Interesting article.....No question biased, but it brings up some
interesting points, that one has to look at and consider.

​


On Mon, Jun 2, 2014 at 4:11 PM, plainolamerican <[email protected]>
wrote:

> *Subverting the Disney Legacy*
>
> *How Michael Eisner Has Transformed the 'Magic Kingdom'*
>
> *By Mark Weber*
>
> For more than 40 years, the company founded and built by Walt Disney
> offered popular, well-crafted entertainment that upheld American values and
> traditions. Its films and television programming -- even if sometimes
> sugary -- epitomized, to use the much-mocked phrase, wholesome family
> entertainment.
>
> It was the work largely of one man, Walter Elias Disney (1901-1966), a
> gifted illustrator, brilliant filmmaker and genial entrepreneur who left a
> lasting mark on American popular culture. His cartoon characters, animated
> films, and amusement parks, are recognized around the world.
>
> In 1928 he launched the beloved Mickey Mouse character in an animated
> film, "Steamboat Willie," that became an immediate hit. In the decades that
> followed, Disney dominated animation art with such innovative and hugely
> popular films as "Snow White and the Seven Dwarfs" (1937), "Pinocchio"
> (1940), "Fantasia" (1940), and "Bambi" (1942). He also oversaw the
> production of such enduring feature films as "Treasure Island" (1950),
> "Robin Hood" (1952), "20,000 Leagues Under the Sea" (1954), "The Swiss
> Family Robinson" (1960), "The Absent-Minded Professor" (1960), and "Mary
> Poppins" (1964).
>
> Politically conservative and ardently anti-Communist, the hard-working
> Disney was habitually involved in every stage of production and management.
> He and his work were honored with 39 Academy Awards, and hundreds of other
> awards and tributes.
>
> *Under New Management*
>
> A period of stagnation that followed the founder's death came to an end in
> September 1984 when Michael Eisner became the Disney company's Chairman and
> Chief Executive Officer. Eisner moved quickly to install fellow Jews in top
> positions throughout the Disney operation, and soon Hollywood's last
> gentile-run studio passed into Jewish hands.
>
> As media critic Michael Medved has pointed out, "The famous Disney
> organization, which was founded by Walt Disney, a gentile Midwesterner who
> allegedly harbored anti-Semitic attitudes, now features Jewish personnel in
> nearly all its most powerful positions." ("Jews Run Hollywood. So What?,"
> Moment magazine, August 1996.) Under the new management,
> Disney company sales and profits soared, and the revitalized company
> reclaimed a leading place in the entertainment world.
>
> *A Mighty Media Empire*
>
> With its acquisition in 1995 of Capital Cities/ABC, Disney became the
> world's largest entertainment company. The Walt Disney Company today is a
> sprawling and highly profitable international business empire. (Revenue for
> fiscal year 1998 was $23 billion, and net income $1.9 billion.) With major
> holdings in film, television, radio and publishing, the company has
> a tremendous impact on the mindset and behavior of hundreds of millions
> around the globe.
>
> Through Walt Disney Pictures (headed by Joe Roth), Touchstone Pictures,
> Hollywood Pictures, Miramax (run by the Weinstein brothers), and Caravan
> Pictures, it is one of the world's largest film producers and distributors.
>
> Through the 1995 merger, Disney acquired the ABC Television network, which
> owns ten television stations outright. It also has 225 affiliated TV
> stations in the United States, and is part owner of several European
> television companies. Among its other TV holdings are Walt Disney
> Television, Touchstone Television, and Buena Vista Television. Disney also
> controls
> three major cable television networks with more than 100 million
> subscribers: ESPN (headed by Steven Bornstein), Lifetime Television, and
> Arts & Entertainment (A&E and the History Channel).
>
> Through its 1995 ABC acquisition, Disney owns 26 AM and FM radio stations,
> and has more than 3,300 ABC radio affiliates. The company also owns daily
> newspapers and glossy consumer magazines (including Discover), and Hyperion
> Press book publishers.
>
> In addition to Disneyland -- the "Magic Kingdom" amusement park in
> southern California opened by Walt Disney in 1955 -- the company today owns
> Disney World (Florida), Epcot Center, Tokyo Disneyland, and Euro Disney
> (France), as well as the "Mighty Ducks" hockey team and the "Anaheim
> Angels" baseball team. Each year Disney also sells well over a billion
> dollars worth of consumer products -- toys, books and clothing -- through
> more than 500 Disney stores.
>
> *Wealthy and Machiavellian*
>
> Michael D. Eisner, born in 1942 into a well-to-do Jewish family, was
> raised on Manhattan's Upper East Side and educated in private schools. His
> father was a Harvard lawyer who served as a high-ranking official in
> President Eisenhower's administration.
>
> As Disney chairman, Eisner has been fabulously -- some might say obscenely
> -- compensated. His annual base salary of $750,000 is only a small portion
> of his Disney income, which is mostly from stock option profits. In 1993,
> for example, Eisner's total compensation was a staggering $203 million,
> while in 1997 he exercised options on 21.9 million shares for a profit of
> $550 million.
>
> Since 1984, chairman Eisner has received nearly $1 billion from Disney,
> including base salary, bonuses, and stock options (Los Angeles Times, Dec.
> 4, 1997). In January 1997 he signed a ten-year extension contract with the
> company valued at some $200 million.
>
> Eisner has cultivated a public image of himself as friendly, trustworthy,
> and even boyish. But those who know him well regard him as treacherous and
> Machiavellian. David Geffen, a fellow Hollywood mogul who has known Eisner
> well for years, said of him in a 1995 interview: "Michael is a liar. And
> anyone who has dealt with him, genuinely dealt with him, knows he's
> a liar."
>
> *Cultural Revolution*
>
> Since 1984, Michael Eisner and his colleagues have refashioned Hollywood's
> most culturally conservative and family-oriented studio into one of its
> most culturally seditious and anti-traditional. In doing so, they betrayed
> the founder's legacy, degraded his values, and demeaned the company's
> defining spirit.
>
> Under Eisner's direction, the Disney company has turned out motion
> pictures packed with graphic violence and killing (such as "Pulp Fiction"),
> as well as rock music albums loaded with gross obscenities (such as "Insane
> Clown Posse" by "The Great Malenko" "hip hop" band).
>
> Even Commentary, the magazine of the American Jewish Committee (March
> 1998), was moved to lament: "If the old Disney tells us something
> inspiriting about who we were not so very long ago, the new and even more
> hugely lucrative Disney is just another signpost marking our long, steep
> cultural descent."
>
> *'Pink Triangle' Disney*
>
> While support for homosexuals has been widespread in Hollywood for years,
> under Eisner the Disney company -- in the words of the American Family
> Association -- has become "one of the leading promoters of the homosexual
> lifestyle, as well as the homosexual political and social agenda in America
> today." Eisner himself is a board member of "Hollywood Supporters," an
> influential and aggressive homosexual advocacy organization. The Disney
> company advertises in homosexual publications such as Out magazine, and has
> given financial support to at least one benefit for the "National Gay and
> Lesbian Task Force."
>
> In 1996, actress Ellen DeGeneres "came out" as openly homosexual, both
> personally and as the lead character on the "Ellen" sitcom series,
> broadcast on the Eisner-controlled ABC television network. Eisner
> introduced insurance benefits for same-gender partners of Disney's
> homosexual employees. For some years now, he has sanctioned "Gay Day" at
> Disney World, an event that each year draws throngs of boisterous "in your
> face" homosexuals.
>
> "In the interest of full disclosure," quipped Boston Herald columnist Don
> Feder, "Disney should change its corporate logo to show a pink triangle
> flying over Cinderella's castle." He went on to refer to Disneyland as "The
> Magic Kink-dom."
>
> *Assault Against Christianity*
>
> Under Eisner, the Disney company has waged a "cultural war" against
> Christianity, scorning the religious sensibilities of the vast majority of
> Americans.
>
> In a 1995 statement, the American Catholic Lawyers Association indignantly
> declared
>
> We all remember the Disney Company from the days when it produced films
> your children could actually watch without losing their innocence -- films
> which showed a decent respect for Christianity and Christian values. But
> that was before Mr. Michael Eisner took the helm of the Disney
> conglomerate. Now the Disney Company has joined the rest of Hollywood in
> obsessively attacking the Catholic Church and pumping R-rated filth into
> our culture -- under cover of its subsidiary, Miramax Films, whose
> co-chairmen are Bob and Harvey Weinstein.
>
> A particularly offensive example of the Eisner/Disney assault is "Priest,"
> a 1995 motion picture released by the company's Miramax subsidiary. It
> tells the story of four Roman Catholic clergymen: one is homosexual,
> another is alcoholic, a third has a mistress, and the fourth is insane.
>
> One of the strongest voices protesting this movie, and Disney's
> anti-Christian productions generally, has been that of the Catholic League
> for Religious and Civil Rights, a New York-based civil rights organization.
> "Priest," said League president William Donahue, "displays the most
> profound hostility to the Catholic Church that I have seen in the last 15
> years of
> reviewing movies." Eisner, Donahue added, would never approve a film that
> similarly portrays depraved Jewish rabbis or morally bankrupt homosexuals,
> or which contains cruel caricatures of African-Americans.
>
> *Anti-Arab*
>
> Reflecting the Zionist sentiments of its top management, the Eisner-run
> Disney company has produced a number of anti-Arab motion pictures in recent
> years. In a 1994 movie, "The Return of Jafar," for example, hook-nosed
> Arabs are referred to as "desert skunks." "The Father of the Bride, Part
> II" (1995), includes a loathsome Arab-American character named Habib
> (played, ironically, by Eugene Levy). "Kazaam" (1996), produced by Disney's
> Touchstone pictures, includes an assortment of villainous Arab characters,
> including a black marketer named Malik. Other recent anti-Arab Disney films
> include "In the Army Now" and "GI Jane."
>
> In August 1996 the American-Arab Anti-Discrimination Committee organized a
> demonstration outside the Disney studios to protest the company's pattern
> of anti-Arab productions.
>
> *White America Under Fire*
>
> For some years now, Hollywood and American television have churned out
> numerous films and television productions that distort European-American
> history and disparage white America's racial-cultural heritage. Under
> Eisner, Disney has moved to the forefront of this "politically correct"
> assault.
>
> Among the recent Disney films that misrepresent and malign America's
> European heritage has been "Pocahontas," a 1995 animated film that portrays
> Indians ("native Americans") as liberated, nature-loving, wise and noble,
> while depicting Europeans as narrow-minded, ignorant, bigoted and greedy.
>
> Under the "Hollywood Records" label, Eisner/Disney has issued CD albums
> with anti-white lyrics, including one by black "rap" singer "Prince Akeem,"
> who blames black poverty on a "white conspiracy." In April 1996 Eisner
> fired New York City's most popular radio talk show host, Bob Grant, from
> his job at Disney-owned WABC for allegedly white racist rhetoric.
>
> *'Economic War'*
>
> Some of the millions of Americans whom Eisner and his colleagues have
> affronted are fighting back. Most notably, the nation's two largest
> Christian groups -- the Roman Catholics and the Southern Baptists -- have
> declared "economic war" against Eisner/Disney.
>
> In 1996 the Catholic League for Religious and Civil Rights announced a
> "nationwide charge against Disney, making use of every legal means
> available -- from boycotts to stockholder revolts," to pressure the company
> into ending its hostility to Christianity and Catholicism. Roman Catholic
> dioceses across the country and the Catholic fraternal association Knights
> of Columbus sold off millions of dollars in Disney stock.
>
> The Southern Baptists -- with 16 million members, the largest Protestant
> denomination in the United States -- voted overwhelmingly in 1996 and again
> in 1997 to boycott Disney films and products. The group cited the company's
> trashing of traditional and family values, and in particular its support
> for homosexuality.
>
> The Assemblies of God church -- an evangelical Christian denomination with
> 2.5 million members -- launched its own anti-Disney boycott campaign in
> 1996. It criticized the company for "abandoning the commitment to strong
> moral values."
>
> Such boycott efforts seem to have had little lasting impact, however,
> because Disney company products and services are so widely available, often
> under non-Disney labels, because pre-Eisner Disney images are still so
> beloved, and, more generally, because of public apathy.
>
> *Seductive and Dangerous*
>
> Because Eisner and the others who run the motion picture and television
> industries are able to shape the public's barely conscious basic
> assumptions about life and society, thereby profoundly influencing the
> thinking and actions of millions, they wield greater power than even our
> elected lawmakers.
>
> A lust for profits does not adequately explain the social-cultural agenda
> of Eisner and the others who control the American media. Rather, they seem
> driven by priorities that are fundamentally hostile to this nation's most
> vital traditions and basic values.
>
> Precisely because the Eisners of Hollywood and New York beguilingly pose
> as friends, they are more insidious, and ultimately more dangerous, than
> even a military threat from a foreign power.
>
> Eisner's transformation of Disney parallels, and contributes to, the
> cultural, social and political transformation of the United States as a
> whole. Like America's political leaders, Eisner and his Disney colleagues
> reassuringly display familiar symbols and trademarks from an earlier era,
> exploiting reputations and good-will painstakingly built up over decades.
> Those who patronize Disney are reassured that such beloved symbols as
> Mickey Mouse and Snow White are still in place, just as millions of
> credulous Americans are reassured about the future of the United States
> because such icons as the American flag and the US Constitution are still
> in place. But in each case, the spirit that gave life to these venerable
> symbols has been driven out by a very different one -- a spirit that has
> not yet dared to show its real face, or speak its real name.
> ------------------------------
>
> From *The Journal of Historical Review*, Sept. - Oct. 1998 (Vol. 17, No.
> 5), pages 10-13.
>
>
> On Sunday, June 1, 2014 2:16:59 PM UTC-5, Travis wrote:
>>
>>
>>
>>
>> http://www.buzzfeed.com/jessicaprobus/super-hard-
>> disney-quiz?utm_medium=email&utm_campaign=BuzzFeed+531&utm_
>> content=BuzzFeed+531+CID_0f226c5b6714543f15e4bbeead658d
>> 34&utm_source=Campaign%20Monitor&utm_term=This%20is%
>> 20some%20of%20the%20toughest%20Disney%20trivia%20of%20all%20time
>>
>> I got 9 of 25.
>> Added by me:  What is Donald duck's middle name?
>>
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