When you use a send, you ae sending a copy of the audio signal So in essence 
you are creating a wet/dry blend. This is useful for things like reverb and 
delays  or other time based effects. When you put the reverb or delay on the 
aux track, you will want to set it to be 100% wet. Then the send level will act 
as the wet dry balance. Since the original audio track’s output is still going 
to the master fader, and the AUX’s output is also going to the master fader, 
the send level will set how much of that dry signal” gets pushed into the 
reverb and as a result how much reverb’ed signal shows up in the master fader. 
Chaning the output of the track to the AUX or bus, means you are sending all 
the tracks signal to a bus and not a duplicate of it as  you would be if you 
use a send. A useful example for this use case is lets say you have 5 vocal 
tracks. You can set the output of those 5 tracks to a AUX or bus, and now you 
can just EQ and compress all your vocals and use that AUX/Bus fader as a master 
fader for the vocals. But since the AUX/bus is still being sent to the master 
fader you still get the vocals in the mix. 



> On Nov 1, 2019, at 4:53 PM, Christopher Gilland <clgillan...@gmail.com> wrote:
> 
> So, what is the difference in using a send on an audio track, sending to an 
> AUX track, then letting PT do the routing, vs. setting your output IO of an 
> audio track to a bus, then going to an AUX track, and setting the input to 
> that same bus, and leaving, on the AUX track, your output IO set to your main 
> out L/R?
> 
> 
> IN other words, what I'm asking is, what's the difference in doing this with 
> a send, vs doing it via your IO paths without a send involved?
> 
> 
> I've seen it done both ways. I know there is a key major difference, and a 
> reason why you'd do the ladder, but I just can't seem to grasp why?
> 
> 
> Chris.
> 
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