Thank you Slau.  That definitely really helps.  So, here's a question.
Let's say that I'm on bar 2 beat 1, and wanna go to bar 4 beat 3, and select
all that audio.  Do I have to do that with the slash key, or could I
technically line up my cursor on bar 2 beat 1, then with the star key, along
with the shift key dial in to bar 4 beat 3, then have it select.  I'd think
no, I'd actually want to do slash slash, 2, period 3.  Right?

Chris.
 

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf
Of Slau Halatyn
Sent: Sunday, November 10, 2013 2:18 PM
To: [email protected]
Subject: Re: I really need some encouragement.
Importance: High

Num Pad asterisk enables the main counter field. Typing a value and pressing
Enter or return simply puts the insertion/playback cursor in the location
you've entered.

Num pad slash, when tapped the first time, enables the Start field.
Subsequent taps cycle through to the End field and then the Length field.
The procedure for selecting from one minute and 30 seconds to 2 minutes and
forty-five seconds would be:
1. Num pad slash.
2. Type 1, decimal, 30.
3. Num pad slash again to move to the End field.
4. Type 2, decimal, 45 and press Enter.

If you want to get more precise, a second tap of the decimal key gets you to
the milliseconds field.


On Nov 10, 2013, at 12:53 PM, Christopher-Mark Gilland
<[email protected]> wrote:

> OK yall, I feel really stupid right now.  I need a refresher on a couple
of  things.  What does numpad slash do, and what is numpad star?  I know one
of them is a go to command to jump basically to a particular bar/beat, or
hour/ninute/second, depending on how you have it set in your edit window,
and I know the other one is for selecting a range of data.  I just don't
remember which is which.  I confess that the way I've been editting is just
with command or option+shift+numpad 1, 2, plus, or minus, and adjusting the
nudge value to get the selection I need.  Yes, I know about my mark in and
out with the down arrow, and up arrow, although I'm finding that unless the
edit doesn't have to be very tight, which is quite rare, it really doesn't
help me much.  I'm asking about the star and slash keys as I'd really like
to try starting to use them more.  Here's the situation more specifically.
I'm finding the learning curve of editting from Sound Forge on Windows to
editting this way in ProTools to be very very steep.  Don't get me wrong.  I
totally get the concept of how to do this, and without Chuck, Kevin, and
Brian Howerton helping along the way, especially the last two, thank you all
so so so so much by the way, there is no way in heck! I could have come this
far!  Period!  It just wouldn't have happened!  I can't tell you all how
much you mean to me both professionally, as well as friendship speaking.
You all're very very slowly but surely making my recording dreams come true.
The bottom line though is, coming from Sound Forge now to this, is just
driving me nuts!  Yeah, I know, I need to basically probably just forget
everything I learned as far as Soundforge goes.  It sounds to me like Sound
Forge is kind of a poor man's cheat.  By that I mean, you edit pretty much
exactly like you'd edit a text based Microsoft Word file.  Shift+arrow keys,
page up and down, home and end, ctrl+C to copy, ctrl+x to cut, ctrl+V to
paste, left and right arrows to move through or back in the file. etc.  It
seems like every other daw I have used, be it Sonar, be it Goldwave, be it
Cakewalk Pro Audio way back in its days, be it Audasity, be it Adobe
Audition, be it Amadeus Pro, Garageband, whatever. all those seem to rely
more on set your nudge value, set your zoom aspect ratio if needed, set an
in and out marker, move your selection around, etc.  I dono, I'm probably
rambling, so I'll stop.  The point being, those of you that converted from
Sound Forge in windows when it comes to editting, and I mean people
specifically that for editting purpose using SF in Windows. I'd like to hear
from some of you who've come from there and now on PT have gotten very
proficient at editting in ProTools.  I'd like to get you all maybe, if you
don't mind to bounce some ideas to me that may help with my transition.  For
example, I had a podcast the other day that was sent to me for editting.  I
brought it up in ProTools.  I thought, you know?  What the heck!  I could do
this in SoundForge, and get this thing so darn polished and so tight, you'd
never even know it was editted to start with.  That is literally, not to
brag purposely, how good I've gotten at editting in SF.  I literally have
taken someone's voice on a recording phoneme by phoneme, phone by phone, and
literally got them to say:  Chris is a GD effing idiot!  When I played it
for the lady who's voice I used, she busted a gut for about 5 minutes
straight dying of laughter.  It was a freaking riot!  I just thought this
time, I'd at least try.  My thought was, OK, look.  If I can't do it, I
can't do it.  But, I'll never know if I don't at least try.  No pain, no
gain, ey?  So on I went.  Well, it proved disastrous.  No matter what I did,
I could not line up my selections accurately enough.  I know it's possible
to do, but I just became so damn frustrated, that I gave up.  I finally just
went back to old habbits, by going into Soundforge on my windows desktop
machine, and bangged out the edit in just over an hour.  To this day, I hate
myself for doing that!  How am I ever gonna learn, if I don't quit doing
that!  Exactly!  I won't!  This transition however is just seeming to be too
overwhelming.  I wonder aside the obvious of Chris, just take some deep
breaths.  Relax.  You're gonna get it eventually, I promise, what else maybe
I could do that may help me a bit with this.  Like I said, I get the
concept, but actually then doing it is something else apparently,
altogether.  I feel like I'm not progressing at the level of my
expectations, and that really hurts me deeply.  I really am trying, but it's
just, not, happening.
> 
> Do you all have any thoughts aside, Well Chris, now that I've read your
novel sized sob sogga, looket, I don't need that right now, OK?  Just help
me, don't slander me with such crewel words.  I wrote because I need help,
not because I need to be ciber slapped in the face.
> 
> Chris.
> 
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