MANDALA   SAMPAI   LOKAPALA

The Serpentine Rainbow Goddess and the Ouroboros 



 Encircled all around the Central Mountain and the four subsidiary peaks of the 
Navajo mandala we have the Rainbow Goddess, here figured as a snake. This 
Rainbow Snake that encircles the whole Earth is indeed the Circular Ocean. It 
is sometimes made double as all things are dual. The earth-encircling ocean has 
its double (or microcosmic replica) in the River Oceanus that encircled 
Atlantis, as well as its many counterparts all over the world. 
 The great circle of the Ocean is represented as a giant snake (the Ouroboros). 
It opens towards the Orient, in an obvious reference to the Gates of Paradise, 
which lies towards that conventional direction. The Circular Ocean is also 
shown explicitly in the Hindu mandalas of Fig. 3, one of which is the famous 
Shri Yantra, in a stylized rendering. The lotus on top the Holy Mountain of the 
Hindu mandala of Fig. 3 is indeed the Golden Lotus whose esoteric meaning we 
examine elsewhere in detail. The Golden Lotus is indeed the "atomic mushroom" 
of the giant volcanic explosion that destroyed the site of Paradise and 
ultimately caused its sinking away. This "lotus" is the Pillar of Fire and 
Smoke that guided the Israelites on their flight from the site of Sinai, 
precisely the same mountain that the Hindus call Meru and the Greeks called Mt. 
Atlas. 
 The Circular Ocean is, in reality, the same as the River Oceanus that 
encircled Atlantis, according to the description of Plato and others. This 
circular river (or canal, rather) is a classical feature of the traditional 
descriptions of the Hindu Dvipas (Paradises). It was, just as in Greece, also 
the circular river of Hades which the Greeks equated with the Styx and the 
Hindus with the infernal Vaitarani, for sunken Atlantis veritably turned from 
Paradise into Hell. 
Mt. Meru and the Whirling Mountain 
 Anyone familiar with Hindu mythology will immediately recognize that the above 
Four Colors Red, White, Yellow, Black are those of the Hindu varnas (or 
"castes"). And, in fact, these four colors represent the Four Races of Mankind, 
which originated in Paradise, at least, according to tradition. The arrangement 
of the Central (or Whirling) Mountain surrounded by four subsidiary peaks in 
the Navajo sandpainted mandalas also corresponds to that of Mt. Meru, flanked 
by its Four Guardians and their corresponding four subsidiary mountain peaks. 
In India, as with the Navajos, the Four Guardians are also represented as 
either gods (Lokapalas), mountains, snakes (Nagas) or birds (Garudas), which 
are frequent animal shapes assumed by them. 
 Moreover, each of the Four Hindu Guardians is also associated with a heraldic 
colour, in exact correspondence to the Navajo ones: White, Yellow, Black and 
Red. Red is the color of death and bloodshed, representing the warrior caste. 
This is symbolically equivalent to purple or blue, the color associated with 
death by asphyxia (drowning, hanging, etc.). This "death" is the drowning of 
Atlantis-Paradise turned into Hades, into the Realm of the Dead, by the 
cataclysm. 
 The other three colors also correspond to the other three castes of Vedic 
India. So it is visible that the Hindu tradition somehow passed into the 
Americas, where it was universally utilized. As can be seen in Fig. 3, the four 
sides of Mt. Meru are also similarly colored with the Four Varnas. The Four 
Subsidiary Centers (or Guardians) are sometimes represented by the Four Trees 
shown in Fig. 2 or by buffaloes (not shown) or, yet by Winds, Suns, Moons, Bats 
(Vampires), Thunderbolts, as well as by Coiled or by Standing Serpents 
resembling zigzag lightning and ball lightning. 
 The Central Mountain is sometimes shown as a sort of rosacea (or four-leafed 
clover), with each leaf of one of the above four colors. This rosacea shape of 
the Holy Mountain is also frequent in India, where it was often identified to 
the Lotus or Rose, another allegory of Creation. More exactly, the Lotus 
allegorizes, as we just said, the "atomic mushroom" of the colossal explosion 
of Mt. Atlas, the one that destroyed Paradise. It was this explosion that drove 
the survivors out, and triggered the process of Creation everywhere, in a 
worldwide scale. 
 The rosacea of the Navajos (and other related forms) really represents a 
pyramid of four sides terminated by a round base. This is an exact replica of 
Mt. Meru of the Hindus, which is the true archetype of all such four-sided 
pyramids or mountains from all over the world. Mt. Meru is also the Polar (or 
Whirling) Mountain, turning at the Center and supporting the skies, just as is 
the case with Mt. Atlas, the Pillar of the Skies, in Greek myths. 
 In other words, what the Whirling Mountain of the Navajo Indians indeed 
represents is Mt. Atlas, the Pillar of the World. And this "pillar", the Pillar 
of Heaven, is, as we just said, the same as the Pillar of Fire and Smoke 
topping Mt. Sinai during the Exodus. Mt. Atlas is just the name given by the 
Greeks to Mt. Meru, the Holy Mountain of Vedic Traditions. It was from this 
hymnary and the associated Hindu myths that the Greeks copied their traditions 
on Atlantis, already old in India and Indonesia when the Greek nation not even 
existed as such. 
 The Greeks translated as "Atlas" the Hindu name of Atalas, another name of Mt. 
Meru, the Mountain of Paradise. This Sanskrit word means something like "sunken 
down", and was rendered it into the Greek language as Atlas, a word they 
likewise derived from a-tla, meaning "the one that did not (a) bear out (tla)", 
which is approximately the same etym. As is clear, the Greeks copied their 
myths on Atlas and Atlantis from the Hindu/Indonesian ones, which are not only 
far older, but indeed conformal to the local geography and factual traditions. 
 So, the coincidence is not only of the actual traditions, but also of the very 
names between Greek myths and Hindu ones. And the region where the terrible 
event indeed took place was Indonesia, the true site of the former Hindu 
Paradise (Atala) turned Hell. What else can we conclude but that the tradition 
of Atlantis indeed derives from the Indies and that it is there that we must 
search Atlantis-Eden and the origin (alpha, alief) of Mankind and Civilization? 
The Four Guardians and the Lokapalas 
 Alternatively, in other Navajo mandalas, the Four Guardians are represented as 
Four Suns, Four Moons (identical) or as two pairs of Suns and Moons



PS : Probably, Minister for Culture (Indonesia) doesn't care nor even know 
anything about this..


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