This is kind of off-topic, but I figured that there would be a lot of
knowledgeable people on this list that could possibly help.
As I mentioned in my introduction some weeks ago, I'm not actually a
photographer, but am primarily a graphic/web designer who also does
digital image retouching with skills acquired from 2.5 year stint in a
digital photographers. What is important -- however -- is that when
doing colour stuff I can get close to what is ultimately printed.
I work from home, and am in the process of moving my office from my
small study to the main room downstairs, due to the need for extra
space. I am quite prepared to gut the room concerned, and need to
totally rethink the lighting and decor.
I don't do enough color-work to justify cast amounts of money on things
like view booths, but I am keen to put lighting in that isn't just
'normal' home lighting. The room itself doesn't get a great deal of
natural light, and the layout and hours I keep tend to demand
artificial, controlled light to avoid reflections, etc. on monitors. I
plan to paint the wall neutral grey, with light beech desks and floor.
Can anyone recommend a UK supplier of light fittings, lamps, etc that
aren't expensive, but will create an environment for acceptable (rather
than critical) color work.
Is it an achievable goal -- for general office lighting, suitable for
8-10 hour standard office days -- to be aiming for D50 or D65? Or would
that be too dingy/bright to work in?
I don't expect to get full-compliance D50 or D65, just something close.
Can anyone who's been here recommend where I should be looking and what
I should be considering, rather than picking up a couple of light
fittings from B&Q or Homebase and using standard office fluorescent
tubes, which -- I guess -- would be a complete waste of time.
I guess I'm after an 'artificial daylight' environment, that means
proofs from my ink-jet, and colours on screen aren't a million miles
from what a 'repro' house would see in a view booth, but without going
as far as a totally neutral decor, wearing a non-reflective smock and
painting my face grey to avoid color contamination.
All advice, on or off-list, gratefully received.
TIA
--
Andy Warwick
Creed New Media Design, Nottingham, UK
[t] +44 (0)115 8476867
[w] <http://www.creed.co.uk/src/prodig/index.htm>
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- Re: [PRODIG] [OT] Achieving 'daylight' office lighting Andy Warwick
- Re: [PRODIG] [OT] Achieving 'daylight' office lightin... Ellie Kennard
- Re: [PRODIG] [OT] Achieving 'daylight' office lightin... David Townend
- Re: [PRODIG] [OT] Achieving 'daylight' office lig... Andy Warwick
- Re: [PRODIG] [OT] Achieving 'daylight' office lightin... Richard Kenward
- Re: [PRODIG] [OT] Achieving 'daylight' office lightin... Mike Russell
- Re: [PRODIG] [OT] Achieving 'daylight' office lightin... TREVITHO
- Re: [PRODIG] [OT] Achieving 'daylight' office lig... Richard Kenward
- Re: [PRODIG] [OT] Achieving 'daylight' office... Paul Bradforth
