Frankenbiting, is an Artform, in the world of Production and  
Entertainment.  They can take a line, scene or situation "completely out of  
context" and 
make it appear as context. Reality, to me, means the actors are not  be 
paid scale or Hollywood Actors rates, but are compensated with "carrots"  
called "The Prize" in winning.
The Girls from Push Girls, again to me, appear quite attractive and out of  
the ordinary.  I'm not sure if this is the image that advocates want to  
promote.  But then again, that's me.
Best Wishes
 
 
In a message dated 6/7/2012 12:41:54 P.M. Central Daylight Time,  
[email protected] writes:

 
>From  "HowStuff`Works.com"
 
Reality shows typically don't have scripts, but there is often a  shooting 
script or an outline that details aspects of an  episode or part of the 
show. For example, on shows like "The Real World" and  "Big Brother," which 
take 
place in confined quarters, the outline might give  directions for which 
rooms or cameras to focus on. It might set up a specific  challenge for the 
contestants on "Survivor" or "The Amazing Race." A shooting  script could also 
create conflict between some of the participants (by pairing  specific 
people as roommates or partners on "The Real World" or "Beauty and  the Geek"). 
In extreme cases, a shooting script might include a  storyboard -- a visual 
representation of the concept that  physically illustrates what will occur 
in a scene.
 
Ultimately, reality producers and editors have a lot of control over what  
happens on the show, just by the sheer fact that they've put the people  
together in certain situations, and they're controlling what footage gets  
aired and what doesn't. They can also use a device known as  frankenbiting to 
edit together conversation excerpts or sound  bites to create a whole new 
dialogue or conversation. Frankenbiting -- and a  savvy editor -- can 
essentially create alliances, crushes, fights and  relationships. Footage that 
was 
captured days apart can come to appear as one  scene or  situation.


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