"It's the selling it yourself part that can be the validation now"

That's a really good point, and one I hadn't considered that way before.
Hmmm....


On Thu, Feb 11, 2010 at 7:15 AM, Alicia Henn <[email protected]> wrote:

> I remember after reading Riverworld, racing to get my hands on any Farmer I
> could find. I ended up with a book, was it Lord Tyger? in which men dueled
> with crossed erections. There is a lot of expectation that goes into the
> impression of a book. It certainly wasn't what I was expecting and I was
> disappointed.
>
> As far as the self-publishing bit circumventing validation, that was true
> in the past, but a lot of publishers are picking up books after they've been
> self-published and have started to sell. It's the selling it yourself part
> that can be the validation now.
>
> Alicia
>
>
>
> On Feb 11, 2010, at 12:10 AM, Sal Armoniac wrote:
>
> You should see the long looooooooong protracted debate on Rob Sawyer's Face
> Book page about why it is better to get publishing companies to print your
> book than to self-publish.  There are people out there who really believe
> that going through the "filtering process" of acceptance and validation by
> any press guarantees quality over those who are more "impatient."  To be
> sure, Rob's first remark was to vilify those who suggested to any author
> that they self-publish when the enterprise could come to naught (especially
> economically).
>
> I think the worst novel I read, next to _Woman Between the Worlds_, was
> Jonathan Carroll's _Sleeping in Flame_.  Touted all over as the next best
> thing to sliced bread in the realm of intellectual fantasy.
>
>  On Wed, Feb 10, 2010 at 6:42 PM, Dana Paxson <[email protected]> wrote:
>
>> 35 years or so ago I was driving my family through the Adirondacks, and to
>> keep the kids entertained, started making up a song about the Adirondack
>> Shark.  I guess I was just participating in some silly cosmic freshwater
>> resonance.
>>
>>
>> Eric Scoles wrote:
>>
>> Are you sure he was serious? (Then again, if I have to ask...)
>>
>> When I was younger I thought it would be fun to write a novel about a
>> giant muskelunge eating swimmers in Lake Michigan. Thought it would be fun
>> to see if people took it seriously. Somebody else suggested, 'why not just
>> make it a gigantic bass and set it in Long Lake?'* Then someone went and
>> made _Champlain_, which I'm told was about a gigantic alligator terrorizing
>> swimmers in Lake Champlain, and I realized that the world had moved on
>> without me.
>>
>>
>> --
>> *My brothers & I spent hours one weekend catching and re-catching (and
>> re-re-catching) undersized smallmouth bass on Long Lake. One of our running
>> jokes had to do with crossing them with piranha. So, there's another idea.
>>
>>
>> On Wed, Feb 10, 2010 at 4:15 PM, Jonathan Sherwood <
>> [email protected]> wrote:
>>
>>> Sorry to digress slightly, but the absolute worst case of collaboration
>>> was a book my dear wife bought me for a beach read. It was by Piers Anthony
>>> and some other guy. It's called "Spider Legs," and holds my personal record
>>> for worst book ever read. It was so bad I had to finish it just because it
>>> was hard to believe it was ever put into print instead of sent back to the
>>> depths of Hell by the publisher.
>>>
>>> It's basically "Jaws" but with a giant spider crab. Why do good authors
>>> do that?
>>>
>>> http://www.amazon.com/Spider-Legs-Fantasy-Piers-Anthony/dp/0812564898
>>>
>>>
>>> On Wed, Feb 10, 2010 at 4:07 PM, Sal Armoniac <[email protected]>wrote:
>>>
>>>> Asimov also declined.  I can't stand his later novels. Clarke's quality
>>>> dropped because he started collaborating with less skillful writers.  It
>>>> bothers me, even, that he wrote his two novels 2001 and 2010 in
>>>> collaboration with filmmakers. Kubrick's film is far better, and has 
>>>> reached
>>>> more people than Clarke's novel, which is a let down after seeing the
>>>> film. I'm having a hard time teaching him.
>>>>  Sally
>>>>  On Wed, Feb 10, 2010 at 1:48 PM, SteveC <[email protected]> wrote:
>>>>
>>>>> Blather. Most of the writers at the high age range of that chart
>>>>> started publishing many years before such a thing as a Hugo Award for
>>>>> novels existed. Make 1955 your base line (when the Hugos started being
>>>>> awarded annually) instead of first published work and the whole chart
>>>>> shifts downward.
>>>>>
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