There are a few different ways that you could do it, primarily with automation 
IMO. But if you're not comfortable with that, the quick and crude way could be 
to copy that fraise to a different track of its own and slap the cranked up 
reverb on it so it only touches that fraise. You could also perform some 
destructive editing on it.

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of 
Christopher-Mark Gilland
Sent: Tuesday, December 02, 2014 10:19 AM
To: [email protected]
Subject: Quick question

So guys, I'm here at the studio taking a quick lunch break, and I have a 
quick question.

I'm doing an arrangement for Christmas of Mary Did you Know.  God that is a 
beautiful song!  Anyway, the guy working with me has a couple of ideas, but 
figured we'd both throw this question out to you all to see if there is an 
accessible way to do this, as the way he's wanting to do it isn't gonna be 
all that accessible.

Basically, here's the deal... you know on the bridge where it says:

the dum will speak, the praises of the lamb?  OK, well, we're using the 
built in pre-installed with ProTools 11 Air nonlenier reverb plugin for my 
lead vocal.  We're using the default settings with the reverb medium preset 
in the popup.  For your reference, it's the second one down in the list from 
the very top.  What we wanna do is, on the word lamb, we want to push that 
wet mix way way way way up, and really really let that note ring out with a 
ton of reverb.  We only wanna do it though on that one word... "lamb."  So, 
what's the best way for us to automate this on just that one word only?  Or, 
do you all who're real professionals who do this stuff all the time feel 
that probably would sound kind of messy.  I think it would give it a real 
real nice climax crescendo effect.  I know we don't wanna overdo it, but I'm 
thinking just enough to really give a nice echo trail.

I dono... what do you all think?  And, if you think it would work, how do we 
do it?

Chris. 

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