***Pangestu told CNBC that creative economy includes everything from 
restaurants, fashion, music, theatre, industrial design, publishing, spa, and 
arts and crafts. According to her this kind of activity already accounts for 
about 7 percent of Indonesia's economy.

 
***Pangestu is lobbying with her country's central bank, Bank Indonesia, as 
well as with leading commercial banks in the archipelago to get them to support 
her ideas. She admits it won't be easy, but says she's trying to convince them 
through potential banking riches at the "bottom of the pyramid"  - the poorest 
socio-economic group. At the same time, Pangestu is also sounding out potential 
venture capitalists, in Indonesia, as well as abroad

Indonesia Looks to Grow Its Economy 'Creatively'

Published: Sunday, 15 Jan 2012 | 11:26 PM ET 
By: Martin Soong
Anchor, CNBC 

Indonesia is digging into thousands of years of rich, creative culture and 
history to push itself forward faster into the 21st century. And it's not 
looking at basket weaving, batik or busloads of mass-market tourists. "It's 
about ideas and new ones," says Mari Pangestu, in charge of Indonesia's new 
Ministry for Tourism and Creative Economy, set up just three months ago.


Pangestu told CNBC that creative economy includes everything from restaurants, 
fashion, music, theatre, industrial design, publishing, spa, and arts and 
crafts. According to her this kind of activity already accounts for about 7 
percent of Indonesia's economy.

She wants to boost that share by more than half, to over 11 percent of GDP, 
over the next decade or so. That would be worth what agriculture is now to 
Indonesia's still largely oil and commodity based economy. 

Pangestu plans to do it by creating an ecosystem that supports start-ups. "We 
want to tap what is inherently a creative culture for ideas, commercialize 
them, and scale them up," says Pangestu, who was Trade Minister before this new 
portfolio, which she juggles together with tourism.

She points to the success South Korea has had in digital entertainment and pop 
culture, both of which have become huge exports.

In Indonesia, she sees clusters of creative economic activity already brewing 
in places like Bandung, and Bali, and wants to create the same kind of buzz in 
other Indonesian cities. Indonesia watchers say it helps that Pangestu is also 
looking after small and medium sized companies, until President Susilo Bambang 
Yudhoyono appoints a new minister for that portfolio.

"We're not reinventing the wheel," says one of Indonesia's most well known 
economists. "But what we will have to do is balance the role of government as a 
catalyst for creative enterprises, and entrepreneurial risk-taking and drive."

Pangestu is lobbying with her country's central bank, Bank Indonesia, as well 
as with leading commercial banks in the archipelago to get them to support her 
ideas. She admits it won't be easy, but says she's trying to convince them 
through potential banking riches at the "bottom of the pyramid"  - the poorest 
socio-economic group. At the same time, Pangestu is also sounding out potential 
venture capitalists, in Indonesia, as well as abroad

"(For) Agriculture, you need land. Industry, you need to build factories. With 
the creative economy, it's about the people, and maintaining what you already 
have there, your very rich culture, heritage and tradition, how do you preserve 
it, and at the same time grow it?" says Pangestu.

If creative start-ups boom, they could also give the country's image a big 
boost internationally. And, while the tourism part of her portfolio involves 
policy-making to pull more travelers into Indonesia (predominantly mass-market 
tour groups or volume business), she wants creative economic activity to bring 
higher margins. "We need to layer on a premium for specifically Indonesian 
ideas and value-additions," she says.

She had a series of meetings recently with senior Chinese officials, who told 
her that China was also planning to throw its weight behind creative economic 
activity. But she is not worried because China has been able to dominate 
industrial activity globally by producing goods cheaper than anybody else. 
Indonesia, she says, is aiming for the higher end of the market.

Pangestu is confident that Indonesia will be able to grow in this area because 
“Indonesia has a long and deep history of creative activity. Creativity is in 
our DNA."

© 2012 CNBC.com

http://www.cnbc.com/id/46009278

[Non-text portions of this message have been removed]



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