Nyheter fra 2L .:. 52nd GRAMMY AwardsNews from 2L
52nd GRAMMY Awards

Best Surround Sound Album (Category 94) 
Colabs
David Miles Huber, surround mix engineer; David Miles Huber, surround mastering 
engineer; David Miles Huber, surround producer (David Miles Huber, Allen Hart, 
DJ Muad'Deep, Seren Wen, Musetta, Henta, Marcell Marias & Gail Pettis)
51bpm
Flute Mystery
Morten Lindberg & Hans Peter L'Orange, surround mix engineers; Morten Lindberg, 
surround mastering engineer; Morten Lindberg, surround producer (Emily Beynon, 
Vladimir Ashkenazy, Fred Johnny Berg, Catherine Beynon & Philharmonia Orchestra)
2L/Lindberg Lyd
Kleiberg: Treble & Bass
Morten Lindberg & Hans Peter L'Orange, surround mix engineers; Morten Lindberg, 
surround mastering engineer; Morten Lindberg, surround producer (Daniel Reuss, 
Trondheim Symfoniorkester, Marianne Thorsen & Göran Sjölin)
2L/Lindberg Lyd
1970 - 1975
Nick Davis, surround mix engineer; Tony Cousins, surround mastering engineer; 
Nick Davis, surround producer (Genesis) Atlantic/Rhino
Transmigration
Michael Bishop, surround mix engineer; Michael Bishop, surround mastering 
engineer; Elaine Martone, surround producer (Robert Spano, Atlanta Symphony 
Orchestra & Choruses)
Telarc2L nominated for two 
GRAMMY-Awards

FLUTE MYSTERY and TREBLE & BASS are nominated in the Best Surround Sound Album 
category this year. Philharmonia Orchestra, Vladimir Ashkenazy, Emily & 
Catherine Beynon, Trondheim Symphony Orchestra and Marianne Thorsen envelope 
the listener in a Nordic mood of orchestral surround sound. Both recordings 
feature music by Norwegian composers. 


The Norwegian label 2L now count a total of 7 nominations past four years. The 
52nd Annual GRAMMY Awards will be held on "GRAMMY Sunday," Jan. 31, 2010, at 
Staples Center in Los Angeles and once again will be broadcast live in high 
definition TV and 5.1 surround sound on CBS from 8-11:30 p.m. (ET/PT).
2L is distributed in the USA by Naxos of America.
Morten Lindberg: We prefer to record in spacious acoustic venues; large concert 
halls, churches and cathedrals. This is actually where we can make the most 
intimate recordings. The qualities we seek in large rooms are not necessarily a 
big reverb, but openness due to the absence of close reflecting walls. Making 
an ambient and beautiful recording is the way of least resistance. Searching 
the fine edge between direct contact and openness; that's the real challenge. A 
really good recording should be able to bodily move the listener. 
This core quality of audio production is made by choosing the right venue for 
the repertoire, and balancing the image in the placement of microphones and 
musicians relative to each other in that venue. Planning and discussions with 
the musicians create trust and a sense of occasion and excitement that 
translates onto the recordings. What we insist upon in the recording phase is 
time. We usually spend from four to six days of recording on a 60-minutes 
repertoire. In credit of the musicians I need to say that this is not in need 
of getting the score right, but in order to bring forward the right mood and 
dimensions. At most projects the entire first day is spent bringing the 
dimensions down from a 1500-people hall to the proximity encountered on a 
home-visit to your living room. The challenge of this process is to get the 
volume down, keeping the intensity and energy up, without being intrusive. 
There is no method available today to reproduce the exact perception of 
attending a live performance. That leaves us with the art of illusion when it 
comes to recording music. As recording engineers and producers we need to do 
exactly the same as any good musician; interpret the music and the composer's 
intentions and adapt to the media where we perform. 
www.2L.no


 
FLUTE MYSTERY
Emily & Catherine Beynon
PHILHARMONIA ORCHESTRA / Vladimir Ashkenazy
Only the full symphony orchestra can impose the true emotional dynamics of the 
arctic nature. FLUTE MYSTERY is a collection of five orchestral works by 
Norwegian composer Fred Jonny Berg. In this distinctive and dynamic surround 
sound recording, the Philharmonia Orchestra with Emily & Catherine Beynon as 
soloists on flute & harp are conducted by the legendary Vladimir Ashkenazy. 
FRED JONNY BERG:
- Flute Mystery
- Warning Zero
- Pastorale
- Vicino alla Montagna
- Flute Concerto No.1
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MUSICONLINEFLAC 24 BIT / 96 kHz artwork

Hybrid SACD + music Blu-ray
two-disc-box at the price of one ordinary Blu-ray.
The Hybrid SACD plays on all standard CD-players and computers.

Vladimir Ashkenazy: I am very fond of Scandinavian mentality, the way people 
express themselves and their spiritual world. It has always been a very special 
treat for me to conduct and play Scandinavian music and it is a particular 
pleasure to introduce to the world a very talented Norwegian composer Fred 
Jonny Berg whose music in its own way is a genuine reflection of his world.
Berg's music is often described as melodious, accessible and dramatic, yet with 
a highly original quality. Berg himself tries to explain: It is really as 
simple as it is complicated - I breathe in what life has to offer, and breathe 
out what I have to offer life. I have given up trying to grasp what actually 
happens in the process from impression to expression. In his music Fred Jonny 
Berg reveals himself as a person who has experienced that life consists of 
light and dark, but unlike the majority of us he approaches both with a similar 
undaunted decisiveness; it adds an extra quality to his music: the conviction 
of an eyewitness.
Hybrid Super Audio-CD 5.1 SURROUND + STEREO
- Standard CD (16BIT/44.1kHz)
- 2.0 DSD (2.8224Mbit/s per channel)
- 5.1 DSD (2.8224Mbit/s per channel)
The hybrid SACD looks like a normal CD 
and plays on all standard players and computers.Blu-ray 5.1 SURROUND + STEREO
- 5.1 DTS HD Master Audio 24BIT/96 kHz
- 2.0 LPCM 24BIT/96 kHz
Sony's PlayStation3 is fully compatible with this disc.
Exclusive High Definition Music - video only for menu guide.

Fred Jonny Berg's sheet music is available online for evaluation and delivery. 
All scores are available for free at www.symbiophonic.as

 
 
Treble & Bass - KLEIBERG concertos
Marianne Thorsen & Göran Sjölin
TRONDHEIM SYMFONIORKESTER / Daniel Reuss
Marianne Thorsen is widely known for her recording of MOZART violin concertos 
with TrondheimSolistene. Now she demonstrates what beauty that lies in the 
Violin Concerto of our classical contemporary composer Ståle Kleiberg. Göran 
Sjölin brings the sonic qualities of the double bass into new light, and both 
solo concertos are supported by a widely staged Trondheim Symphony Orchestra in 
an exceptional surround sound recording.
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MUSICONLINEFLAC 24 BIT / 96 kHz artwork

Hybrid Super Audio-CD 5.1 SURROUND + STEREO
This compact disc looks like a normal CD 
and plays on all standard players and computers.
Ståle KLEIBERG: Concerto for Violin and Orchestra / Concerto for Double Bass 
and Orchestra
If we seek a stylistic reference point for Kleiberg's music, it is perhaps not 
fanciful to refer to its recovery of certain qualities that we associate with 
northern Europe during the first half of the twentieth century. Composers as 
different as Sibelius, Nielsen and Vaughan Williams all established unique 
dialogues with central European and French modernists, but in ways that allowed 
for a tone of lofty idealism, even at times of frank romanticism that was 
unavailable to the modernists themselves. Kleiberg seems to continue and to 
extend dialogues of this kind. He has never been a slave to fashion, but it is 
striking that the neo-romanticism that is his most natural mode of expression, 
has once again become a part of our general culture. 


 
FLUTE MYSTERY stage layout: 

PDFPDFPDFPDFPDF

Blu-ray is the first domestic format in history that unites theatre movies and 
music sound in equally high quality. The musical advantage of Blu-ray is the 
high resolution for audio, and the convenience for the audience as one single 
player will handle music, films, their DVD-collection and their old library of 
traditional CD. What we are seeing is a completely new conception of the 
musical experience. Recorded music is no longer a matter of a fixed 
two-dimensional setting, but rather a three-dimensional enveloping situation. 
Stereo can be described as a flat canvas, while surround sound is a sculpture 
that you can literally move around and relate to spatially; with surround you 
can move about in the aural space and choose angles, vantage points and 
positions. 
Our Pure Audio Blu-ray Discs has been designed to offer two ways of operation, 
either with or without a TV screen: you can either navigate the on-screen 
POP-UP MENU or simply use the dedicated buttons of your remote control. The 
NUMERIC keys directly access the corresponding track number and the desired 
audio stream can be selected by the COLOURED keys on your remote. 5.1 DT S HD 
Master Audio is preselected. These functions are developed by msm-studios and 
Lindberg Lyd and anticipate what we expect to find in the future profile 3 for 
Blu-ray players.
Treble & Bass stage layout: Surround sound stage layout for the recording 
sessions are created by the composers, performers and balance engineer in a 
creative process essential to the product. 
 PDF


 
"The Norwegian label 2L is now arguably the finest recording group currently in 
operation with digital audio offerings that push the limits of technology. 
Blu-ray delivers an excellent medium for 24-bit/192 kHz PCM multichannel audio. 
2L consistently shows throughout the tracks in The Nordic Sound that 
multichannel delivery trumps two-channel. Nearly all of the tracks reveal 
amazing samples of audio engineering as well as virtuoso musicianship. And 
these reference recordings offer an excellent opportunity to evaluate one's 
system. The sampler delivers a rich variety of tracks from TrondheimSolistene: 
Divertimenti, Mozart-Grieg: Works for Two Pianos, Vol. II, Magnar Am: Sonar and 
many more, allowing listeners to figure out which of 2L's offerings would be 
worth exploring in greater detail. Highest recommendation. " (Greg Maltz 
Blu-ray.com) 
The Nordic Sound - 2L audiophile reference recordings 
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MUSICONLINEFLAC 24 BIT / 192 kHz photos

For KORG MR-recorders and Sony VAIO computers: DSD audio files


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