>> The magenta cast would be evident to anyone, and, given a neutral
file - which was printed neutral in 2 out of 3 cards - should be
recognised by the printer. Way more than 2-4% discrepancy <<

Ellie, do you know about GCR?

If a neutral tone is formed mostly of CMY with little K ink - it is harder
for the pressman to hold a neutral. On the flipside, using more K in a
coloured job can also have issues, but in neutral grey areas it is often a
good thing.

I would be happy to look at a low res copy of the CMYK file sent to the
printer if you would like my advice on how I would have separated such an
image.

Offset print is a very much an art as well as a science. So a certain amount
of tolerance is given for variation, but it should not be significant.
Flatsheet is easier than web, newspapers often have major issues with
consistent colour and tonal reproduction from start to end of the print run.

Stephen Marsh.

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