David Kay wrote:

>> When you make exposures with a digital back, photons or light energy, are
>> converted to electrons or electrical energy, PROPORTIONATE to the intensity
>> of the light! Therefore there IS a relationship to exposure in f-stops!

Hi David,

Think you'll find that ( as usual ) Thomas is right on this one . It may 
be a useful analogy to look at the chip as a piano. The lowest 
note(shadow detail) is governed by the length of the longest wire and the 
highest note  (highlight detail  ) by the shortest wire . The dynamic or 
'tonal' range is between the two. The  higher bit depth , the  more keys 
on the piano. More keys  will enable you to play a more sophisticated 
tune with far less of a jump between notes ,essential with a large 
dynamic range. But more keys  won't  enable you to play a higher or lower 
note than the tuning of the piano. 

"Dynamic range is an Analogue limitation of the sensor. However a wider
dynamic range requires more bits to describe it adequately, producing 
smooth tonal gradations".
 
Regards ( musically :-) )

Bob Marchant.
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