OK, this is the weirdest! thing I've seen in quite some time.

I have 4 vocal audio tracks in ProTools 12.0 that I'm working with.  Basically, 
what I've done is, I have a compresser, and an E Q on all 4 tracks.  The reason 
I'm not sending those tracks to an auxiliary track then popping the plugs over 
there is because I don't want the same equal configurations on each track.  All 
4 of them are tweaked a little bit suttally differently.  However, this said, I 
do! want all 4 of them to have identically the same reverb.  Same reverb plug, 
same tweaked settings, etc, same amount of reverb, yoddie yodda.  So, for that 
reason, I have added a send to each of the 4 tracks individually, and routed 
all of them to the same auxiliary input.  Then I popped the reverb plug on 
insert A of that AUX track.  Now, when I play back the recording, even though 
the auxiliary track is turned way down to -16DB, I'm getting the highest 
pitched squeel you ever could imagine when I play the recording, then hit the 
space bar to stop.  I don't hear it until I stop though.  Trust me, yes, I have 
very very sensitive ears, and, God darn it, I do mean, sen? sih? tiv! but even 
still, this is even to my mom who doesn't have that issue, even to her, she 
says it is absolutely ear piercing!  Why is this happenning?  It never! did 
this before when I sent a single vocal track to an AuX input.  Would I be 
correct in my theory to assume, O, K, but that was just it.  One, track.  Now, 
I have 4 tracks, therefore 4 times the amount of signal being fed to that 
input, therefore the resonance is so much higher because of this, that it's 
blasting the trail effects of that reverb, giving me feedback and other real 
weird effects that could be quite loud?

That is the only! theory I can logically anticipate.  Would I be correct?

Chris.

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