http://youtu.be/CBAbsRvVM70
Sabbath Bloody Sabbath and Sabotage (1973–76)
Following the Volume 4 world tour, Black Sabbath returned to Los Angeles to 
begin work on their next release. Pleased with the Volume 4 album, the band 
sought to recreate the recording atmosphere, and 
returned to the Record Plant studio in Los Angeles. With new musical 
innovations of the era, the band were surprised to find that the room 
they had used previously at the Record Plant was replaced by a "giant 
synthesiser". The band rented a house in Bel Air and began writing in the 
summer of 1973, but in part because of 
substance issues and fatigue, they were unable to complete any songs. 
"Ideas weren't coming out the way they were on Volume 4 and we 
really got discontent" Iommi said. "Everybody was sitting there waiting 
for me to come up with something. I just couldn't think of anything. And if I 
didn't come up with anything, nobody would do anything."[54]
 

Tony Iommi and Ozzy Osbourne on stage at Kooyong Stadium in Melbourne, 
Australia on 13 January 1973.
After a month in Los Angeles with no results, the band opted to return to 
England, where they rented Clearwell Castle in The Forest of Dean. "We 
rehearsed in the dungeons and it was really creepy but it had some 
atmosphere, it conjured up things, and stuff started coming out again."[55] 
While working in the dungeon, Iommi stumbled onto the main riff of "Sabbath 
Bloody Sabbath," which set the tone for the new material. Recorded at Morgan 
Studios in 
London by Mike Butcher and building off the stylistic changes introduced on 
Volume 4, new songs incorporated synthesisers, strings, and complex 
arrangements. Yes keyboardist Rick Wakeman was brought in as a session player, 
appearing on "Sabbra Cadabra."[56]
In November 1973, Black Sabbath released the critically acclaimed Sabbath 
Bloody Sabbath. For the first time in their career, the band began to receive 
favourable reviews in the mainstream press, with Gordon Fletcher of Rolling 
Stone calling the album "an extraordinarily gripping affair," and "nothing less 
than a complete success."[57] Later reviewers such as Allmusic's Eduardo 
Rivadavia cite the album as a "masterpiece, essential to any heavy metal 
collection," while also 
displaying "a newfound sense of finesse and maturity."[58] The album marked the 
band's fifth consecutive platinum selling album in the US,[59] reaching number 
four on the UK charts, and number eleven in the US.
The band began a world tour in January 1974, which culminated at the California 
Jam festival in Ontario, California on 6 April 1974. Attracting over 200,000 
fans, Black Sabbath appeared alongside 1970s rock and pop giants Deep Purple, 
Eagles, Emerson, Lake & Palmer, Rare Earth, Seals & Crofts, Black Oak Arkansas, 
and Earth, Wind & Fire. Portions of the show were telecast on ABC Television in 
the US, exposing the band to a wider American audience. 
In the same year, the band shifted management, signing with notorious 
English manager Don Arden. The move caused a contractual dispute with Black 
Sabbath's former 
management, and while on stage in the US, Osbourne was handed a subpoena that 
led to two years of litigation.[54]
Black Sabbath began work on their sixth album in February 1975, again in 
England at Morgan Studios in Willesden, this time with a decisive vision to 
differ the sound from Sabbath, Bloody Sabbath. "We could've continued and gone 
on and on, getting more technical, 
using orchestras and everything else which we didn't particularly want 
to. We took a look at ourselves, and we wanted to do a rock album – Sabbath, 
Bloody Sabbath wasn't a rock album, really."[60] Produced by Black Sabbath and 
Mike Butcher, Sabotage was released in July 1975. As with its precursor, the 
album initially saw favourable reviews, with Rolling Stone stating "Sabotage is 
not only Black Sabbath's best record since Paranoid, it might be their best 
ever",[61] although later reviewers such as Allmusic noted that "the magical 
chemistry that made such albums as Paranoid and Volume 4 so special was 
beginning to disintegrate".[62]
Sabotage reached the top 20 in both the US and the UK, but was the band's first 
release not to achieve Platinum status in the US, only achieving Gold 
certification.[63] Although the album's only single "Am I Going Insane (Radio)" 
failed to chart, Sabotage features fan favourites such as "Hole in the Sky", 
and "Symptom of the Universe".[62] Black Sabbath toured in support of Sabotage 
with openers Kiss, but were forced to cut the tour short in November 1975, 
following a 
motorcycle accident in which Osbourne ruptured a muscle in his back. In 
December 1975, the band's record companies released a Greatest hits album 
without input from the band, titled We Sold Our Soul for Rock 'n' Roll. The 
album charted throughout 1976, eventually selling two million copies in the 
US.[64]

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