From: "John glynn"  [EMAIL PROTECTED]
Subject: RE: [PRODIG] changing over to digi costs


Hi Jackie

Thanks for the clarification regarding yourself and Savills from Thursday
31st. (Sorry it's a late reply). The topic had got a bit bogged down with
speculation as to the the quality issues and reasons where Savills were
going.  I, for one, am more than happy for you to
be on the list.  There has been much talk on this list over the past few
months regarding educating clients - I think this is as good a place to
start as anywhere.

I note that you are already aware of the differences between film and
digital, but I think it would still be a good idea to write down a list of
pros and cons for Savills to change/use digital.  What is provided at
present by most of your photographers?  Is it 4x5, 120 or 35mm format film?
If 5x4  it is unlikely that you will get the same quality from digi, at
least not cheaply.  Therefore, do Savills want/need to change?  You
mentioned that some photographers are already providing digital, but with
varied quality results.  Digital in what way?  I was a bit surprised at the
statement that the quality from the photogragraphers using digital was
inconsitent.  Why should it be any more inconsitent  than with film?  Either
they are using the right kit for the job, or they are not, whether film or
digital.  This gives the impression that either the photographers have
bought the wrong digi kit for the job, or they have the right kit, but don't
know how to use it. Are they actually shooting on digi or scanned from film?
If digital cameras, what format?

When I switched to digital I shot film as well for the first few jobs, so
that I could confirm both to myself and the client that the quality was good
enough.  I would suggest that the photographers be requested to provide an
A2 print from film and digital output, as this was your initial request, and
see whether there is any significant quality difference for the type of
pictures you want from that photographer, with a note as to the cameras
used.  In this way you would be able to judge whether to change to digital
or not for that type of work.  Or, for that matter, look for a different
photographer, as the quality issue provided might not be the camera, digital
or otherwise, but the photographer.

Hope this helps a bit.

Regards

John

Website: jgimages.co.uk



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