http://film.guardian.co.uk/cannes2007/story/0,,2083430,00.html

US government trying to seize new Michael Moore film, says producer


Harvey Weinstein fires latest shot in battle over healthcare documentary 

Charlotte Higgins in Cannes
Saturday May 19, 2007
The Guardian 


Cannes is smacking its lips in anticipation of filmmaker and provocateur 
Michael Moore's latest jeremiad against the US administration, which receives 
its premiere at the film festival today. Sicko, a documentary tackling the 
state of American healthcare, focuses on the pharmaceutical giants, and 
particularly on health insurers. 
The film has already caused Moore - who won the Palme d'Or at Cannes in 2004 
with Fahrenheit 911 - to clash with the American authorities. Now, according to 
movie mogul Harvey Weinstein, whose Weinstein Company is behind the film, the 
US government is attempting to impound the negative. 


According to Weinstein, the US Treasury's moves meant "we had to fly the movie 
to another country"- he would not say to where. "Let the secret service find 
that out - though this is the same country that thought there were weapons of 
mass destruction, so they'll never find it." He added that he feared that if 
the film were impounded, there might be attempts to cut some footage, in 
particular the last 20 minutes, which related to a trip to Cuba. This, said 
Weinstein, "would not be good." 
In March, Moore travelled to the Caribbean island with a group of emergency 
workers from New York's Ground Zero to see whether they would receive better 
care under the Castro regime than they had under George Bush. He had applied 
for permission to travel in October 2006 and received no reply. 

In a letter dated May 2, the treasury department notified Moore that it was 
investigating him for unlicensed travel to Cuba, or, as the missive put it, 
engaging in "travel-related transactions involving Cuba." 

Now team Moore is hitting back. Weinstein has hired an attorney, David Boies, 
who has lodged a request under the US freedom of information act to find out 
what motivated the treasury to begin its investigation. "They have to tell us 
why they did it and what they did," said Weinstein. "And they are not too happy 
about it." 

Weinstein believes the investigation has a political agenda. "We want to find 
out who motivated this. We suspect there may be interference from another 
office," he said. "Otherwise, I don't understand why this would have come 
about." 

Weinstein named no suspects in this putative political interference, but 
referred to outspoken critics of Moore on the Republican right - who tend to 
accuse him of peddling propaganda rather than of undertaking serious journalism 
- including presidential hopeful Bob Thompson. 

"Senator Thompson has come out with a tirade against Michael. Michael said he'd 
debate him, but Thompson turned him down," said Weinstein. 

He also said that insurers and pharmaceutical companies had "already sent out 
letters advising employees how to react when the film comes out". 

Weinstein appeared to be enjoying the brouhaha that the film is stirring up 
before it has even screened. "I've already told the Treasury that they are 
saving me money on advertising." 

In Cannes, the Weinstein Company's offices are decorated with a mural of the 
rotund Moore sitting in a hospital waiting area flanked by a pair of skeletons, 
and Sicko sticking plasters are being given away as promotional gifts. 

Moore's underlying thesis in Sicko relates to the structure of American 
society. "Others see themselves as a collective that sinks or swims together," 
he told Variety. 

"It's important to have a safety net and free universal health care. In 
America, unfortunately, we're more focused on what's in it for me. It's every 
man for himself. If you're sick and have lost a job, it's not my problem. Don't 
bother me." 

The insurance companies are a negative force, he believes. "They get in the way 
of taking care of those who are ill. They make it worse. We don't need them," 
he said. 

The health secretary, Patricia Hewitt, may be surprised by Moore's ringing - if 
strictly speaking, factually inaccurate - endorsement for the NHS. "The poorest 
Brit is healthier and lives longer than the wealthiest American," he said. 

Of his journalistic style, he said: "It's the op-ed page. You don't say that's 
not journalism. I present my opinion, my take on things, based on indisputable 
facts. They could be wrong. I think they're right." Moore's biggest hit to date 
has been Fahrenheit 911, which took $222m (£112m) worldwide. He made Bowling 
For Columbine, his acclaimed film about US gun culture, in 2002. The rightwing 
backlash has spawned a number of documentaries questioning his methods, 
including Rick Caine and Debbie Melnyk's Manufacturing Dissent. Moore has hired 
Al Gore's former press secretary, Chris Lehane, to help him to deal with "the 
forces I'm up against".


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