_Books_ (http://www.theguardian.com/books/books)  
_The Observer_ (http://observer.theguardian.com/)  
How the World Was  Won: The Americanization of Everywhere review – a 
brilliant essay 
 
 
 
  
A world without America would be hardly worth living in, argues Peter 
Conrad  in his survey of the vast cultural reach of the  US




 
 

 
_Nick  Fraser_ (http://www.theguardian.com/profile/nickfraser)  
Sunday 2  November 2014 
 
Everyone can recall their first encounter with America, whether it was  
watching Gone With the Wind or Dumbo, the death of John F  Kennedy, the 
resignation of Richard Nixon or, more recently, the election of the  Barack 
Obama. 
But what does such exposure to the world’s most powerful place  actually 
imply? For some, the result is dashed expectations or disapprobation.  For 
others, such as Peter Conrad, it is the opening act in a lifetime drama.  
Conrad is one of a glittering generation of Australians cast on to the seas 
 of world culture in the 1960s. He first encountered America through its 
movies,  and here he examines the way the country has both interpreted itself 
for the  rest of the world, and has in turn been half-understood by 
countries on which  its huge footprint has strayed. America can’t help but 
affect us 
all. We cannot  not be affected by America. That is the principal message 
of this fitfully  personal, occasionally randomly incomplete, brilliant 
essay. In conclusion,  wrestling with symptoms of decline, Conrad reaffirms his 
obsession. “I am not  ready to be cured,” he says. “A world without America 
would be a dull,  constricted place, hardly worth living in.” 
Modern America, Conrad suggests, sprang into being via the egalitarian  
impulses of mass culture. “The whole fucking world is going 100% American,”  
Henry Miller wrote. ‘It’s a disease.” We begin with the 1941 boosterish 
essay of  Henry Luce entitled The American Century. The son of a missionary, 
Luce grew up  in China. Time Life was the Google or Facebook of its day and 
Luce thought the  United States, confronted by a chaotic, wayward world, should 
“take charge”. But  Luce wasn’t talking about an official, state-inspired 
culture. Making its own  way was what America would do. 
Conrad has watched enough US movies to fill more than a lifetime. Lost gems 
 such as The Americanization of Emily (1964), and Giant, the  adaptation of 
Edna Ferber’s novel, are eloquently reclaimed. Immigrants who made  
remarkable American films, such as the Viennese _Billy Wilder_ 
(http://www.theguardian.com/film/billywilder)  and the Parisian Louis Malle,  
finally get their 
due. One must be grateful to Conrad for having got through not  just the 
airport blockbusters of James Michener, but also the unreadable  doorstop 
paranoid fantasies of _Ayn Rand_ 
(http://www.theguardian.com/commentisfree/2012/mar/05/new-right-ayn-rand-marx) 
. 
Among the omissions are _Dwight  Macdonald_ 
(http://www.theguardian.com/books/2011/dec/04/masscult-midcult-dwight-macdonald-review)
 , who came up with 
the vocabulary used by Conrad, and _Dr  Strangelove_ 
(http://www.theguardian.com/film/2010/oct/18/dr-strangelove-kubrick-comedy) . I 
missed the huge 
role of American journalism – via such  stalwart institutions as the New York 
Times, and that of _Daniel Ellsberg_ 
(http://www.theguardian.com/profile/daniel-ellsberg) ,  who leaked the Pentagon 
papers, surely among the most 
important Americans of the  past half century. There is nothing about such 
distinctive creations as the Ford  Foundation. And television doesn’t get a 
look 
in, which is odd. 
However, Conrad understands how the counterculture was part of the impact 
of  the US, and there are good pages on the likes of _Allen Ginsberg_ 
(http://www.theguardian.com/books/allen-ginsberg)   and Henry Miller. “Jasper 
Johns 
may have been suggesting that America, too, is a  fantasy, a shared 
delusion,” Conrad remarks about the enigmatic flag paintings.  The 
indeterminate, 
temporary nature of America, he suggests, explains why we  keep coming back. 
What’s not to like about a scene that changes every time you  blink? 
Many intellectuals didn’t appreciate the sheer profusion of unsolicited  
American gifts. _Simone de  Beauvoir_ 
(http://www.theguardian.com/books/2014/jan/09/simone-de-beauvoir-google-doodle-quotes)
  complained about the use in 
hotels of noisy vacuum cleaners,  preferring the humble French broom, and 
Sartre found his beloved existentialism  upstaged by the real choices 
available to rootless and mobile Americans.  However, anti-Americanism proved 
to be 
a losing game because so much of American  influence was inseparable from 
the wider world project of modernisation. 
In a downbeat coda, Conrad concludes that our world has become “so  
Americanized that we no longer need to venerate the United States”. I am not  
sure 
that I wholly agree. To be sure, the past decades have provided many  groun
ds for rejecting the vision of the future supplied by the US, and these  days 
the American constitution looks less admirable than it did when Luce  
heralded the new century. No shortage of those prepared to say that America’s  
global sway is at an end can be discerned. 
Nonetheless, we do well to recall that almost every significant innovation 
in  the information economy began somewhere in the United States. So, too, 
did the  process known as globalisation whereby such ideas are immediately 
disseminated  throughout the world. The Austrian emigre economist Joseph 
Schumpeter described  American capitalism as obeying the principle of “creative 
destruction”. What  Hollywood movies and Luce’s publications did for the 
20th century, Google,  Twitter, Facebook and Netflix are doing now. 
The new Americanisation is different from the old one, less picturesque, to 
 be sure, but probably more life-altering in the transformative freedoms it 
 offers. It has its boosters, such as Bill Gates and Steve Jobs, its  
counterculture heroes, among them the _whistleblower Edward  Snowden_ 
(http://www.theguardian.com/world/2014/may/03/everyone-is-under-surveillance-now-says-wh
istleblower-edward-snowden) , and of course its villains, consisting of 
governments wishing to  subvert or block freedoms – not least, as it would seem 
in the case of the NSA,  that of the United States itself. This is the true 
outline of our times. Does  anyone really believe that the American century 
is over and  done?

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