One way to do it is to sample the drummer’s kick where there is no extraneous noise and replace it across the whole tune. Then, just don’t tell him. What he doesn’t know, won’t hurt him. Plus, you’re replacing his kick, with, well, his kick.
Kevin > On Oct 8, 2015, at 11:24 PM, Chris Smart <[email protected]> wrote: > > Hi folks. > > I'm trying to get rid of far too much hi-hat and other cymbal spill on a kick > track and a snare track. > > I'm out of ideas so thought I'd best ask the pros here. > > Usually I just gate the tracks themselves pretty heavily, or even sergically > edit individual drum hits, maybe some automated EQ. But, nothing I do seems > to improve things much. > > The drummer is adamant that I do not, under any circumstances, replace with > samples. > > So, is there some fancy and complex but powerful way to deal with cymbal > bleed? Some fancy side-chain way to do this? > > thanks for any ideas. > > Chris > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to [email protected]. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. For more options, visit https://groups.google.com/d/optout.
