November 12, 2014 /  Real Clear Politics
 
New Republic
 
 
Stephen Glass' New Republic Scandal Still Haunts His  Law Career
 
He nearly destroyed the magazine. Sixteen years later his best  friend 
finally confronts him.
 
By _Hanna Rosin_ (http://www.newrepublic.com/authors/hanna-rosin) 
 
The last time I talked to Stephen Glass, he was pleading with me on the  
phone to protect him from Charles Lane. Chuck, as we called him, was the 
editor  of The New Republic and Steve was my  colleague and very good friend, 
maybe something like a little brother, though we  are only two years apart in 
age. Steve had a way of inspiring loyalty, not  jealousy, in his fellow young 
writers, which was remarkable given how  spectacularly successful he’d been 
in such a short time. While the rest of us  were still scratching our way 
out of the intern pit, he was becoming a  franchise, turning out bizarre and 
amazing stories week after week for The  New Republic, Harper’s, and Rolling 
Stone—each  one a home run.  
I didn’t know when he called me that he’d made up  nearly all of the 
bizarre and amazing stories, that he was the perpetrator of  probably the most 
elaborate fraud in journalistic history, that he would soon  become famous on 
a whole new scale. I didn’t even know he had a dark side. It  was the spring 
of 1998 and he was still just my hapless friend Steve, who padded  into my 
office ten times a day in white socks and was more interested in  
alphabetizing beer than drinking it. When he called, I was in New York and I  
said I 
would come back to D.C. right away. I probably said something about Chuck  
like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.
” 
I was wrong, and Chuck, ever-resistant to Steve’s  charms, was as right as 
he’d been in his life. The story was front-page news all  over the world. 
The staff (me included) spent several weeks re-reporting all of  Steve’s 
articles. It turned out that Steve had been making up characters,  scenes, 
events, whole stories from first word to last. He made up some funny  stuff—a 
convention of Monica Lewinsky memorabilia—and also some really awful stuff: 
racist cab drivers, sexist  Republicans, desperate poor people calling in to a 
psychic hotline,  career-damaging quotes about politicians. In fact, we 
eventually figured out  that very few of his stories were completely true. Not 
only that, but he went to  extreme lengths to hide his fabrications, filling 
notebooks with fake interview  notes and creating fake business cards and 
fake voicemails. (Remember, this was  before most people used Google. Plus, 
Steve had been the head of The New Republic’s fact-checking  department.) 
 
 
(http://wp.newrepublic.com/wp-content/uploads/2014/11/ARTICLE_INSET_ROSIN2_1900-1600x1753.jpg)
 
 

After the scandal broke, the magazine fact-checked and  annotated every 
Stephen Glass story to determine the extent of his fabrications.  The key at 
the top of this page indicates that phrases underlined in blue have  been 
confirmed as true; phrases underlined in red have been confirmed to be  untrue; 
phrases underlined in pencil cannot be confirmed either way. Subsequent  
pages are very, very red.


Once we knew what he’d done, I tried to call  Steve, but he never called 
back. He just went missing, like the kids on the milk  cartons. It was weird. 
People often ask me if I felt “betrayed,” but really I  was deeply 
unsettled, like I’d woken up in the wrong room. I wondered whether  Steve had 
lied 
to me about personal things, too. I wondered how, even after he’d  been 
caught, he could bring himself to recruit me to defend him, knowing I’d be  
risking my job to do so. I wondered how I could spend more time with a person  
during the week than I spent with my husband and not suspect a thing. (And I  
didn’t. It came as a total surprise). And I wondered what else I didn’t 
know  about people. Could my brother be a drug addict? Did my best friend 
actually  hate me? Jon Chait, now a political writer for New York  and back 
then 
the smart young wonk in our trio, was in Paris when the scandal  broke. 
Overnight, Steve went from “being one of my best friends to someone I  read 
about in The International Herald Tribune,” Chait  recalled. The transition was 
so abrupt that, for months, Jon dreamed that he’d  run into him or that 
Steve wanted to talk to him. 
Then, after a while, the dreams stopped. The  Monica Lewinsky scandal 
petered out, George W. Bush became president, we all got  cell phones, laptops, 
spouses, children. Over the years, Steve Glass got mixed  up in our minds 
with the fictionalized Stephen Glass from his own 2003 roman à  clef, The 
Fabulist, or Steve Glass as played by Hayden  Christiansen in the 2003 movie 
Shattered Glass. It was the  book that finally provoked my anger. The plot 
follows a thinly fictionalized  Steve in the aftermath of the affair. It 
portrays 
him as humble, contrite, and  “a few shades hipper than the original,” I 
wrote in a _review for _ 
(http://www.slate.com/articles/arts/books/2003/05/glass_houses.html) _Slate_ 
(http://www.slate.com/articles/arts/books/2003/05/glass_houses.html) . The rest 
of us came off as shallow jerks barely  worth 
apologizing to. Steve sent about 100 handwritten letters of apology that  
year to people he’d injured, all several pages long and very abject: “I’m  
genuinely sorry that I lied to you and betrayed you.” But he was also hawking  
his book, so we saw the letters as an effort to neutralize us. Reading the 
novel  pretty much killed off my curiosity. For years afterward, if I thought 
about  Steve at all—usually when I got an e-mail from a  journalism student 
who had seen the movie in an ethics class—he was the notorious Stephen 
Glass, still living in the Clinton  era. 
Then, in 2010, I got a call from a lawyer in  California. Steve had filed 
an application for something called “moral character  determination” with 
the California state bar. He wanted to be a lawyer and the  guild apparently 
did not think he had reformed enough to practice law. Did I  want to provide 
an account of Steve’s wrongdoing? the lawyer asked. Chuck Lane  was going 
to, and Steve had lined up several witnesses to speak in his favor. I  said I 
would think about it and I did. For a few days, I tried to call up the  
anger again. But after all those years I could only find faint traces of it. 
In fact, the prospect of appearing in court  revived some of the old 
protective instincts. I hadn’t seen Steve in twelve  years. I couldn’t say he 
deserved to be a lawyer, but I couldn’t say he  definitively didn’t, either. 
(Since when did lawyers become the measure of  purity anyway?) At stake for 
the lawyers was the sanctity of their guild. But  for me, a larger question 
loomed: Agreeing that Steve could never practice law  felt a little too close 
to agreeing that no one who had done something  wrong—even monstrously wrong
—in  their youth could ever move beyond it. “I don’t wish him ill,” I’d 
written in my  review of The Fabulist. “But I’m not  convinced he’s changed 
all that much.” When the lawyer reminded me that the real  Stephen Glass 
lived on the other coast, that he had professional aspirations,  that he had 
friends who would stick up for him in court, that, in short, he was  still 
making his way through time, it suddenly occurred to me: How could I  possibly 
know if he’d changed or if he hadn’t?
 
 
Steve Glass now lives in Venice Beach with his longtime girlfriend, Julie  
Hilden, a dog, two cats, and a rotating cast of foster pets. (The couple are 
 also vegans.) He works as director of special projects at Carpenter, 
Zuckerman,  Rowley, a personal-injury law firm in Beverly Hills. For anyone who 
knew him  back in the day, this is a comical juxtaposition. Steve is a Jewish 
boy from the  posh Chicago suburb of Highland Park with pushy Jewish 
parents who insisted on  the usual (doctor, lawyer). When they urged him to go 
to 
law school, they  probably had Supreme Court appearances in mind, not, as 
the firm boasts, a $2.1  million settlement for a homeless man hit by a 
garbage truck. But Paul  Zuckerman, the partner who hired Steve and has become 
his 
mentor, considers this  development to be a sign of grace. “You were on 
track to be an asshole,” he told  Steve when I was there. “The best thing that 
ever happened to you in your life  is that you fell flat on your face.”  
I’d e-mailed Steve this summer to see if he would  talk to me. The New 
Republic  was approaching its one-hundredth anniversary and the magazine wanted 
to revisit  this dark chapter in its history. Other than publicizing his 
book, Steve hadn’t  done any interviews since then, and certainly not with 
people from that era. But  he readily agreed to talk to me, for reasons that 
became clear to me during the  course of our conversations. 
We decided to meet at a café near his office, and  I ran into him on the 
street when we were both heading over. We said hello,  reflexively hugged. I 
flashed back to the many times I’d run into him on the  corner outside CF 
Folks, a lunch place near the old New Republic office  in D.C. It was like 
encountering a cousin I hadn’t seen in some time. He had the  same sandy curls 
and glasses, the same bouncy walk, and the pallor of someone  who spends all 
day in an office. He still had the air of a nice boy who was  about to 
theatrically help his grandma cross the street. Only something was a  little 
different. He was more grounded? Or maybe masculine? For some reason it  popped 
into my head that Steve had once wanted to write a story about how  everyone 
thought he was gay but he wasn’t. He was floaty back then,  undetermined, 
as if he could levitate in those white socks. But now he had lost  that 
quality. 
The first question he asked was whether I had any  kids, which gave me a 
good idea of how far he’d strayed from his old world of  journalist friends. 
(I have three, according to Wikipedia, and the many articles  I’ve written 
mentioning them). I asked if he’d kept in touch with anyone from  back then, 
and he said he hadn’t been able to. In the early days after the  scandal, 
Steve told me, when he would see one of us on the street in D.C., he  would 
become terrified, to the point of feeling “physically ill, like my stomach  was 
falling out of me,” and turn and run in the other direction. He didn’t 
read  any news about himself for a long time—it took him a year  to read the 
Vanity Fair story about the scandal—because it was “extremely painful,” he 
said. Eventually that  meant he fell out of the habit of reading much news at 
all, outside The New York Times and legal papers for work. I realized that  
for Steve, we too were frozen in the Clinton era. “It’s not realistic,” he  
explained, “but after a period of time, I was still convinced my old world 
of  friends were having conversations amongst themselves, ... that you and 
Jon were  still hanging out every day and I didn’t know what was going on. I 
didn’t get  over the idea that it was one big club and I was no longer a 
part of it.” 
On the plane to California, I’d imagined myself  in the same role as the 
lawyer who’d asked me to appear at the bar hearing. I  was going into 
intellectual combat, and I had to be well prepared. I dressed in  an overly 
formal 
way, and I read Crime and Punishment on  the plane to acquaint myself with 
the tricks of a guilty mind. I was wary of  getting played again, and so I 
decided I would not spare Steve any question, no  matter how uncomfortable. 
That phone call when he asked me to defend him to  Chuck, for example. What was 
he thinking? “I was clearly putting you at risk to  back up my lies,” he 
said, adding that he had asked multiple people to defend  him. “What I did 
was horrible and then asking people to defend me was horrible.”  His words 
were heavy but his tone stayed friendly. He was relaxed—in fact, much more so 
than I was. And his directness surprised  me. He’d clearly thought through 
these answers, but they didn’t feel canned or  rehearsed. 
 

 
Steve volunteered that he thought his most extreme sin of this kind was  
going to Michael Kelly’s house to beg for his support. Kelly, who’d been the  
editor before Lane and later died reporting in Iraq, was bulldog-loyal to 
his  young staff. He had once written a vicious letter to one of Steve’s 
sources  who’d challenged Steve on the facts of a story, accusing the source of 
lying and  demanding an apology. This letter got dredged up in the aftermath 
of the scandal  and did not make Kelly look good. Did Steve not foresee 
that would happen? “I  felt my entire life was falling apart around me, and I 
felt scared and  desperate,” he said. “I wasn’t thinking about the 
ramifications of asking you to  defend me.”

And so it went for several hours. I would ask  Steve about something he’d 
done. He’d pause, conjure the moment, parse every  iteration of the crime, 
add whatever I’d forgotten to mention, and then  apologize. If the first step 
of reforming yourself is acknowledging your sins,  then Steve was determined 
to get an A-plus, along with extra credit. For  example, I asked whether he 
had consciously made us his co-conspirators in the  creation of fiction. I 
recalled him once asking me to help with his story about  the nonexistent 
Monica Lewinsky memorabilia convention. The story was dull but  had a funny 
line at the end about a Monica Lewinsky sex doll. Were there any  more details 
like that? I had asked, and he came to life, recounting various  trinkets, 
including a condom named after her. I cheered him on, and thus  together, we 
birthed a fabulous falsehood. Steve said he remembered doing that  all the 
time, that “the normal editing process wound up directing the  fabrications.”
 His most egregious creation, he said, was when he co-wrote a  story with 
Chait about Alan Greenspan and invented an actual shrine to the  then–Fed 
chairman. “I wanted you guys to feel something in my presence, to be  excited 
to be around me,” he explained. “And as I crossed more lines, the lies  
became more and more extreme, and I just became more and more anxious and crazy 
 
and out of control.” 
In his book, Steve’s fictional alter ego  explained that he lied because he 
wanted to be “loved” by the people around him.  At the time, that 
explanation struck me as generic, something a person  relatively new to therapy 
might glibly repeat. But middle-aged Steve was now  describing a very specific 
dynamic between himself and his audience, one that  was humiliating to admit 
and felt more fully digested. 
I asked him if he’d seen Shattered Glass. The movie came out around the 
same time as  his book, and his editor had arranged for him to go to a 
screening set up by  David Carr of The New York Times. Steve recalled that at  
first 
he couldn’t find the building. He was terrified that he would tell people  
he had the wrong address and they’d think he was lying. He said he couldn’t 
pay  much attention to the film, and so he looked at his feet and cried. He 
thought  it captured some of the drama really well, but that it got one 
essential thing  wrong: “The movie makes it seem like there was some joy in all 
of this for me.  But it never felt fun. I was anxious and scared and 
depressed. Outwardly I was  communicating fun, but inside all I felt was 
anxiety.” 
After a while, I stopped playing prosecutor and  got a little more human. I 
told him, for example, that his book had made me  furious, and he said he 
understood why. 
“I was still self-justifying,” he said. “It was  mean, in the sense that I 
didn’t imagine someone like you or Jon reading this  and thinking, Hold on. 
I was the victim then.” He said he  thought at the time that he had the 
emotional development to write a book, but  it’s obvious to him now that he didn
’t. 
All of this might make you think that Steve was  just telling me everything 
I wanted to hear. I did at some point ask if he ever  allowed himself to 
fight back against accusations, even to get angry, and he  admitted that he 
did not want to do that in public. But what put my suspicion on  hold was the 
monumental shift in his tone.
 
In the old days, Steve used to walk around the  office asking all of us, “
Are you mad at me?” for no reason at all. Chait got so  tired of it he vowed 
to whack Steve with a magazine every time he said it. Now,  Steve would ask, 
every half hour or so. “Are you happy you’re doing this?” Or:  “Is this 
how you expected it to go?” He hadn’t lost the need to solicit  approval, 
only now the questions seemed less rankly needy, less narcissistic,  and more 
the kind of friendly check-in any normal and nice adult might  do.

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