What kind of idiot uses descriptions of appearance for a lede
in a story about intellectual / educational content ?
 
All of paragraph # 1 is superfluous  --a couple of terse  comments,
if any, along these lines should have been buried in the text
several paragraphs into the story. 
 
How much does the New Yorker pay this putz ?
 
These gripes aside, there is some useful information to think about.
 
Billy
 
 
----------------------------------------------
 
 
 
The New Yorker
 
Annals of Higher Education
Laptop U
Has the future of college moved online?
By : Nathan Heller

 
 
Gregory Nagy, a professor of classical Greek literature at  Harvard, is a 
gentle academic of the sort who, asked about the future, will  begin speaking 
of Homer and the battles of the distant past. At seventy, he has  owlish 
eyes, a flared Hungarian nose, and a tendency to gesture broadly with the  
flat palms of his hands. He wears the crisp white shirts and dark blazers that  
have replaced tweed as the raiment of the academic caste. His hair, also 
white,  often looks manhandled by the Boston wind. Where some scholars are 
gnomic in  style, Nagy piles his sentences high with thin-sliced exposition. (“
There are  about ten passages—and by passages I simply mean a selected text, 
and these  passages are meant for close reading, and sometimes I’ll be 
referring to these  passages as texts, or focus passages, but you’ll know I 
mean 
the same thing—and  each one of these requires close reading!”) When he 
speaks outside the lecture  hall, he smothers friends and students with a stew 
of blandishment and praise.  “Thank you, Wonderful Kevin!” he might say. 
Or: “The Great Claudia put it  so well.” Seen in the wild, he could be taken 
for an antique-shop  proprietor: a man both brimming with solicitous 
enthusiasm and fretting that the  customers are getting, maybe, just a bit too 
close to his prized Louis XVI  chair. 
Nagy has published no best-sellers. He is not a regular face on TV. Since  
1978, though, he has taught a class called “Concepts of the Hero in 
Classical  Greek Civilization,” and the course, a survey of poetry, tragedy, 
and 
Platonic  dialogues, has made him a campus fixture. Because Nagy’s zest for 
Homeric texts  is boundless, because his lectures reflect decades of 
refinement, and because  the course is thought to offer a soft grading curve 
(its 
nickname on campus is  Heroes for Zeroes), it has traditionally filled Room 
105, 
in Emerson Hall, one  of Harvard’s largest classroom spaces. Its enrollment 
has regularly climbed into  the hundreds. 
This spring, however, enrollment in Nagy’s course exceeds thirty-one  
thousand. “Concepts of the Hero,” redubbed “CB22x: The Ancient Greek Hero,” is  
one of Harvard’s first massive open online courses, or MOOCs—a new type of 
college class based on Internet  lecture videos. A MOOC is “massive” 
because it’s  designed to enroll tens of thousands of students. It’s “open” 
because, in  theory, anybody with an Internet connection can sign up. “Online” 
refers not  just to the delivery mode but to the style of communication: 
much, if not all,  of it is on the Web. And “course,” of course, means that 
assessment is  involved—assignments, tests, an ultimate credential. When you 
take MOOCs, you’re expected to keep pace. Your work gets  regular 
evaluation. In the end, you’ll pass or fail or, like the vast majority  of 
enrollees, 
just stop showing up. 
Many people think that MOOCs are the future of higher education in America. 
In the  past two years, Harvard, M.I.T., Caltech, and the University of 
Texas have  together pledged tens of millions of dollars to MOOC development. 
Many other élite schools, from U.C.  Berkeley to Princeton, have similarly 
climbed aboard. Their stated goal is  democratic reach. “I expect that there 
will be lots of free, or nearly free,  offerings available,” John L. 
Hennessy, the president of Stanford, explained in  a recent editorial. “While 
the 
gold standard of small in-person classes led by  great instructors will 
remain, online courses will be shown to be an effective  learning environment, 
especially in comparison with large lecture-style  courses.”
 
Some lawmakers, meanwhile, see MOOCs as a  solution to overcrowding; in 
California, a senate bill, introduced this winter,  would require the state’s 
public colleges to give credit for approved online  courses. (Eighty-five per 
cent of the state’s community colleges currently have  course waiting 
lists.) Following a trial run at San José State University which  yielded 
higher-than-usual pass rates, eleven schools in the California State  
University 
system moved to incorporate MOOCs into  their curricula. In addition to having 
their own professors teach, say,  electrical engineering, these colleges 
may use videos by teachers at schools  such as M.I.T. 
But MOOCs are controversial, and debate has  grown louder in recent weeks. 
In mid-April, the faculty at Amherst voted against  joining a MOOC program. 
Two weeks ago, the  philosophy department at San José State wrote an open 
letter of protest to  Michael J. Sandel, a Harvard professor whose flagship 
college course, Justice,  became JusticeX, a MOOC, this spring. “There is no  
pedagogical problem in our department that JusticeX solves,” the letter 
said.  The philosophers worried that the course would make the San José State 
professor  at the head of the classroom nothing more than “a glorified 
teaching assistant.”  They wrote, “The thought of the exact same social justice 
course being taught in  various philosophy departments across the country is 
downright scary.” 
Nagy has been experimenting with online add-ons to his course for years. 
When  he began planning his MOOC, his idea was to break  down his lectures 
into twenty-four lessons of less than an hour each. He  subdivided every lesson 
into smaller segments, because people don’t watch an  hour-long discussion 
on their screens as they might sit through an hour of  lecture. (They get 
distracted.) He thought about each segment as a short film,  and tried to 
figure out how to dramatize the instruction. He says that crumbling  up the 
course like this forced him to study his own teaching more than he had at  the 
lectern. 
“I had this real revelation—I’m not saying ‘epiphany,’ because people use 
 that word wrong, because an epiphany should be when a really miraculous  
superhuman personality appears, so this is just a revelation, not an  epiphany
—and I thought, My God, Greg, you’ve been spoiled by the system!” he  
says. At Harvard, big lecture courses are generally taught with help from  
graduate students, who lead discussion sessions and grade papers. None of that  
is possible at massive scales. Instead, participants in CB22x enroll in 
online  discussion forums (like message boards). They annotate the assigned 
material  with responses (as if in Google Docs). Rather than writing papers, 
they 
take a  series of multiple-choice quizzes. Readings for the course are 
available online,  but students old-school enough to want a paper copy can buy 
a 
 seven-hundred-and-twenty-seven-page textbook that Nagy is about to 
publish, “The  Ancient Greek Hero in 24 Hours.”

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