Chuck,

first off, I'm sorry if I don't have the best spelling.  You don't have to mock 
it.  Second of all, Actually, we did try using a boom.  Maybe I did something 
wrong, but even pulling the boom toward and away from her, it did no good.  It 
was a matter of virtical height, not horizontal height, like a boom would offer 
in this sinareo.

Did I miss something here?

Chris.

  ----- Original Message ----- 
  From: CHUCK REICHEL 
  To: [email protected] 
  Sent: Tuesday, June 11, 2013 10:06 AM
  Subject: Re: Imbarrassing problem with studio setup


  Hi Chris,
  Just put a mic boom on the stand and bang!
  One size fits all!
  BTW what does Imbarrassing" mean? :)
  YMMV




  CHUCK REICHEL
  [email protected]
  www.SoundPictureRecording.com
  954-742-0019
  GUFFAWING :)
  In GOD I Trust


  On Jun 11, 2013, at 1:23 AM, Chris Gilland wrote:


    OK, I just had to turn down a client from recording in my studio which I 
never like doing.  Especially not after they make an evening to come to my 
place and record, only then to have to turn all the way and go back home. 
Fortunately, they live on this side of town, and yes, I did give them a 
complete 100% refund, but this is still humilliating that I didn't have gear to 
support them when I thought I did.

    Basically, here is the situation.  If any of you have any clue for going 
forward of anything I could try in the future, let me know as this wound up 
being a disaster.

    First of all, it was two really little children.  One is in Preschool, and 
the other in the first grade.  They had some karaoke tracks of little nurcery 
rhymes like Old McDonnald, the Farmer and the Dell, Bingo, etc. which they were 
given on a CD, and just for fun their parents had given them a surprise to go 
to a studio and record them singing on top of the disc, and my studio wound up 
being the one they chose here locally.  I was thrilled, until they got here.  
for one thing, the little girl, cute as a button! as she was, who was the 
pre-schooler had some major issues.  For one thing, even at its lowest setting, 
she couldn't get right up on the mike in the stand.  I practically had the 
thing where it wasn't raised at all!  It was literally as low as it would go.  
The little kneck thing you pull up to raise the stand then tighten the little 
screw thingy was literally touching the bottom half of the stem up of the 
stand.  Yet, it was too short.  Not by much, but just enough to be a problem.  
So, I just handed her the mike, and said here sweety, just hold the thing.  
Well, that didn't work really well, as she was constantly moving the thing 
around, so it was booming all over the place in the recording horrendously.  
The other kid had an issue where I tried about 2 or 3 different styles, but no 
matter what I did, the earphones would not fit.  They were too big.  When I got 
them small enough to fit his little head, he complained it was squeezing him 
too tightly, and was hurting.  I tried loosening the things by one notch, but 
then they kind a sagged on him.  These are mainly AKG's that I use in the 
studio.  I got a pare of MK2's, and not totally sure what the other models are. 
 I even let him try a pair of just little el cheapo walkman style headphones 
which I put a stereo quarter inch adapter on the end of, but it didn't really 
work very well.  they fit, but he didn't seem to like the way they felt on him. 
 I couldn't really say to hell with the head phones as that would have produced 
a lot of loopback had I used the speakers I have in here.  So, ultimately, what 
gives?  Is there anyone on here who's had kids come to the studio and record of 
about this age?  If so, how did you all get around these issues? Do they make 
specially designed mike stands for  children, or specially sized head phones 
for kids?  Finally, the mom had an idea for the little girl.  She got a booster 
seat and put it in my office chair.  I then took a desktop mount mike stand 
that I have and put it with a shockmount on my desk.  The problem then was she 
was slightly too high, and we couldn't get the sound directly in the mike, so 
it really sounded kind of out of phaise. Just wondering any good techniques to 
work around this.  This way if I have kids down the road who wanna record, I 
won't be S O L.  Or shall I say, S O B.  you know what... outta business.  LOL!

    Chris. 
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