http://tinyurl.com/ct5pcp

- - -
They believe this deeply enough to have built Obama’s foundational myth
around his presumed genius.

“I was astonished by his ability to write, to think, to reflect, to learn
and turn a good phrase,” said Nobel prize-winning novelist Toni Morrison. “I
was very impressed. This was not a normal political biography.''

Given Obama’s presumed gifts, observers have struggled to make sense of an
inaugural address that, even Raban admits, suffered from “moth-eaten
metaphors,” “faux-antique dialect,” and jarring semantic errors like Obama’s
use of the word “forbearers” when he meant “forebears.”

“It was so rhetorically flat, so lacking in rhythm and cadence, one almost
has to believe he did it on purpose,” opined Charles Krauthammer, adding,
with just a touch of irony, “Best not to dazzle on Opening Day. Otherwise,
they’ll expect magic all the time.”

Obama’s supporters were at least as perplexed. “It is simply mysterious how
such tired language could sound appropriate to the ear of Obama the writer,”
said Michael Gerson in The Washington Post.

“Not one of his greatest,” conceded terrorist emeritus Bill Ayers. “But I
think he intended it that way. I think he was lowering expectations. You
know he’s not Superman.”

To find a rationale for the speech’s lameness, Raban waxed downright
Jesuitical. “What needed to be said had to be phrased in language as
well-worn and conventional as possible,” he concluded, “to give the illusion
of smooth continuity between Obama's speech and those of past presidents.”

There is, of course, a much more plausible expectation for the speech’s
failure, but no one in the major media, friend or foe, has dared to suggest
it: namely, that after lip-synching texts for his entire public career,
Obama decided to voice this one largely on his own.

Although a “disconcerted” Raban grudgingly concedes that 27 year-old video
gamer Jon Favreau has served as Obama’s chief “ghost” since 2004, he and
other true believers refuse to probe any further.

To even consider the possibility that Obama needed help with Dreams From My
Father, the sacred text of the Obama canon, is fully taboo.

The evidence suggests, however, that Obama needed lots of help. Before
Dreams was published, only three of Obama’s essays had found their way into
print. None of these showed the least potential.

As I have documented in these pages, in March 1983, Obama wrote an 1800-word
article, “Breaking the War Mentality,” for Columbia University’s weekly news
magazine, Sundial.

If the article had an editor, it is not obvious. Consider the following
representative sentence: “The belief that moribund institutions, rather than
individuals are at the root of the problem, keep SAM’s energies alive.”

This sentence is unworthy of a state college freshman let alone an Ivy
League senior. The noun, “belief,” and the verb, “keep,” do not agree—one of
an embarrassing five such noun-verb disagreements in the essay--and the
punctuation is fully improvisational.

Worse still, the word choice is haphazard enough to unsettle even the most
willfully dense of Obama’s literary acolytes.

It would be another five years before Obama had anything else in print and
this an essay titled “Why Organize,” reprinted in a 1990 book called After
Alinsky: Community Organizing in Illinois. The following two excerpts show
how little Obama had developed as a writer:

“Moreover, such approaches can and have become thinly veiled excuses for
cutting back on social programs, which are anathema to a conservative
agenda.”

“But organizing the black community faces enormous problems as well . . .
and the urban landscape is littered with the skeletons of previous efforts.”

These cliché-choked sentences go beyond the merely unpromising to the
borderline ungrammatical. “Organizing” does not “face.” “Efforts” do not
leave “skeletons.” “Agendas” do not have “anathemas.”

More revealing is that in neither of these essays does Obama turn a single
phrase that is punchy or poetic, let alone memorable.
- - -

Cashill's work will one day be recognized for what it is: one of the most
impressive examples of literary forensic work in modern times. But when you
consider the facts it almost seems like something that should be obvious to
anybody, not just a word sleuth.

He has the Ayers-Obama literary fraud completely ratted out.

This seems to be Obama's MO. He didn't even write "his" stimulus bill --
Pelosi did.

See also:

http://tinyurl.com/d2z5lh

- Bob


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