Very nice, I really like the print. Could you tell us about the camera and film used (I am guessing there were 2 pinholes...)? Also, would it be possible to see an example of a negative printed on both "regular" paper and lith paper so that we can see what the contribution of the lith paper is? (It is hard to tell if contrast / tonality is due to it being pinhole, or to the lith printmaking process.)
Mike Vande Bunt Guy Glorieux wrote: > Hi everybody! > > Really this has been busy times for me lately. But, it seems I just > can't stop... I received last week my first Lith Printing kit and I > just had to try it on some of my favorite negatives. What a discovery! > To me Lith Printing is a natural complement to pinhole. > > I've loaded a picture at > http://www.p at ???????/discussion/upload/images/accalmie1lr.jpg > > Comments welcome! > > Anybody else does lith printing on this list? I'd be happy to hear and > share experiences. > > Cheers, > > Guy > > P.S. Lith Printing is a special B&W printing process using specific > types of paper and a specific type of paper developer. The paper is > massively overexposed under the enlarger and processed in highly diluted > developer for very a long period of times (from 8 to 30 minutes, with > constant agitation...). The print turns in shades of colors and yields > very different contrasts ranges in the highlights and the shadows. > Something like split toning, but different, all taking place at the > developer stage. > > _______________________________________________ > Pinhole-Discussion mailing list > Pinhole-Discussion@p at ??????? > unsubscribe or change your account at > http://www.p at ???????/discussion/
