BR Note :
I've always wondered why women read those  idiotic sentimentalistic 
creations
written for complete idiots called romance novels.  Turns out its  sorta 
like 
the Stockholm Syndrome.
.
News flash :  Women are different than men and have  different sets of 
needs.
Maybe, armed with this insight, women might better understand why  men
prefer war over romance in their reading fare. I mean, if the choice was  
between 
a mushy romance novel or a good  account of the Battle of Kursk,
who wouldn't choose the drama of Nazis and Communists destroying
each other with artillery and tanks any day ?  I mean, its  obvious isn't 
it ?
.
General Billy
.
.
.
-------------------------------------------
 
 
 
 
_Friday Weird Science: The evolutionary  psychology of the romance novel_ 
(http://scientopia.org/blogs/scicurious/2012/12/21/friday-weird-science-the-ev
olutionary-psychology-of-the-romance-novel/) 
 
Dec 21 2012 Published by _scicurious_ 
(http://scientopia.org/blogs/scicurious/author/scicurious/)  under _Friday 
Weird Science_ 
(http://scientopia.org/blogs/scicurious/category/friday-weird-science/) , 
_Uncategorized_ 
(http://scientopia.org/blogs/scicurious/category/uncategorized/) 
 
The handsome stranger clutched her shoulders, supporting her as she  
swooned. The suddenness and violence of the robbery and her rescue disoriented  
Beverlee, and for a few moments she did not know where she was. But as she  
began to be conscious of her surroundings, she was increasingly aware of the  
tall, firm man she leaned against, of his big hands clasped around her  
shoulders, warm through the thin linen of her chemise. 
She looked up hesitantly through her lashes, and into the dark, deep eyes  
of her rescuer. As their eyes met, a shock seemed to pass through them both. 
 He leapt backward, and for an instant Beverlee felt the loss of his touch, 
the  coldness where his hands had touched her. But the moment passed, and 
gathering  himself, her rescuer spoke. 
"Christmas" he said, flatly. "Bride baby cowboy doctor secret lady." And  
each word sang deep in Beverlee's spirit, tapping something deep in her she  
hadn't known existed: the desire to find a long term mate that would provide 
 food and shelter while she had loads of babies. 
-from the romance novel I will someday write.
Ahh, romance novels. Can't live with 'em, don't want to live without 
'em.The  genre of romance, of bodice-bustin' babes and their brawny bonafide 
boytoys, has  been around, well, for at least as long as the written word, and 
most likely  long before that. Tristan and Isolde, Guinevere and 
Arthur/Lancelot (I hope  there was middle ages slash-fic of that, btw), 
Scarlett and 
Rhett, and the many  improbably named men (my personal favorite was "Devilyn") 
and women (I bet there  really IS a "Beverlee" already) of 18th century style 
bodice rippers. 
 
(http://scientopia.org/blogs/scicurious/2012/12/21/friday-weird-science-the-evolutionary-psychology-of-the-romance-novel/mcmullet/)
  
(LOL!!! I am so naming my next dog "McMullet") 
Romance novels are incredibly popular, despite their often hilarious covers 
 (and heck, if you've got a Kindle, no one ever needs to know!). If you go 
by the  definition of a romance novel as "a romantic relationship is driving 
the story  forward", then everything from 50 Shades of Grey to Twilight to 
Jane Austen  counts. 
And boy do we love them all. So much so that in 2007 we spent 1.3 BILLION 
US  dollars on them (other genres didn't even crack a billion). Lots of 
people read  them, estimates are that at least 1/3 of US women have read at 
least 
one (even  if a good number of us, myself included, mostly do it to point 
and laugh). . 
But why DO we like them so much? Why do people crave cheesy serial romance? 
 Some have suggested that it's because the stories reflect our desire to 
nurture.  Some have suggested it's an acceptance of patriarchal bondage. Some 
have  suggested outlets of female resentment. No one has yet suggested the 
appeal of  cheesy stories combined with nice dresses and soft-core porn. The 
authors of  this paper, however, think it's because these book "address 
evolved,  sex-specific mating interests". In other words, it's evolution, baby. 
 
Evolutionary Psychology. 
Cox and Fisher. "THE TEXAS BILLIONAIRE’S PREGNANT BRIDE: AN EVOLUTIONARY  
INTERPRETATION OF ROMANCE FICTION TITLES" Journal of Social, Evolutionary, 
and  Cultural Psychology, 2009. 
According to evolutionary psychology, men and women possess sex-specific  
needs. 
That is, due to biological sex differences, women conceive  children
whereas men do not. Across cultures, women tend to be the primary  
caregivers, although men often provide paternal support (Bribiescas, 2006).  
Furthermore, women have notably lower limits on the number of children that  
they 
can have, as compared to men. These differences have led evolutionary  
psychologists to propose that women tend to seek commitment from their mates,  
and 
prefer mates who have a propensity to accrue resources (e.g., Buss, 1989)  
since they will need these resources while they tend to the
children.  Therefore, we propose that a better interpretation for the 
success of  Harlequin romance novels is that the books are addressing women’s  
sex-specific, evolved, mating interests. To test this hypothesis, we analyzed  
the titles of Harlequin romance novels.
So basically, women want stable baby-daddies, and therefore we should find  
this in the titles of the romance novels. After all, you have to assume 
that  romance novel publishers do a ton of market research, they want to 
develop  titles that will sell. And if women are indeed seeking male providers, 
the  titles that sell will predict this. Since potential purchasers only look 
at the  front of a romance novel for about 7 seconds before they decide 
whether or not  to buy it, the authors figure it has to be the title they are 
basing their  decision on (though the hilarity of the usually shirtless man 
and fainting,  scantily-clad woman on the cover might also be additional 
factors). 
But these authors think it's the titles, and that words in romance novel  
titles will reflect a desire for stability, babies, etc. So for example, 
women  should feel more of a desire for reproduction, and words referencing 
pregnancy  and babies should be frequent. Women should also be seeking out male 
providers  who will support them, so there should be a lot of themes of 
wealth in the  titles as well. Thirdly, according to evolutionary psychology, 
women should be  seeking long-term relationships specifically, so there should 
also be references  to things like marriage. Finally, women should prefer 
attractiveness...so there  should be a lot of references to male hotness. 
The authors analyzed over 15 THOUSAND Harlequin romance titles, from 1949 
to  2009. From these, they got the top 20 words used in the romance novel  
titles: 
 (http://scientopia.org/blogs/scicurious/files/2012/12/romance-titles1.png) 
 
They note that some of the words they anticipated ("husband", "child",  
"doctor", "bride", etc) did appear in the top 20, especially those relating to  
things like babies and husbands. But they did NOT see any references to 
wealth  (unless, I guess, you count "octor"), or to physical attractiveness. 
And I don't  think anyone has ANY idea why "Texas" and "nurse" are in there. 
The authors try to relate some of the professions listed to things like  
resources (doctor for example), and others to physical hotness 
(um..."cowboy").  And if you look at the top 20 professions listed, there are 
also many 
relating  to traditional female roles (nurse, midwife) and males bringing home 
to bacon  (doctors, princes, knights, and...pirates. Pirates were definitely 
in  there). 
Finally, the authors analyzed the data from the titles to show two 
particular  themes. The first was a theme of commitment, references to 
weddings, 
brides,  husbands, fiancees, etc. The second theme was reproduction, with lots 
of  reference to children, pregnancy, sons, daughters, etc. After that, 
themes got a  little less relevant, with things like Texas (wtf is UP with 
Texas 
and romance  novels? I guess Massachusetts is just too prosaic?), resources 
(references to  money), medical, Christmas (?), royalty, and professionals 
(like CEOs. Because  we ALL want to read "A CEO takes over...my loins". 
The authors conclude that romance novel titles indicate what women are 
after,  and that they vote with their money to show what they want. And what 
they want  is the long term security of a well-endowed (with MONEY, obviously) 
man to  father their children. Doctors are big because they are secure and 
provide  money. Cowboys are big because of their physical prowess. 
So ladies, if you're reading romance novels, you are clearly doing it for 
the  doctor, babies, princes, and cowboys. These words speak deeply to your 
very DNA  and require you to pursue all that really matters in life: 
financial security  and a good father to your children. 
The big issue I have with...well with the very hypothesis this paper is 
based  on, is this: WHY would people, who the authors acknowledge are already 
in stable  relationships, be unconsciously seeking out, um, other stable 
relationships?  After all, other studies have shown that women who read romance 
novels are  actually MORE likely to be in a long-term romantic relationship 
than those who  don't read them. They already have their stable (possibly 
providing), man. And  according all the OTHER evolutionary psychology I've 
read, women seek out these  nice stable providers, and then they seek _racy  
boytoys on the side who will provide them with dominant high-impulsivity  
children_ (http://evolvify.com/why-your-girlfriend-wants-to-cheat-on-you/) . IF 
this is true (and that is a rather big "if", I would make it  bigger but 
WordPress won't let me), then why would we be spending zillions on  romance 
novels which focus entirely on...the stable things we probably already  have? 
Shouldn't we be focusing on love'em and leave'em? 
The second issue relates to professions. If you break it down by  
profession...well of COURSE some of them will be lucrative, and of COURSE some  
of 
them will be traditional female roles. You will also notice that most of the  
professions referenced are either money-making, highly respectable, or, you  
know, cowboys. But not all money making professions are on there. Where is  
"financial analyst"? Where is "drug lord"? Additionally, they authors did 
not  take into account whether the profession referenced in the title 
belonged to a  male or a female (there are, after all, female doctors, CEOs, 
and  
consultants). 
Third issue: the analysis of the data to reveal different themes, which the 
 authors assume all reflect a woman's desire to find financial security and 
a  long-term father to her children. While some of them may reveal that, 
the words  they chose are not always indicative. For example, they talk about 
the word  "son" as being reference to reproduction, but is that REALLY the 
case? Most  romance novel titles with "'son" in them will not be things like 
"for the sake  of my son". Rather they will be things like "the son of a 
cowboy", "The duke's  wayward son", etc. References to "baby" are just as like 
to be "Be my baby" as  they are to be "father my baby". Not exactly a 
reproductive message. And in  their references to resources (things like wealth 
and heirs)...well romance  novel titles are often things like "the wayward 
heiress", "the wealth of a  duchess", etc. Sure, they refer to resources, but 
not in the sense of seeking  them from a man. 
Fourth, if women really are voting with their money for romance novel 
titles  of specific types...why did this study analyze ALL the romance novels 
from the  last 60 years?! Why not look at the top ten sellers from each year? 
Wouldn't  that give a better perspective on how, exactly, women are voting 
with their  money? Market research is all well and good, but if "The texas 
billionaire's  pregnant bride" doesn't sell, then it doesn't mean much for evo 
psych. The theme  of Christmas, for example, came out as extremely 
significant, because each  year Harlequin releases a pile of Christmas novels. 
Not 
because people  BOUGHT them, but because they were produced. It says nothing 
about why, or even  if, women are exceptionally attracted to Christmas. 
Finally, there is no escaping the fact that all of these romance novels are 
 designed around very strict cultural lines. The women are always 
traditionally  beautiful (or if not, there is always something that is 
mysteriously 
sexy about  them). The men are always, ALWAYS handsome. Everyone is 
successful and everyone  gets married. Are these things we seek because our 
evolutionary psychology tells  us we need them? Or are they things we seek 
because 
society tells us that that  is what is good, what is right, and what is 
required to make someone a good  person? I think this study can't possibly 
separate that out. You can't pull  romance novels out of their cultural 
context, 
which means you can't get down to  the evo psych. You can only get down to 
what the culture we are in expects us to  want: doctors, babies, and cowboys 
(not necessarily in that order). 
So maybe it should go like this: 
"Christmas" he said, flatly. "Bride baby cowboy doctor secret lady." And  
each word sang deep in Beverlee's spirit, tapping something deep in her she  
hadn't known existed: the cultural trappings of her entire life, telling her 
 that we all need babies, all want a wedding, and all need a doctor to 
provide  for us. And, of course, that Christmas is irresistibly sexy. Beverlee 
smiled.  She always had wanted a cowboy for Christmas. 
-from the romance novel I will someday  write.

-- 
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