Dear Slau,
You did great, really great! My sincere thanks for your many efforts. 
When needed, I will support getting the funds through Kickstarter.

Ronald

Op 14 nov. 2012, om 21:14 heeft Slau Halatyn <[email protected]> het 
volgende geschreven:

> As some of you might recall, David Gibbons, the person who was truly to thank 
> for finally making the work of accessibility happen at Digidesign, left the 
> company a couple of years ago. He was and continues to be a great source of 
> support for the cause of making Pro Tools more accessible. The reigns within 
> Avid were handed to Bobby Lombardi. Bobby was present at the meeting where we 
> saw the first results of the programming work done for VoiceOver. Bobby, in 
> fact, was the first and only person of those who attended that meeting to 
> respond to my follow up email thanking those in attendance. Unfortunately, 
> Bobby took over at a time when Avid began to slash their workforce. Massive 
> layoffs commenced and Avid underwent severe cutbacks. During this time, my 
> limited contact with Bobby made one thing clear: Avid was not going to do 
> anything concerning accessibility when they were scrambling to minimize their 
> bleeding. It was also quite clear that Avid's focus was on their video 
> market. It's widely known that Avid bought Digidesign to ensure a robust 
> audio platform for their video business. With Pro Tools in the service of 
> their Avid video production environment, the music production aspect of Pro 
> Tools was cut back. Hence, the sale of M-Audio (where they lost tens upon 
> tens of millions) and the cutting of Advanced Instrument Research  or AIR 
> plug-ins. With resources at a minimum and continuing to shrink, it was 
> communicated to me that things were highly uncertain because of their inner 
> crises. there was never a time when Bobby outrightly said they would not 
> continue the work. He only indicated that they essentially had no development 
> capacity. He suggested that they might be able to gain some headway through 
> something called "hack-a-thon" where engineers essentially spend a weekend to 
> take on a programming project just to throw things on the wall and see what 
> sticks. Sometimes, it's a pet project, a new feature, a shot in the dark. 
> Sometimes it can be an idea put forth by a given team. He suggested that it 
> might be a way to address the immediate issue of the AAX plug-in 
> accessibility. After weeks had gone by and there seemed to be no word, I 
> scheduled the meeting for October.
> 
> Bobby, as nice of a guy as he is, is not the best at returning emails. He 
> did, however, promptly reply to me and agreed to the meeting. In fact, he 
> invited a couple of other people at Avid including Rich Holmes, another 
> attendee from our last meeting. Bobby did mention in his reply that someone 
> had taken a look at the AAX issue and they didn't see any easy way to fix it. 
> This didn't concern me at the time because I felt it was more important to 
> have the meeting and address the bigger picture first. By the time it got to 
> our meeting there were several more people present including guys from UI 
> design, programming, special projects and partnering. The partnering guy is 
> the one in charge of third-party developers. This was probably going to be an 
> important person at some point along the way.
> 
> When I got to the meeting, I saw Rich Holmes first. As I mentioned, Rich was 
> at the previous meeting. He was quite impressed with the work Xiang, the 
> intern, had done with VoiceOver support in Pro Tools back in 2009. At that 
> meeting, Rich asked a lot of questions and took a very genuine interest in 
> the subject. He was the one who was concerned with plug-in accessibility when 
> we faced the possibility of not having plug-in accessibility in the initial 
> 8.0.3 release. His concern was, if we didn't have accessible plug-ins, what 
> was the point? In other words, he felt that it was important enough to pursue 
> a solution somehow.  I indicated to him that, while plug-ins were certainly 
> critical, it would at least be usable for recording and editing, at least for 
> a start. As it turned out, Xiang figured out a work-around and managed to 
> implement it for the 8.0.4 release. Anyway, that's just a little background 
> about Rich. back to our previously scheduled meeting…
> 
> I was told that Bobby would probably not be joining us. It wasn't entirely 
> surprising to me because I had learned, quite accidentally, from an interview 
> with bobby on Pensado's Place that bobby was no longer in charge of Pro Tools 
> and that he was moving over to the Sibelius side of things. rich Holmes was 
> the new person in charge of Pro Tools, both hardware and software. Frankly, I 
> was relieved that the new person to take over was a person with whom I've 
> already interfaced and had some background with.
> 
> The next person to walk in was a bit of a surprise. It was Ed Gray, the 
> person in charge of partnering, like I said, the third-party developer 
> liaison. Ed's been with Digidesign/Avid for about 17 years. Several years 
> ago, Ed started having trouble with his vision due to glaucoma. Two years ago 
> he lost a significant amount of sight and he is now legally blind and uses a 
> white cane. Surprise, surprise, eh?
> 
> Once the others were in attendance, I went over the agenda. I did break the 
> ice, so to speak and not that there was any ice to begin with necessarily, by 
> saying I would be happy if 3 things happened: Number 1, if the San Francisco 
> Giants won the World Series against the Detroit Tigers. This yielded the 
> desired response until I also mentioned that, although I was from New York, 
> my ex-wife is from Detroit. This got an even better response. This is all to 
> say that the atmosphere was friendly and, although the nature of the meeting 
> was serious business, I felt it was important to balance it with some levity. 
> That mission accomplished, we discussed the issues of plug-in format, the 
> fact that the current aAX is essentially a transitional format, the various 
> tables that are not accessible because they're custom UI elements, the 
> various windows that are not yet accessible, etc. We covered a lot of areas 
> including the fact that the 64-bit version of Pro Tools would be in alpha in 
> the near future and that it would likely be released some time next year, 
> perhaps the middle of the year. Rich Holmes said that this was a perfect time 
> to consider these issues because of the imminent new version.
> 
> The gorilla in the room was the issue of development capacity. I did make it 
> clear fairly early on that I recognized the issue and that it wouldn't deter 
> me from laying out the issues and discussing possible solutions. When we 
> finally got through the major points, I proposed an idea that I hoped would 
> prompt a certain response. It was a bit of a gamble but I thought it was 
> worth it. The response was, in a way,  actually better than I had hoped. Here 
> was my proposal:
> 
> Given that Xiang had spent roughly 4 weeks working on accessibility, I 
> suggested that if someone were to spend another, say two or three months 
> exclusively working on the same issue, we'd probably get just about 
> everything working. Now, this, of course, takes money. Money is something 
> they are not rolling in. Pick up the Wall Street Journal and you'll get a 
> good idea of how Avid's doing when articles about them appear in the 
> financial section. I do know that Avid has historically outsourced their work 
> to a company called Global Logic in Kiev, Ukraine. As some of you know, I 
> regularly travel to Kiev to engineer orchestral recording sessions and I'm 
> fluent in Ukrainian. First of all, Avid wouldn't outsource to anybody outside 
> their established corporate relationships so this covered that angle. From a 
> project manager standpoint, I could personally interface with a programmer 
> from global Logic to handle the work, Avid wouldn't have to worry about that 
> aspect. A programmer could work alongside the normal development without 
> stepping on anyone's feet.
> 
> The last part of the puzzle was the funding. I suggested that I could start 
> up a KickStarter  campaign to raise funds to pay Global Logic for the work. 
> Yes, it would place a burden on me to raise the money and, yes, it would take 
> some time but I'm confident that it could be done. It would mean no burden 
> for Avid whatsoever and we could get it done. Stay with me.
> 
> Before we could discuss any more details about that approach, Rich made it a 
> point to say that he felt this might not be necessary. The way he saw it, 
> just as there was an initiative in Pro Tools 10 for international language 
> support, there should be a similar initiative for VoiceOver support. He 
> posited that accessing Pro tools through VoiceOver is not really different 
> than accessing it through another language. Naturally, I was glad to hear 
> that coming from him. Others chimed in with similar support of his position. 
> In fact, they felt it should be an initiative throughout the product line 
> including Sibelius. The person in charge of special projects, Phil something 
> (his surname escapes me), actually comes from Sibelius. He's well aware of 
> the accessibility that JAWS users had under Windows. Again, the support of 
> the people in Daly City was clear and, in my opinion, genuine.
> 
> Of course, taking this path would require essentially going to the top, to 
> the CEO of Avid, Gary Greenfield. Everyone at the meeting spoke highly of 
> Gary. They referred to him as a good guy and conscientious. This might sound 
> strange in light of the fact that Avid has gone through a horrible time. rich 
> and I agreed that we would both write letters to Mr. Greenfield. If 
> successful, this approach would ensure that the work of accessibility would 
> simply become part of the process of programming and in-house testing. 
> Without that, it's likely that things would just continue to break down. Now, 
> that's not to say that nothing could be done in the future but there's 
> absolutely no telling when and it seemed like a more durable choice to get it 
> sanctioned rather than to hope for a window of opportunity that would likely 
> never come.
> 
> As some of you know, I attended the 133rd Aes convention that weekend and, 
> consequently, was stranded in San Francisco for several more days. When I got 
> back, I had to catch up with a number of issues. Two days ago, on Monday, I 
> sent a letter to Gary Greenfield. At the risk of making this message entirely 
> too long, I'm posting it below:
> 
> 
> "Dear Mr. Greenfield,
> 
> I'm writing to you on behalf of blind Pro Tools users throughout the world 
> with an urgent request regarding the accessibility of the software. At the 
> outset, I should mention that I recently met with several people in Daly City 
> and we concluded that we should go to the top to ensure that the matter is 
> resolved in a lasting manner. There's some history to this situation which 
> I'll address as briefly as I can, and will gladly provide more background if 
> needed. Hopefully I can paint a clear picture of how we've come to this point 
> and the crisis we currently face.
> 
> Back in the mid '90s, there were a number of blind audio professionals who 
> were interested in using Pro Tools. Using a third-party program called 
> outSPOKEN, they attempted to navigate Pro Tools within Mac OS 9, but there 
> was a problem with the systems crashing. Rick Boggs, a blind producer in Los 
> Angeles, managed to get the folks at Digidesign and the folks from Berkeley 
> Systems (the makers of outSPOKEN) to put their heads together to figure it 
> out. They found that some code in the DAE (Digidesign Audio Engine) software 
> was causing the problem, so Digidesign altered it. With that, Pro Tools 
> became the most accessible DAW platform for blind users. It was at that time 
> that I and other blind engineers invested in our Pro Tools HD systems. 
> 
> When Apple released OS X, there were no third-party screen readers on the 
> market available for it. Blind users stuck to OS 9 for a few years and it 
> wasn't of great concern to those who used Pro Tools because Digidesign didn't 
> make its own transition to OS X support for quite a while. Eventually, Apple 
> decided to build a screen reader called VoiceOver right into the operating 
> system. At that point, Pro Tools was already available for OS X and a few of 
> us were eager to upgrade to the latest version (v6.4).
> 
> Unfortunately, the upgraded version of Pro Tools turned out to be 
> inaccessible. The only things one could access were the menu bar and a 
> handful of dialogs that used the Apple framework. Everything else, it seemed, 
> was invisible to VoiceOver. A few of us tried to contact Digidesign regarding 
> these issues but were unable to make much headway. Eventually, we began a 
> petition calling for Digidesign to commit to action, gathering over 1,200 
> signatures. We were about to send it to various officers in the company when 
> I received a call from David Gibbons (then V.P. of Marketing) inviting me to 
> come to Daly City to discuss the situation. Digidesign had become aware of 
> the petition and the issue had finally reached someone who took interest. At 
> our first meeting in 2006, I demonstrated the level of accessibility I had 
> under OS 9 with outSPOKEN and how, under OS X, the latest version of Pro 
> Tools was completely inaccessible. It was clear to David that we had 
> something that used to work but that was now broken and needed to be fixed. 
> Incidentally, more details about our meeting and the actual petition can be 
> found at:
> http://www.protoolspetition.org
> 
> It turned out that Avid had been planning a few transitions in the code, 
> which needed to happen before undertaking any work on accessibility. 
> Essentially, they needed to follow Apple's programming guidelines to define 
> the windows and controls in such a way that VoiceOver would recognize them. 
> In 2008, an intern was assigned to the project and spent a few weeks adding 
> the required bits of code. I flew out to Daly City toward the end of the 
> process to provide feedback. It was amazing to see how much he had completed 
> in that short amount of time. 
> 
> Pro Tools 8.0.4, released in 2009, was the first version to include those 
> coding additions, which allowed it to support the VoiceOver feature in OS X. 
> Though still perhaps only 70% accessible, it was at least usable. Subsequent 
> versions continued to be mostly accessible until version 10, where something 
> broke. The new AAX plug-in format was significantly different and, 
> unfortunately, the issue of accessibility wasn't foremost in anyone's mind as 
> they developed it. To add to this, David Gibbons was no longer at Avid and 
> the issue of VoiceOver compatibility appeared to fall by the wayside. 
> 
> Since I was going to San Francisco for this year's AES show, I scheduled a 
> meeting with several people in Daly City. It became clear during our meeting 
> that the actual work isn't especially difficult. Rich Holmes suggested that 
> accessing Pro Tools through VoiceOver is really no different than accessing 
> it in another language. Given the push for international language support in 
> Pro Tools 10, it would seem that VoiceOver support could fit naturally within 
> this effort. However, we agreed that rather than take a skunkworks approach 
> to accessibility (as had been done before), it would behoove us to make it 
> official and have the support of the CEO to ensure that it simply becomes 
> part of the UI process and in-house testing. I was encouraged to see genuine 
> support for making sure that Avid's product line is fully accessible. Rich 
> said that he would write a letter to you and I agreed to do the same.
> 
> Please pardon the somewhat lengthy journey I've taken to this point but 
> here's where I make an appeal to you as the person who can make this happen. 
> I know that Avid receives requests of all kinds for new features. Please 
> consider the fact that while most people's requests have to do with 
> preferences or workflows, our request for access to Pro Tools means the 
> difference between being able to use Pro Tools or not. Yes, we currently have 
> some degree of accessibility but, now that plug-ins are not accessible, we're 
> seeing stuff beginning to break. With the shift to 64-bit, it's likely that 
> other things might break if left unchecked. The actual amount of work 
> necessary is not great when you consider that it's largely a matter of 
> defining and labeling elements. We're not asking for anything more than for 
> Avid to follow Apple's published programming guidelines, which will ensure 
> that Pro Tools is accessible.
> 
> Gary, I regularly receive emails from blind students and professionals from 
> all over the world who, when they encounter Pro Tools, are so excited to 
> learn that it's fairly accessible right out of the box. They're equally 
> concerned when they learn that the new plug-in format is not accessible. Who 
> knows what the future will hold unless universal design is made a 
> consideration. I, too, have a personal stake in this. I make my living as an 
> audio engineer and recording studio owner. I'm a trained professional who 
> wishes to use the platform of choice alongside my sighted colleagues. I have 
> no esoteric requests. I'll leave that to the sighted folks ;) My request—our 
> request is that Avid follow Apple's programming guidelines and maintain an 
> accessible Pro Tools for blind users through the VoiceOver feature built into 
> Mac OS X.
> 
> I know that you will appreciate the weight of this request. It's probably one 
> of the most important letters I've ever had to write. I also have hundreds of 
> blind audio professionals waiting anxiously with the hope that Avid will 
> commit to making its products accessible. Thank you so much for taking the 
> time to read this and I hope you can make it happen.
> 
> Best regards,
> 
> Slau Halatyn"
> 
> So, the above message went out to Gary Greenfield and chris Gahagan, EVP of 
> Avid. I also copied Rich Holmes. The letter also made its way to Ed Gray who 
> sent me a message. I'm sure he wouldn't mind that I post part of it below:
> 
> "Dear Slau,
> 
>> Your letter to Gary was passed on to me and I can’t express how much I 
>> appreciate it.  You expressed yourself extraordinarily well and gave a 
>> transparent history which is essential.   I know, having spoken to Rich 
>> since our meeting, that he is dedicated to delivering the results you are 
>> asking for.  I will  stay on top of this for you and I am your ally in this 
>> initiative."
> 
> So, that's where we currently stand. We're awaiting word from the top to see 
> if accessibility can officially become part of the process. It would, indeed, 
> be the best scenario for us. If we do get a commitment, great. If not, I 
> won't let it drop. Gary Greenfield is unaware of my initial proposal for a 
> fund-raising campaign. I still feel that it would be feasible and successful 
> if we had to undertake it. There are those who will undoubtedly feel that we 
> shouldn't have to raise funds for something Avid should do on their own dime. 
> Yes, I agree in principle. However, it is a viable option and, if we must go 
> there, so be it. That's where public outreach and social networking will be 
> required big time. For now, we need to wait and see what the official 
> response from Gary Greenfield will be. Whatever the response, I will inform 
> him that I plan to make it public. I don't mean that as a threat. I mean, I 
> will ask him for a formal statement either way. I trust that his response 
> will be hopeful and that Avid will make a formal commitment to action. The 
> commitment made some years ago was on the part of several conscientious 
> individuals at Digidesign. It's time for Avid, as a company, to respond. 
> That's what I'm looking for before the next move. We'll see how it goes from 
> here.
> 
> As I stated in a previous message, my personal commitment is to see this 
> through at least until we have a response. At that point, I'll make a 
> personal decision. If the response is positive, I'll continue to work with 
> Avid in the near future to ensure they have whatever they need in terms of 
> feedback, beta testing, etc. My involvement beyond that, by design, will be 
> minimal because, by nature, if the issue of accessibility is part of the 
> process, it won't require high maintenance.
> 
> If, however, the official response is not in our favor, I will proceed with 
> Plan B involving possible fund-raising through KickStarter. I will only do 
> this if enough people on the list support me in that approach because it will 
> certainly require pounding the pavement. We did that before and we can do it 
> again. Even this approach would require Avid's approval. They may go along 
> with it, they may not. We'll cross that bridge if we get to it.
> 
> Some of you might have the possibility of legal action in the back of your 
> mind. For the record, I'm against it at all costs. Actually, I should more 
> accurately say that, to me, it should be an absolute last resort. I 
> personally will not spearhead such an approach. It'll have to be up to 
> somebody else to take the reigns under such conditions. I have no experience 
> with such matters. Perhaps someone like Rick Boggs, who has had firsthand 
> experience with access-related legal action, could find the time to step in, 
> if necessary. Again, in my book, legal action is Plan C. Barring subtle 
> variations, I don't see any other major outcomes, A, B or C.
> 
> Thanks for reading this very lengthy post. I hope it answers some questions, 
> perhaps it might prompt some questions. I suspect that some of the potential 
> questions might depend on the response from Mr. Greenfield. We'll see. 
> Naturally, as soon as I receive any word, I'll immediately post it here.
> 
> Slau
> 

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