on 18/11/02 2:21 pm, Jorge Parra at [EMAIL PROTECTED] wrote: Hi Jorge > Not having but some 1-2% of your knowledge and expertise in Photoshop,
I wouldn't be so sure of that! You'd be surprised just how _little_ expertise I do have. <G> > I > never thought I could offer you a piece of advise, but this one I can tell > with absolute confidence. Custom white balancing, as boring as it sounds, > ( requiring to shoot a 'calibration shot" with every change in lighting) is > the only way to keep the chip under control. Those new cameras offer auto > setting for daylight, tungsten,fluorescent,flash etc, devised to ease your > life, but those "canned" settings have such a big range of color > temperatures, you can't tell if you are really calibrating anything at all, > and then the fight occurs in PS, when you could have none or just a little > at all. Fortunately, I've been white balancing cameras since 1985-ish. I don't expect too many problems on that front but I do appreciate the thought behind the advice. Where I do expect problems is convincing people to hire me!!! If you have time, go here: http://www.e-pixel.co.uk/cinematogaphy/index.htm --/Shangara Singh Adobe Certified Expert (ACE) Photoshop 7.0 Exam Aids for Photoshop ~ Illustrator ~ Dreamweaver http://www.examaids.com :: http://www.e-pixel.co.uk =============================================================== GO TO http://www.prodig.org for ~ GUIDELINES ~ un/SUBSCRIBING ~ ITEMS for SALE
