Hi Billy,

Amusingly, I just had lunch with a journalist who's working on a biography of 
Steve Jobs.  

The central issues involved are very similar: can you be both a great leader 
and a decent human being?  If so, how? If not, how close can [or should] you 
aspire to become?

Reminds me a bit of the Star Trek episode: The Enemy Within (episode) - Memory 
Alpha, the Star Trek Wiki

I agree, a Radical Centrist synthesis would be a great achievement…


-- Ernie P.

On Jan 9, 2013, at 2:10 PM, [email protected] wrote:

>  
>  
>  
> .
> .
> .
> Machiavelli's The Prince, part 1: the challenge of power
> 
> The first of a series examining the great political tract of the Italian 
> Renaissance asks: how do we utilise power to do good while utilising evil to 
> keep power?
> 
>  
> Nick Spencer
> guardian.co.uk, Monday 26 March 2012
> Niccolo Machiavelli shocked his contemporaries, and can still shock us, with 
> his easy acceptance of the role of violence and cruelty in worldly success. 
> At one point in his best-known work, The Prince, he argues casually that 
> Fortune should be raped: "Fortune is female and if you want to stay on top of 
> her you have to slap and thrust … she's more likely to yield that way."
> 
> It's a horrible picture that manages to upset us in a way that the book's 
> central theme upset its first readers: what if the Christian idea that 
> politics must be subject to justice was wrong? What if might is actually 
> right?
> 
> This was not a theoretical issue. Machiavelli lived his entire life in an age 
> in which deceit and brutality usually won through. His genius lay in his 
> ability to see and his honesty in admitting this.
> 
> He was born in Florence in 1469, the year that Lorenzo de' Medici (not the 
> Lorenzo to whom The Prince is dedicated) assumed power. "Assumed" is 
> technically misleading as Florence had been a republic for more than a 
> century. However, the system of regular, short-term elections through which 
> power was diffused had proved perilously unstable. By the mid 15th century, 
> real power lay in the hands of a small number of rich families, the Medicis 
> supreme among them. This disjunction between political theory and reality 
> would leave a deep mark on Machiavelli.
> 
> The confusion within Florence was matched by disorder without, as the five 
> main Italian powers – Florence, Venice, Milan, the Papal states and Naples – 
> lived in a state of constant intrigue, negotiation and conflict, made more 
> complex still by the invasion of the French king, Charles VIII, at Milanese 
> invitation, in 1494.
> 
> This invasion saw the humiliation of Florence and the temporary overthrow of 
> the Medicis when Lorenzo's son, Piero, surrendered to the French and was 
> replaced by Girolamo Savonarola, a puritanical, book-burning Dominican friar, 
> who sought to reform the church and Florentine society. His execution at the 
> stake, four years later, changed Florence's political course once again, 
> opening the door to Machiavelli's diplomatic career and further confirming 
> that "a ruler must never imagine that any decision he takes is safe", as he 
> put it at the end of The Prince.
> 
> If, then, there was no such thing as complete political security, how could a 
> ruler hope to survive, let alone triumph? Machiavelli's answer is sketched 
> out in The Prince, which he wrote in 1513.
> 
> He argued, along with many contemporaries, that while a leader could never 
> fully conquer the goddess Fortune, he could at least make an effort to woo 
> and master her. Where he differed from his contemporaries was how.
> 
> Weak leaders, in his experience, were disastrous. Piero de Medici had been 
> incompetent and submissive. Piero Soderini, the head of state for whom 
> Machiavelli would work as a diplomat, was hopelessly indecisive. Even 
> Savonarola, although forceful himself, had no recourse to force and thus "was 
> overthrown along with all his reforms when people stopped believing in him."
> 
> By contrast, strong leaders achieved (a measure of) security and fame. Pope 
> Julius II achieved all three (military) aims he set himself. Pope Alexander 
> VI "showed what could be done with finance and force." Supremely, there was 
> Cesare Borgia, Alexander's son, of whom Machiavelli says: "I wouldn't know 
> what better advice to give a ruler new to power than to follow his example."
> 
> Machiavelli charts Cesare's machinations at length, detailing how he 
> disguised his intentions, weakened opposing factions, broke old loyalties, 
> enriched allies and eliminated rivals. At one point he tells how Cesare 
> appointed a "cruel, no-nonsense man" to pacify a newly acquired territory. 
> The appointment was successful but Cesare, recognising how his man's severity 
> had  provoked local enmity, "found a pretext … had [him] beheaded and his 
> corpse put on display one morning in the piazza … with a wooden block and a 
> bloody knife beside … The ferocity of the spectacle," Machiavelli records, 
> "left people both shocked and gratified."
> 
> Cesare was not simply a mindless butcher, however. Elsewhere, Machiavelli 
> tells how, having taken control of Romagna, Cesare found existing rulers "had 
> been stripping the people of their wealth rather than governing them". As a 
> result, he decided that "good government was required to pacify the area".
> 
> What impressed Machiavelli was not so much Cesare's viciousness as his 
> readiness to do what was necessary when it was necessary. Only this kind of 
> cold-blooded determination would allow a prince to stay atop Fortune and 
> survive.
> 
> Instinctively, we want morality to show us a world where these choices don't 
> have to be made. But the challenge of Machiavelli, for Christians and 
> atheists alike, is that he confronts us with a terrible argument: we cannot 
> do good without power but we cannot gain power, nor keep it, without doing 
> evil.
> 
> .
> ------------------------------
> Machiavelli's The Prince, part two: humanism and the lessons of history
> 
> The Prince follows humanist convention in commending virtuous rulers such as 
> Marcus Aurelius – but subverts it by praising tyrants for their cruelty
> 
>  
> Nick Spencer
> guardian.co.uk, Monday 2 April 2012
> .
> It is a sadness of the present age that "humanism" has become such a narrow 
> and partisan term, effectively denoting atheism with a bit of good PR. It 
> wasn't always like that. Machiavelli was the inheritor of a tradition of 
> humanism that dated back to the 14th century and was far from anti-Christian.
> 
> 
> As ever more ancient manuscripts were discovered in monastic libraries in the 
> middle ages, a new attitude to the classical world emerged. Cicero, Tacitus, 
> Thucydides and Lucretius were valued, not only for their rhetorical 
> brilliance but also for their fundamentally different view of the world and, 
> in particular, of human nature.
> 
> 
> Humanism contended that contrary to received wisdom, formed and sustained 
> under the shadow of St Augustine, human corruption was not total. Humans 
> could make meaningful choices about their lives and destiny. They could be 
> genuinely virtuous. Human dignity lay not so much in the possession of an 
> immortal soul as in the capacity for and exercise of freedom. Fortune (which 
> could be influenced) as opposed to Providence (which could not) became the 
> presiding genius. Humans were made for excellence. All this was achieved 
> within a thoroughly Christian framework. Embracing ideas of dignity, freedom 
> and excellence did not entail rejecting Christianity, merely the Augustinian 
> flavour of it to which most people had become accustomed.
> 
> 
> It did, however, involve a different attitude to the world, to work and, most 
> noticeably, to education. This was partly in who should be taught: now all 
> gentlemen would benefit from studying, not just those destined for the 
> church. But it was also in what should be taught. Scripture and scholasticism 
> gave way to the thought and literature of the classical world, without which 
> no education could be considered complete. This was, in Quentin Skinner's 
> words, an "almost embarrassingly long-lived" idea, shaping the English 
> educational system until the time of Harold Macmillan.
> 
> 
> The Prince stands firmly within this tradition. The whole "mirror for 
> princes" genre, of which it is the most famous example, although having 
> pre-humanist roots, was a typically humanist enterprise, in particular the 
> way it chose to affirm rather than renounce worldly ambition. Within The 
> Prince, as with other such books of advice, examples from the ancient world 
> dominate. "A ruler must … exercise his mind [by] read[ing] history," 
> Machiavelli advises Lorenzo, "in particular accounts of great leaders and 
> their achievements."
> 
> 
> The lessons of history need not be on the individual scale. Machiavelli was 
> fond of drawing examples from the Roman empire, explaining, for example, that 
> its stability was rooted in how "the Romans … never put off a war when they 
> saw trouble coming", or that its collapse was triggered "when they started 
> hiring Goths as mercenaries". If contemporary rulers sought greatness, there 
> was no greater example than the Roman empire.
> 
> 
> Personal models were, however, more important. "Take as a model a leader 
> who's been much praised and admired and keep his examples and achievements in 
> mind at all times," Machiavelli advised. This is what ancient leaders 
> themselves had apparently done – Alexander the Great had modelled himself on 
> Achilles, Caesar on Alexander, Scipio on Cyrus – so it stood to reason that 
> what was modern ones should do. The Prince is peppered with such examples, 
> legends like Theseus and Romulus, or emperors like Marcus Aurelius, Pertinax 
> and Alexander, "benign, humane men who led unassuming lives, loving justice 
> and hating cruelty". It is, however, also populated by other ancient figures, 
> who were ruthless, manipulative or plain brutal.
> 
> 
> This in itself was not unprecedented. The tradition of learning from the 
> mistakes and faults of others was itself an ancient one. What Machiavelli 
> did, however, was use such moral monsters for affirmative rather than 
> censorious purposes. These people were worth studying not because they were 
> wrong, but because they were strong.
> 
> 
> Thus, in the same way as he drew a positive message from the example of 
> Cesare Borgia as we saw last week, he also wrote about emperors like 
> Commodus, Severus, Atoninus Caracalla and Maximinus, men who were "extremely 
> cruel and grasping",  not to condemn but to learn from them.
> 
> 
> Hannibal, for example, is lauded in a chapter about cruelty and compassion 
> because he led "a huge and decidedly multiracial army far from home" in which 
> there was no sign of dissent or rebellion. How? Machiavelli's answer is 
> simple. It was his "tremendous cruelty". Stories like this illustrate how 
> Machiavelli simultaneously used and subverted the humanist historical 
> tradition. "Historians are just not thinking," he writes tetchily at one 
> point, "when they praise [Hannibal] for this achievement and then condemn him 
> for cruelty."
> 
> 
> It was entirely right that fellow humanists should seek to learn from 
> history. But they should at least do so honestly.
> 
> .
> 
>  
> ----------------------------
> Machiavelli's The Prince, part three: the personal in the political
> 
> If the author's diplomatic career saturates The Prince, so does his 
> desperation for redemption after his fall from grace
> 
>  
> Nick Spencer
> guardian.co.uk, Monday 9 April 2012
> The Prince was a book of its time both politically (as we saw in week one) 
> and intellectually (last week). But it was also a personal book, and we miss 
> something of its power if we ignore its biographical context.
> 
> Machiavelli's family was neither wealthy nor well-connected. His father, 
> Bernardo, was a lawyer and humanist who diligently grounded his son in the 
> studia humanitatis but was unable to arrange for him a life of aristocratic 
> luxury or even a cushy government stipend.
> 
> Instead, although Machiavelli's early years are poorly documented, it seems 
> certain that it was a combination of humanist education, hard work and 
> intelligence that earned him a major appointment in 1498. Machiavelli was as 
> close to being a self-made man any anyone in Renaissance Florence.
> 
> As secretary of the Ten of War, Florence's foreign affairs and war committee, 
> he was the city's highest-ranking diplomat for 14 years, leading embassies to 
> and spending months in the courts of the French king, the pope, the holy 
> Roman emperor, and others. The Prince was written by a man who, as he informs 
> Lorenzo de' Medici in the dedication, had "knowledge [that was] gained 
> through long experience of contemporary affairs". When it came to 
> geopolitics, Machiavelli knew whereof he spoke.
> 
> The author's diplomatic career saturates The Prince. Alongside the Greek and 
> Roman models so favoured by humanists, the book is populated with 
> contemporary examples and lessons, many of them transposed, almost verbatim, 
> from Machiavelli's personal correspondence and legations. Thus his breathless 
> praise for Cesare Borgia's ruthlessness, his admiration of Pope Julius II's 
> boldness, and his criticism of the Emperor Maximilian's ineptitude passed 
> largely unaltered from diplomatic communiques into The Prince.
> 
> Even when his diplomatic memos are not quite so obvious, Machiavelli's 
> experience remains in view. His time at the French court taught him that the 
> Florentine view of their city's power and importance was utterly naive and 
> inflated. If the republic wished to survive it needed to recognise how the 
> real world worked. The Prince offered some candid and blunt advice along 
> these lines, explicitly drawn from a career at the ambassadorial coalface. 
> The author was, in effect, leaking the diplomatic cables in order to help 
> "save [Italy] from the cruelty and barbarity of [the] foreigners" encroaching 
> upon it.
> 
> The Prince is even more personal than this, however. In 1512, the Medicis, 
> with papal encouragement and Spanish help, defeated the Florentines and 
> dismantled the republic. Machiavelli found himself out of favour and out of 
> work. Worse, he was under suspicion for plotting against the new ruling clan 
> and was subsequently tortured by strappado, in which the body was hoisted to 
> the ceiling by wrists bound behind the back and then dropped to the floor, 
> thereby usually tearing the arms out of their sockets.
> 
> Machiavelli survived, maintained his innocence and was released. But the 
> experience marked him. "Fear means fear of punishment, and that's something 
> people never forget," he wrote in the chapter 17, on cruelty and compassion.
> 
> The Prince was Machiavelli's attempt to worm his way back into favour 
> following this disaster, and is marked not only by examples drawn from his 
> diplomatic career but by a heartfelt plea for preferment. This entailed the 
> mandatory obsequiousness that came with such "mirror for princes" books: 
> "your illustrious house … favoured by God and church … [is] well placed to 
> lead Italy to redemption," he writes towards the end of the book.
> 
> More strikingly, however, it also involved a personal entreaty that sounded 
> clear and early in the book. The dedication explains how The Prince's wisdom 
> derived from what the author had "discovered and assimilated over many years 
> of danger and discomfort". The book was written because the author was "eager 
> myself to bring Your Highness some token of my loyalty". And it was hoped, 
> the dedication concluded, that "this small gift" would encourage "Your 
> Highness" to "look down on those far below" and to see "how very ungenerously 
> and unfairly life continues to treat me". If there is a dark and a desperate 
> tone to The Prince, it is because the author's life had, of late, taken a 
> dark and a desperate turn.
> 
> The sensitive diplomatic material and the personal nature of The Prince helps 
> explain why, although written in 1513, the book was not published until after 
> Machiavelli's death, over 15 years later. For all its subsequent fame, it had 
> little immediate impact, at least not in the way Machiavelli had desired. The 
> Prince failed in its mission and Machiavelli lived the rest of his life in 
> political obscurity.
> 
> .
> -------------------
> Machiavelli's The Prince, part four: benevolence to complement brutality
> 
> It is the model prince's humanity that makes him so disturbing. He's more 
> amoral than immoral – only staying in power matters
> 
>  
>  
> Nick Spencer
> guardian.co.uk, Monday 16 April 2012
> More than any other political theorist, Machiavelli's reputation precedes 
> him. Some people talk about Rawlsian ideas or Kantian ethics or a Hobbesian 
> world – usually those who want to sound clever and educated – but it's 
> perfectly fine to use the word Machiavellian without claiming to have read 
> The Prince. Everyone does and everyone knows what it means.
> 
> It can come as something of a surprise, then, to find that Machiavelli wrote 
> in The Prince that "a man who becomes king … must make it an absolute 
> priority to win over the affection of the common people", or that "sensible 
> rulers and well-run states have done all they can … to keep the people happy 
> and satisfied; indeed this is one of a ruler's most important tasks."
> 
> The ideal ruler is not, it seems, a dagger-wielding psychopath. On the 
> contrary, he "should go about things … humanely". Nor should he be a leader 
> in the sense of inspiring terror in everyone around him. On the contrary, "a 
> king must guard against being despised and hated", both by noblemen and 
> commoners.
> 
> Noblemen, or at least some of them, must feel comfortable speaking honestly 
> to their prince. A leader who "trusts no one makes himself unbearable". 
> Accordingly, "he should make it clear that the more openly [ministers] speak, 
> the more welcome will their advice be".
> 
> Respecting commoners is, if anything, more important still. "People's 
> aspirations are more honourable that those of the nobles," Machiavelli 
> admits. Therefore, "a ruler must avoid any behaviour that will lead to his 
> being hated or held in contempt".
> 
> This is more than hot air. It means that the ruler should "respect" the 
> "guilds and districts" into which "every city" is divided, and "go to their 
> meetings from time to time, showing what a humane a generous person he is". 
> It means that "if he really has to have someone executed, he should only do 
> it when he has proper justification and manifest cause".
> 
> And it means that he should instate and protect sound public institutions. 
> France, he says, is a one of the better governed states of our age, "full of 
> good institutions", the most important of which is "parliament and 
> parliamentary authority". "There couldn't be a better or more sensible 
> institution," he gushes, "nor one more conducive to the security of kind and 
> the realm."
> 
> None of which sounds particularly "Machiavellian".
> 
> It will be clear the Machiavelli's model prince is no political Satan, 
> bidding "evil, be thou my good". Indeed, were he to have been so, he would, 
> paradoxically, have been less shocking and somewhat easier to deal with. 
> Monsters, after all, are manageable. Remorseless sadism may nauseate us but 
> if we can convince ourselves that such people are completely different from 
> us, not even of the same species, we do not feel quite so threatened by their 
> actions.
> 
> By contrast, it is precisely because its model prince is recognisably human, 
> valuing many of the things we value, and pursuing paths that we ourselves 
> would advocate, that The Prince is so disturbing. He is one of us, too 
> realistic, too credible to be readily dismissed. You may not always admit so 
> in public, Machiavelli whispers to us, but you too think like this, don't you?
> 
> Machiavelli's moral universe is not one of unredeemed or unredeemable 
> immorality, therefore. It is subtler, more amoral than immoral. By all means, 
> govern well, execute sparingly, respect institutions, and invite honest 
> advice, Machiavelli says, while in the same breath telling the prince that he 
> must execute some of the coldest and most brutal acts of political violence.
> 
> So, for example, he reports that there are three ways of keeping control over 
> newly conquered but previously self-governing states: "Reduce them to rubble 
> … go and live there yourself … let them go on living under their own laws … 
> and install a [puppet] government." Each has its own merits but "the truth is 
> that the only sure way to hold such places is to destroy them". That isn't 
> mandatory. You may decide not to raze them, in which case "the best way to 
> hold a previously self-governing city it with the help of its own citizens". 
> But it is still an option.
> 
> Machiavelli doesn't advocate violence for its own sake. On the contrary, he 
> repeatedly insists that such frenzied aggression is counter-productive. What 
> is shocking is the way in which the brutal rubs shoulders with the benign, 
> the vicious with the virtuous in a matter-of-fact way. He is not so much 
> saying the morally wrong way is the necessarily right way for a prince to go 
> about his business. Rather, he is implying that the morally right way is 
> simply irrelevant. What matters is staying in power.
> 
> 
> -- 
> Centroids: The Center of the Radical Centrist Community 
> <[email protected]>
> Google Group: http://groups.google.com/group/RadicalCentrism
> Radical Centrism website and blog: http://RadicalCentrism.org

-- 
Centroids: The Center of the Radical Centrist Community 
<[email protected]>
Google Group: http://groups.google.com/group/RadicalCentrism
Radical Centrism website and blog: http://RadicalCentrism.org

Reply via email to