > that the second print you process in the tray will not look like the > first one... So you always have to be on the lookout for what is > happening in the developer tray. > > Another peculiarity of this process is that exposure time controls the > contrast of your print and processing time controls the lightness or > darkness of the print. So you don't use any filtration in the enlarger > to control contrast. The longer you expose under the enlarger, the less > contrasty your print will be and vice-versa. This means that you can > achieve contrast grades far in excess of Grade 5. Sometimes this will > allow you to turn an apparently unprintable negative into a beautiful > print! Weird... but you get accustomed to it. > > 2. EXAMPLES OF LITH PRINTING > > You've seen examples of what can be done with this process on my > exhibition site at: > http://music.barnesandnoble.com/search/product.asp?ean=74646304624 > and on Erich's Fotair site at: > http://www.fotair.de/ > You obviously want also to see our own Robert Mann's outstanding pinhole > work at: > http://www.thencamenow.com/ > I also recommend checking the beautiful prints at the Moersch > Photochemie's site: > http://www.moersch-photochemie.de/html_english/index_english.htm > > For more detailed information, check SilverPrint's web site: What is > Lith Printing? > http://www.silverprint.co.uk/whatis.html > This shows significant extracts from Tim Rudman's key book "The Master > Photographer's Lith Printing Course". This is the bible for anybody > involved in this process. > > > 3. SPECIAL CONSIDERATIONS > > Please take note that this process is not cheap. Chlorobromide-silver > paper is expensive and some of the fine Lith developers need to be > imported from Europe at significant cost. One Canadian firm distributes > the excellent Moersch Developer (Eight Elm Photo at > http://www.eightelmphoto.com/ and they would likely be very happy to > ship in the US). > > Please take note that Lith Printing is an addictive process. Once you > begin, you won't be able to turn back to traditional B&W printing. If > you go this route, please warn your spouse of the dangers that you will > frequently erupt from the darkroom screaming and cursing the world and > occasionally come out in a state of pure ecstasy from seeing what you > can do to an otherwise unprintable negative. > > Hope this answers your questions and it this will entice you into this > marvelous darkroom process... -:)) > > Cheers, > > Guy > > > > --__--__-- > > Message: 4 > From: "Andy Schmitt" <aschm...@warwick.net> > To: <pinhole-discussion@p at ???????> > Subject: RE: [pinhole-discussion] slit cameras? > Date: Mon, 5 Nov 2001 21:13:52 -0500 > Reply-To: pinhole-discussion@p at ??????? > > I realize this is a truly stupid question but how does one make "crooked > slits" > thanks > andy > > -----Original Message----- > From: pinhole-discussion-admin@p at ??????? > [mailto:pinhole-discussion-admin@p at ???????]On Behalf Of Tom Miller > Sent: Monday, November 05, 2001 5:11 PM > To: pinhole-discussion@p at ??????? > Subject: Re: [pinhole-discussion] slit cameras? > > > Hi Jane, > > A slit is an elongated pinhole that, like a round pinhole, is an image > forming device. A slit is about the same width as the diameter of a > pinhole, but can be up to 2.5" to 3" long for a 4x5 negative. The > slit can be a straight line: horizontal, vertical or diagonal. The > image formed will take the characteristics of the slit. If the slit > is horizontal, the image will be wider than normal; if it vertical, > the image will be taller than normal. The fun part of slit > photography is using curved and zig-zag and right-angle and > question-mark-shaped and other wacky slits. Tf there are two slits > between the image and the film plane, the image will take on > characteristics of both slits. This is the second and truly fun part. > The resulting images are so distorted! > > There isn't a good description of slit photography that I've found on > the internet (yet). Good descriptions of slit photography and great > resulting images are in the Pinhole Journal, vol 15 #1 and in Eric > Renner's book "Pinhole Photography, Rediscovering a Historic > Technique." There's more about slits in the second edition than the > first. Eric and Nancy at Pinhole Resource sell the Cardozo slit > camera on their website www.pinholeresource.com. There is a picture > of the camera on their products page. > > Tom > > ----- Original Message ----- > From: "J.E. Patterson" <j...@lightjunkie.org> > To: <pinhole-discussion@p at ???????> > Sent: Monday, November 05, 2001 11:59 AM > Subject: [pinhole-discussion] slit cameras? > > > > Tom Miller wrote: > > > Attendees who stayed for the question/answer/network session saw > some > > > of my dual-slit color photos from the Iconclast series. > > > > Can you say more about slit cameras, or where to find out more > > about them? I noticed them in the description of an upcoming > > pinhole workshop here[at PCNW in Seattle], but I won't be able to > > attend. > > > > Cheers, > > Jane > > -- > > J.E. Patterson > > www.lightjunkie.org | www.luxumbradei.com > > > > _______________________________________________ > > Pinhole-Discussion mailing list > > Pinhole-Discussion@p at ??????? > > unsubscribe or change your account at > > http://www.???????/discussion/ > > > _______________________________________________ > Pinhole-Discussion mailing list > Pinhole-Discussion@p at ??????? > unsubscribe or change your account at > http://www.???????/discussion/ > > > > > --__--__-- > > Message: 5 > From: "Tom Miller" <twmil...@mr.net> > To: <pinhole-discussion@p at ???????> > Subject: Re: [pinhole-discussion] slit cameras? > Date: Mon, 5 Nov 2001 20:14:38 -0600 > Reply-To: pinhole-discussion@p at ??????? > > (My second reply to this message...) > > I posted two double-slit color images to the discussion list upload > gallery http://www.???????/discussion/upload/ > > They are early pieces from my Iconoclast series, which is continuing > apace (turtle's pace?). The images are scans of slides of 16x20 > prints. I'm a newbie at Photoshop, but used it to try to get some > cyan out of the "His Master" image that the scan put in. There > actually area areas of cyan and magenta in the original print, which > is why it still looks like it does. Slit cameras seem to scatter > color as well as distorting the images. I've noticed the same effect > in other color images. > > Tom > > ----- Original Message ----- > From: "J.E. Patterson" <j...@lightjunkie.org> > To: <pinhole-discussion@p at ???????> > Sent: Monday, November 05, 2001 11:59 AM > Subject: [pinhole-discussion] slit cameras? > > > > Tom Miller wrote: > > > Attendees who stayed for the question/answer/network session saw > some > > > of my dual-slit color photos from the Iconclast series. > > > > Can you say more about slit cameras, or where to find out more > > about them? I noticed them in the description of an upcoming > > pinhole workshop here[at PCNW in Seattle], but I won't be able to > > attend. > > > > Cheers, > > Jane > > -- > > J.E. Patterson > > www.lightjunkie.org | www.luxumbradei.com > > > > _______________________________________________ > > Pinhole-Discussion mailing list > > Pinhole-Discussion@p at ??????? > > unsubscribe or change your account at > > http://www.???????/discussion/ > > > > --__--__-- > > Message: 6 > From: "Tom Miller" <twmil...@mr.net> > To: <pinhole-discussion@p at ???????> > Subject: Re: [pinhole-discussion] slit cameras? > Date: Mon, 5 Nov 2001 20:33:26 -0600 > Reply-To: pinhole-discussion@p at ??????? > > I followed Marnie Cardozo's suggestions in the Pinhole Journal and > made slits out of ortho/litho film. Hung the film in a south window > for a week and developed it in stock Dektol for, well, a long time. > It is opaque and can be cut with a sharp scissors into remarkable > shapes. (I got the film from Freestyle a couple of years ago. > > Tom > > ----- Original Message ----- > From: "Andy Schmitt" <aschm...@warwick.net> > To: <pinhole-discussion@p at ???????> > Sent: Monday, November 05, 2001 8:13 PM > Subject: RE: [pinhole-discussion] slit cameras? > > > > I realize this is a truly stupid question but how does one make > "crooked > > slits" > > thanks > > andy > > > > > > > --__--__-- > > Message: 7 > Date: Mon, 05 Nov 2001 21:52:28 -0500 > From: Guy Glorieux <guy.glori...@sympatico.ca> > To: pinhole-discussion@p at ??????? > Subject: Re: [pinhole-discussion] slit cameras? > Reply-To: pinhole-discussion@p at ??????? > > > --------------B8F639A0A81D401C31444EFF > Content-Type: text/plain; charset=us-ascii > Content-Transfer-Encoding: 7bit > > > > Tom Miller wrote: > > > (My second reply to this message...) > > > > I posted two double-slit color images to the discussion list upload > > gallery http://www.???????/discussion/upload/ > > Hi Tom, > Can you be more specific on the location in the Upload gallery? I looked > around but there was too much stuff and gave up. > Cheers, > Guy > > > > > > > They are early pieces from my Iconoclast series, which is continuing > > apace (turtle's pace?). The images are scans of slides of 16x20 > > prints. I'm a newbie at Photoshop, but used it to try to get some > > cyan out of the "His Master" image that the scan put in. There > > actually area areas of cyan and magenta in the original print, which > > is why it still looks like it does. Slit cameras seem to scatter > > color as well as distorting the images. I've noticed the same effect > > in other color images. > > > > Tom > > > > ----- Original Message ----- > > From: "J.E. Patterson" <j...@lightjunkie.org> > > To: <pinhole-discussion@p at ???????> > > Sent: Monday, November 05, 2001 11:59 AM > > Subject: [pinhole-discussion] slit cameras? > > > > > Tom Miller wrote: > > > > Attendees who stayed for the question/answer/network session saw > > some > > > > of my dual-slit color photos from the Iconclast series. > > > > > > Can you say more about slit cameras, or where to find out more > > > about them? I noticed them in the description of an upcoming > > > pinhole workshop here[at PCNW in Seattle], but I won't be able to > > > attend. > > > > > > Cheers, > > > Jane > > > -- > > > J.E. Patterson > > > www.lightjunkie.org | www.luxumbradei.com > > > > > > _______________________________________________ > > > Pinhole-Discussion mailing list > > > Pinhole-Discussion@p at ??????? > > > unsubscribe or change your account at > > > http://www.???????/discussion/ > > > > _______________________________________________ > > Pinhole-Discussion mailing list > > Pinhole-Discussion@p at ??????? > > unsubscribe or change your account at > > http://www.???????/discussion/ > > --------------B8F639A0A81D401C31444EFF > Content-Type: text/html; charset=us-ascii > Content-Transfer-Encoding: 7bit > > <!doctype html public "-//w3c//dtd html 4.0 transitional//en"> > <html> > > <p>Tom Miller wrote: > <blockquote TYPE=CITE>(My second reply to this message...) > <p>I posted two double-slit color images to the discussion list upload > <br>gallery <a href="http://www.???????/discussion/upload/";>http://www.pinholevi sions.org/discussion/upload/</a></blockquote> > Hi Tom, > <br>Can you be more specific on the location in the Upload gallery? > I looked around but there was too much stuff and gave up. > <br>Cheers, > <br>Guy > <blockquote TYPE=CITE><a href="http://www.???????/discussion/upload/";></a> > <p>They are early pieces from my Iconoclast series, which is continuing > <br>apace (turtle's pace?). The images are scans of slides of 16x20 > <br>prints. I'm a newbie at Photoshop, but used it to try to get > some > <br>cyan out of the "His Master" image that the scan put in. There > <br>actually area areas of cyan and magenta in the original print, which > <br>is why it still looks like it does. Slit cameras seem to scatter > <br>color as well as distorting the images. I've noticed the same > effect > <br>in other color images. > <p>Tom > <p>----- Original Message ----- > <br>From: "J.E. Patterson" <j...@lightjunkie.org> > <br>To: <pinhole-discussion@p at ???????> > <br>Sent: Monday, November 05, 2001 11:59 AM > <br>Subject: [pinhole-discussion] slit cameras? > <p>> Tom Miller wrote: > <br>> > Attendees who stayed for the question/answer/network session saw > <br>some > <br>> > of my dual-slit color photos from the Iconclast series. > <br>> > <br>> Can you say more about slit cameras, or where to find out more > <br>> about them? I noticed them in the description of an upcoming > <br>> pinhole workshop here[at PCNW in Seattle], but I won't be able to > <br>> attend. > <br>> > <br>> Cheers, > <br>> Jane > <br>> -- > <br>> J.E. Patterson > <br>> www.lightjunkie.org | www.luxumbradei.com > <br>> > <br>> _______________________________________________ > <br>> Pinhole-Discussion mailing list > <br>> Pinhole-Discussion@p at ??????? > <br>> unsubscribe or change your account at > <br>> <a href="http://www.???????/discussion/";>http://www.pinholevisions.o rg/discussion/</a> > <p>_______________________________________________ > <br>Pinhole-Discussion mailing list > <br>Pinhole-Discussion@p at ??????? > <br>unsubscribe or change your account at > <br><a href="http://www.???????/discussion/";>http://www.pinholevisions.o rg/discussion/</a></blockquote> > </html> > > --------------B8F639A0A81D401C31444EFF-- > > > > --__--__-- > > Message: 8 > Date: Mon, 05 Nov 2001 21:50:57 -0500 > From: Guy Glorieux <guy.glori...@sympatico.ca> > To: pinhole-discussion@p at ??????? > Subject: Re: [pinhole-discussion] slit cameras? > Reply-To: pinhole-discussion@p at ??????? > > Andy, > It's like in the real life. Ask any crooked slit how they became crooked > and they will tell you that when they were a kid they used to be straight. > But then they had these friends who would go out in the bars late at night, > etc... You know the story...! It's the same thing all the time. I hope > that you'll keep a close eye on your slits when you get some. Don't let > them go out past 8:00 PM! > Cheers, > Guy > > Andy Schmitt wrote: > > > I realize this is a truly stupid question but how does one make "crooked > > slits" > > thanks > > andy > > > > -----Original Message----- > > From: pinhole-discussion-admin@p at ??????? > > [mailto:pinhole-discussion-admin@p at ???????]On Behalf Of Tom Miller > > Sent: Monday, November 05, 2001 5:11 PM > > To: pinhole-discussion@p at ??????? > > Subject: Re: [pinhole-discussion] slit cameras? > > > > Hi Jane, > > > > A slit is an elongated pinhole that, like a round pinhole, is an image > > forming device. A slit is about the same width as the diameter of a > > pinhole, but can be up to 2.5" to 3" long for a 4x5 negative. The > > slit can be a straight line: horizontal, vertical or diagonal. The > > image formed will take the characteristics of the slit. If the slit > > is horizontal, the image will be wider than normal; if it vertical, > > the image will be taller than normal. The fun part of slit > > photography is using curved and zig-zag and right-angle and > > question-mark-shaped and other wacky slits. Tf there are two slits > > between the image and the film plane, the image will take on > > characteristics of both slits. This is the second and truly fun part. > > The resulting images are so distorted! > > > > There isn't a good description of slit photography that I've found on > > the internet (yet). Good descriptions of slit photography and great > > resulting images are in the Pinhole Journal, vol 15 #1 and in Eric > > Renner's book "Pinhole Photography, Rediscovering a Historic > > Technique." There's more about slits in the second edition than the > > first. Eric and Nancy at Pinhole Resource sell the Cardozo slit > > camera on their website www.pinholeresource.com. There is a picture > > of the camera on their products page. > > > > Tom > > > > ----- Original Message ----- > > From: "J.E. Patterson" <j...@lightjunkie.org> > > To: <pinhole-discussion@p at ???????> > > Sent: Monday, November 05, 2001 11:59 AM > > Subject: [pinhole-discussion] slit cameras? > > > > > Tom Miller wrote: > > > > Attendees who stayed for the question/answer/network session saw > > some > > > > of my dual-slit color photos from the Iconclast series. > > > > > > Can you say more about slit cameras, or where to find out more > > > about them? I noticed them in the description of an upcoming > > > pinhole workshop here[at PCNW in Seattle], but I won't be able to > > > attend. > > > > > > Cheers, > > > Jane > > > -- > > > J.E. Patterson > > > www.lightjunkie.org | www.luxumbradei.com > > > > > > _______________________________________________ > > > Pinhole-Discussion mailing list > > > Pinhole-Discussion@p at ??????? > > > unsubscribe or change your account at > > > http://www.???????/discussion/ > > > > _______________________________________________ > > Pinhole-Discussion mailing list > > Pinhole-Discussion@p at ??????? > > unsubscribe or change your account at > > http://www.???????/discussion/ > > > > _______________________________________________ > > Pinhole-Discussion mailing list > > Pinhole-Discussion@p at ??????? > > unsubscribe or change your account at > > http://www.???????/discussion/ > > > > --__--__-- > > Message: 9 > From: "Tom Miller" <twmil...@mr.net> > To: <pinhole-discussion@p at ???????> > Subject: Re: [pinhole-discussion] slit cameras? > Date: Mon, 5 Nov 2001 21:35:29 -0600 > Reply-To: pinhole-discussion@p at ??????? > > This is a multi-part message in MIME format. > > ------=_NextPart_000_000F_01C16641.C9FB94E0 > Content-Type: text/plain; > charset="iso-8859-1" > Content-Transfer-Encoding: quoted-printable > > Hello Guy, > > Click on the link below. It should be the "Welcome to the Upload = > Gallery" page. Then click the "Gallery 2001" link. The first two = > images, dated Nov 5, should be should be the ones. =20 > > Tom=20 > Tom Miller wrote:=20 > (My second reply to this message...)=20 > I posted two double-slit color images to the discussion list upload=20 > gallery http://www.???????/discussion/upload/ > > Hi Tom,=20 > Can you be more specific on the location in the Upload gallery? I = > looked around but there was too much stuff and gave up.=20 > Cheers,=20 > Guy=20 > =20 > > ------=_NextPart_000_000F_01C16641.C9FB94E0 > Content-Type: text/html; > charset="iso-8859-1" > Content-Transfer-Encoding: quoted-printable > > <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> > <HTML><HEAD> > <META http-equiv=3DContent-Type content=3D"text/html; = > charset=3Diso-8859-1"> > <META content=3D"MSHTML 5.50.4134.600" name=3DGENERATOR> > <STYLE></STYLE> > </HEAD> > <BODY bgColor=3D#ffffff> > <DIV><FONT size=3D2>Hello Guy,</FONT></DIV> > <DIV><FONT size=3D2></FONT> </DIV> > <DIV><FONT size=3D2>Click on the link below. It should be the = > "Welcome to=20 > the Upload Gallery" = > page. Then click the "Gallery=20 > 2001" link. The first two images, dated Nov 5, = > should be=20 > should be the ones. </FONT></DIV> > <DIV> </DIV> > <DIV><FONT size=3D2>Tom</FONT> </DIV> > <BLOCKQUOTE dir=3Dltr=20 > style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; = > BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> > <DIV style=3D"FONT: 10pt arial">Tom Miller wrote: </DIV> > <BLOCKQUOTE TYPE=3D"CITE">(My second reply to this message...)=20 > <P>I posted two double-slit color images to the discussion list = > upload=20 > <BR>gallery <A=20 > = > href=3D"http://www.???????/discussion/upload/";>http://www.pinh= > olevisions.org/discussion/upload/</A></P></BLOCKQUOTE>Hi=20 > Tom, <BR>Can you be more specific on the location in the Upload = > gallery? =20 > I looked around but there was too much stuff and gave up. <BR>Cheers, = > <BR>Guy=20 > <BLOCKQUOTE TYPE=3D"CITE"><A=20 > href=3D"http://www.???????/discussion/upload/";></A> = > > </BLOCKQUOTE></BLOCKQUOTE></BODY></HTML> > > ------=_NextPart_000_000F_01C16641.C9FB94E0-- > > > > > --__--__-- > > _______________________________________________ > Pinhole-Discussion mailing list > Pinhole-Discussion@p at ??????? > http://www.???????/discussion/ > > End of Pinhole-Discussion Digest >
