How with the E Q 3 7 band plug do you bypass the lows and the highs as you
said to do?
Chris.
----- Original Message -----
From: "TheOreoMonster" <[email protected]>
To: <[email protected]>
Sent: Thursday, January 15, 2015 8:05 PM
Subject: Re: Update on my Plugin Automation problem, and a quick question
The reason this works is because the reverb is now running in parallel. You
have the full dry vocals and the fully wet vocals with more granular control
over signals. For even better results slap an eq on that reverb send and
high pass the lows and the highs. Set teh High pass fliter between 200 to
500 hz, and the low pass filter to about 5k.
On Jan 15, 2015, at 1:04 PM, Christopher-Mark Gilland
<[email protected]> wrote:
Yeah, I didn't know if it had something to maybe do with a post vs. pre
fader thing or what not. You might be right, but I gather that there might
be a little bit more to it than just that.
Chris.
----- Original Message ----- From: "Daniel Contreras"
<[email protected]>
To: <[email protected]>
Sent: Thursday, January 15, 2015 12:55 PM
Subject: Re: Update on my Plugin Automation problem, and a quick question
Chris,
Maybe since now that you have the entire vocal in the wet mix, it lets the
reverb process the vocal and it's entirety. But you still maintain control
via the output volume? That would be my guess.
Daniel Contreras
On Jan 15, 2015, at 11:40 AM, Christopher-Mark Gilland
<[email protected]> wrote:
Guys, never mind, as far as my automation problem goes. I got it
working. I see exactly! what I was doing wrong. I was correct in my
initial observation. You don't wanna change the parameters of the plugin
until you've first set your automation to write. I was setting it while
it was on read, then! was going and changing the track to write, only
after! I had changed the settings in Auto-Tune. Then, after setting to
write, I then was playing the selection to be automated. That doesn't
work, apparently. It seems like, the correct order is:
1. Create your bypass automation.
2. Next, find the beginning and end marks where you want your
automation, and make your selection.
3. Make sure your automation window is set correctly with command+numpad
4.
4. This is where I went wrong. Now, instead of setting your plugin
configuration, then going to write, do it the other way around. Go to
write on the track, Then! change your plug settings.
5. Then! play your selectin through.
OK, so anyway, that's done. Now, here is my totally unrelated question.
I used to put my reverb for vocals on an insert of the actual vocal track
itself. Then, I'd set my wet mix on that plugin, and be done with it.
Now, what I am doing is, I'm using a send on the vofal track/tracks,
whichever is needed, and I'm sending them out to a stereo auxiliary
track. Then, on that auxiliary track, I'm popping the reverb on an
insert, then am turning the wet mix all the way up as high as it will go.
Literally, I am maxing it totally out to 100%. Now, you're probably now
going Oh! Ow! Yikes? alive! Damn! Chris? Can you be more stupid? Hold,
on! I'm not done yet. No I'm not! Then, I take the output volume fader
of that auxiliary track, and I crank it way, and did I mention,
w'w'wayyyy! the hell down! Usually I start around -16DB, and sometimes
even lower than that. Then, I start very very gradually riding that
fader up. As I do, I introduce more reverb into the mix. My question
is, doing it this way on a send, bumping that wet all the way up, then
barely barely! cranking that Aux fader, why is it, that that is giving
me, such! a nicer! sweeter and warmer sound! Oh my God, it's
incredible! I can't believe! the difference that made! The first time I
heard the effect of doing it that way, I was absolutely breathtaken! So,
what is the over all reason for this sounding so much better! What is
going on in the processing behind the scene that makes this so much
prettier?
Anyway, thank you all again for your help!
Chris.
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