Blue yeti. 

> On Mar 27, 2020, at 6:10 PM, David Schwartz <[email protected]> 
> wrote:
> 
> HA! You’re asking for a one-size-fits-all computer, OS, and programming 
> language! 
> 
> Mics are inherently very specialized pieces of equipment. You choose a mic to 
> fit your need. Anything even approxminating a one-size-fits-all solution is 
> not going to produce good results for a wide range of needs.
> 
> The only truly solid thing I can recommend is to look for a “unidirectional” 
> mic. That would be one with a “cardioid” or “hypercardioid” pickup pattern 
> rather than “omnidirectional”.
> 
> Omnidirectional mics pick up everything in the room, and are the main source 
> of feedback you hear when people have their computer speakers on.
> 
> FWIW, most lapel mics (the ones that clip onto your shirt) are almost all 
> omni’s. They tend to be paired with transmitter packs that have ALC so they 
> don’t pickup a lot of room noise, just the loudest signal nearby.
> 
> 
> Another general recommendation if you want to use it with a computer is that 
> you typically have two choices:
> 
> 1) get a mic with a built-in A/D converter and a USB plug on it; or 
> 
> 2) get a mic with a common XLR (3-pin) connector on it and a decent mixer / 
> preamp / computer interface.
> 
> A mic with a USB connector on it will be mostly “plug-n-play” for most 
> situations and fairly universal. It’ll look like a sound card and USB port.
> 
> They typically come with a desk stand, or are designed to be mounted on a mic 
> stand or moveable arm.
> 
> 
> There are generally two kinds of mics: dynamic and condenser. Actually, 
> they’re ALL dynamic, but some have a preamp built in, and they’re called 
> “condenser” mics. So you need "phantom power” to make them work, and you get 
> it from a preamp or mixer. (Some take batteries, but most use phantom power.)
> 
> Mics have different sensitivity levels and different abilities to handle high 
> Sound Pressure Levels (SPLs). You put mics that can handle high SPLs on drums 
> and brass instruments. 
> 
> Electric guitars have pickups built-in and they put out line-level signals 
> that are much higher than typical mics. Keyboards also put out line-level 
> signals.
> 
> Acoustic guitars and woodwinds would use mics that are good for vocals. 
> They’d also be good for podcasting, voiceovers, and Zoom-type meetings. Don’t 
> use them for drums or brass instruments or you’re likely to damage them.
> 
> The most popular all-purpose mics in the world are the Shure SM57 and SM58 
> (and its little brother, the SM48). You’ll need a preamp to use them with 
> your computer. Shure also makes some nice USB mics with desk stands.
> 
> Many USB mics have a rather retro look to them. 
> 
> 
> A lot of people get these big (4”) round things on a gooseneck that are 
> suspended in front of the mic. I think they’re pretty silly unless you’re 
> doing professional-level sound. They’re used as “pop filters”. A foam 
> windscreen that goes over the mic is just as effective most of the time, and 
> a lot cheaper. 
> 
> Mics designed to sit on your desk typically have foam inside the mic. An 
> external foam windscreen is good today because you can take it off and wash 
> it.
> 
> 
> You could consider a gaming headset; they’re going to have both a mic and 
> headphones, along with either a USB plug or two 1/8” connectors (pink and 
> green, for the mic and headphones). Headsets usually have omni mics on them, 
> which is OK since you’re listening through the headphones.
> 
> I prefer to listen through my computer speakers, and I use an AudioTechnica 
> PRO-8HEx head-mounted mic. It’s a unidirectional dynamic mic, so you need a 
> preamp or mixer with it. I use a Scarlett Solo. These head-mounted mics are 
> used by lots of radio and sports announcers who work in noisy environments, 
> as well as traffic reporters who report live from helicopters. If they can 
> block out chopper noise, you think they can block out your computer speakers 
> and prevent feedback? HECK YEAH! And dogs, kids, traffic noise outside, etc., 
> all of which are often picked up with cheap omni mics.
> 
> Omni mics have their purposes, for sure, but not for use in front of 
> computers. That’s one reason there’s not a one-size-fits-all mic unless you 
> get one that has a switch on it that lets you select the pickup pattern.
> 
> 
> 
> A few interfaces I can suggest are:
> 
> * Scarlett Solo or 2i2 — great quality, looks like a sound card to the 
> system, but they have their own Windows drivers. (Dunno about Linux.)
> 
> * Zoom LiveTrak L-8 — it’s a new device that’s designed for podcasting. It 
> has some really unique features, like the ability to plug in a TRRS plug from 
> a cell phone that bypasses the main mix (called mix-minus) to avoid feedback. 
> It’s for when you want to talk with someone on the phone during a podcast or 
> to record an interview. It’s a 12-track recorder, mixer, EFX, 4-channel 
> headphone splitter, and computer interface all in one spiffy box. Computer is 
> optional.
> 
> * Presonus StudioLive AR8c — this is another new device that’s very similar 
> to the L-8 but instead of a TRRS plug it has Bluetooth 5.0 built-in. And no 
> headphone splitter.
> 
> 
> As an aside on mixers today: There are something like three vendors who make 
> A/D and D/A chips that are used by virtually everybody who makes digital 
> audio equipment today. So the specs on most equipment are going to be nearly 
> identical. Which means companies are finally starting to have to innovate by 
> adding new and useful features to these devices without charging an 
> arm-and-a-leg for them. The features you find on these two mixers at the 
> level of sound quality they offer was unheardof 10 years ago. They are full 
> digital recording studios in a box with a bunch of EFX and other features you 
> usually wouldn’t find in typical mixers. And the EFX themselves are quite 
> good quality.
> 
> So most people buy a MIXER that has a bundle of features they’d want or need 
> (even if it’s as simple as a Scarlett Solo or 2i2), and then get a couple of 
> basic mics to use with it. The nice thing is, mics are universal things, like 
> keyboards — they can plug into just about everything. So you don’t get “one 
> to beat all”. Rather, you get a mixer, and then add mics that you need when 
> you need them.
> 
> -David  Schwartz
> 
> 
> 
>> On Mar 27, 2020, at 4:41 PM, der.hans <[email protected]> wrote:
>> 
>> moin moin,
>> 
>> With everyone else suddenly going online I need to finally improve some of
>> my versatility.
>> 
>> Any recommendations for microphones?
>> 
>> 
>> Needs:
>> 
>> * something that does well with voice, e.g. podcasts, presentations, meetings
>> 
>> * something that will work for an acoustic instrument
>> 
>> * works with laptops and desktops
>> 
>> * can eliminate background noises
>> 
>> * works with debian/Ubuntu
>> 
>> 
>> Wants:
>> 
>> * one mic to rule them all rather than needing multiple mics
>> 
>> * works with cellphones
>> 
>> * wired connection option
>> 
>> * inexpensive
>> 
>> * can be used in an open room with someone else joining the same chat room
>> in a different room in the house without flashback sound effects
>> 
>> * can be used in an open room with someone else joining the same chat room
>> in a different room in the house with flashback sound effects because
>> kidling thinks it's hilarious :)
>> 
>> 
>> We already have that last feature with the current setup.
>> 
>> For the most part, mic use can be in isolated parts of house. I might end
>> up needing multiple mics. If so, preferably they'd all be the same, but
>> that's not strictly a requirement. Most likely, I'll be buying one mic and
>> multiple headsets with mics.
>> 
>> Preferably, I'll be buying from Newegg.
>> 
>> ciao,
>> 
>> der.hans
>> -- 
>> #  https://www.LuftHans.com   https://www.PhxLinux.org
>> #  Linux Fest Northwest cancelled, working to get presentations online
>> #  https://www.lfnw.org/conferences/2020
>> #  The key to making programs fast is to make them do practically
>> #  nothing. ;-) -- Mike Haertel, 2011Aug21
>> 
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