The whole trip would not have added anything, but show them blowing up  
a cop car as they arrive, or something.
It bounced me out to see them just suddenly transported there.


On Sep 12, 2009, at 4:10 PM, cd wrote:

>
> But really, though, if we had seen them hot wire a car, and then sneak
> through the city carefully avoiding detection -- all of which could be
> done -- would that have added anything to the movie?
>
> On Sep 12, 3:53 pm, Alicia Henn <[email protected]> wrote:
>> The part that bugged me (just a little) is that the travel. When
>> needed, they can walk across a busy city unnoticed until they blow up
>> the side of a building, and at other times, they can't go two yards
>> without catching 8,000 bullets. The keys are always left in the
>> vehicles.
>> I really enjoyed it otherwise. I liked the discomfort of watching the
>> dweeb joke about their eggs popping in such a realistic, documentary-
>> like style. I liked the transformation.
>> Worth seeing in the theatre for the effects!
>>
>> Alicia
>> On Sep 12, 2009, at 2:07 PM, cd wrote:
>>
>>
>>
>>> I agree!
>>
>>> And I'd add that the parts that aren't sufficently hard are  
>>> reasonable
>>> for the demands of a good narrative.  I'm willing to accept that
>>> pirates got Hamlet back to Denmark, and I'm willing to accept that  
>>> the
>>> fuel turns the protag into a prawn.
>>
>>> I'm very pleased that the movie is doing well, too.  Box Office Mojo
>>> estimates it cost $30million to make and has so far done $120million
>>> box.  So that matches trash like Transformers 2 for ROI.  Good news!
>>> Decent SF thriving!
>>
>>> cd
>>
>>> On Sep 12, 1:09 pm, Eric Scoles <[email protected]> wrote:
>>>> I liked it a lot. I liked that the characterization was a little  
>>>> bit
>>>> unconventional (though only a little*) and thought it was really
>>>> well done.
>>>> Copley did a great job creating this weak, dweeby guy and making a
>>>> plausible
>>>> presentation of him becoming more dangerous as needed. As SF, it's
>>>> at least
>>>> as well thought out as most space opera, modern or otherwise (and
>>>> much more
>>>> so than most). I liked the ending a lot -- I know some people hated
>>>> it, but
>>>> to me it did a couple of things I like to see: avoided the pat  
>>>> feel-
>>>> good
>>>> ending without being outrageously bleak; and creates a clear
>>>> connection
>>>> between The Character Who Changes (because we ALL know characters
>>>> MUST
>>>> change!) and what he was before he "changed."
>>>> A lot of people seemed to me to be disappointed by what it didn't
>>>> do. It
>>>> wasn't a penetrating social commentary picture with lots of
>>>> sympathetic
>>>> alien characters interacting with humans in Very Special Moments.
>>>> But then,
>>>> neither is 99% of print SF. I went in expecting an action movie  
>>>> with
>>>> culturally significant subtexts, and that's what I feel like I got.
>>
>>>> --
>>>> *It's very much in the 'do the right thing against his better
>>>> judgement'
>>>> school of anti-hero characterization (like Bogie in Casablanca, The
>>>> Man in
>>>> Yojimbo/Fistfull of Dollars, Han Solo in Star Wars, or The
>>>> Continental Op in
>>>> Red Harvest).
>>
>>>> On Sat, Sep 12, 2009 at 12:40 PM, Alicia Henn
>>>> <[email protected]>wrote:
>>
>>>>> I liked it, too. As long as I didn't think about the plot too  
>>>>> much.
>>>>> It was gruesome in a lot of different ways, but good.
>>>>> A damning judgement of humanity and terrific effects.
>>
>>>>> On Sep 12, 2009, at 11:54 AM, delancey wrote:
>>
>>>>>> So, I finally saw District 9 last night.  I know some people  
>>>>>> (e.g.,
>>>>>> Nancy) didn't like it, but I thought it was great.  About as good
>>>>>> as
>>>>>> big budget SF gets (granted:  that's a kind of faint praise).   
>>>>>> Am I
>>>>>> alone in this opinion?
>>
>>>>>> cd
>>
>>>> --
>>>> eric scoles ([email protected])
> >


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