The Power of Popular Culture
 
 
Chapter 1
 
Television Culture
 
  
Few people think  about it very much, if at all, but most Americans
 lead lives that are intertwined with  television. And television reflects
nothing so much as the world of Popular Culture.
 
 
 
 
  
For anyone who cares about what and by how much we are spellbound
by broadcast media there is no choice but to reflect upon the nature of  the
Popular Culture that effects us every day, a  culture that, in effect,
 
we all live in. For example, what choice do you have when a case 
of influenza makes it impossible to do much of anything but nurse 
your feelings of misery while the illness runs its course, draining all 
motivation beyond that of minimal nutrition and watching television?
 
Daytime television is nearly worthless; hopefully this  proposition should
not require copious  footnotes or documentation.
 
 
Usually I am daytime television averse;  except when  needing a short break
for 15 minutes or so, I do not watch the medium during business  hours.
Now and then this is not true;  sometimes the  archaeology channel shown
on local CTV offers genuine substance, and sometimes there is an  
interesting 
segment on one of the business news shows, but generally and overwhelmingly 
what it there to watch? 
 
However, under circumstances created by illness there was little option 
but to try and find something, anything, that might make my suffering 
less unpleasant. Television, for all of its limitations, is passive, all  
you
need to do is select a channel, then sit back and relax. No need to
learn a set of steps to program something, no need to dig into  electronic
files to find something. Even reading a book takes some effort and
it certainly requires focus  -concentration-  on a subject. TV  basically
is effortless, which is ideal for the infirm, and anyone who has an  illness
even when it doesn't last, is infirm for the duration.
 
Which is a long way to say that circumstances beyond my control 
led to watching a Ted Talk that raised an important question.
That talk opened a window to reality that was invaluable. Not the  way

that the Ted lecturer intended, however. Not at all.
 
This is to discuss crowd sourcing, where a large number of people
make collective decisions, maybe democratically but usually not.
The lecture was notable for the point-of-view the lecturer exhibited,
which was based on the assumption that by definition crowd sourcing
necessarily is good. But is it?  On what grounds? And who says that  the
preferences of a million people are "better" than those of a few  people
whom you actually respect?
 
The point was inescapable that the million people are probably  conditioned
to think the way they do, to make decisions the way they do, because
of their saturation in the values of popular culture, a culture that  
itself revolves
around television. If we do not question the objective value of those
values and the decision making processes based on those values,
where are we?  The answer is self-evident:  We  are mired in a morass
of television culture which, in turn, is the product of popular  culture.
 
To understand exactly what this means let us look at television  
programming.
After several weeks of virtually forced TV viewing at all hours, there  is
enough evidence now available to reach several plausible conclusions.
 
 
There are those insipid morning news-tainment shows consisting of two or  
more
sometimes frivolous females, rambling on about  nothing of  any objective 
value, 
who, along with one or two male news-perts, try to sound like they actually 
 know
somethng besides the latest pop culture trivia, or much of  anything
besides gossip about celebrities.
 
Then there are re-runs. Not that the "Law & Order" shows aren't  well 
written;
au contraire, the writers are the best in the business and if you  are at 
all
interested in improving your writing skills, watching any of these  shows
is like watching a master class in classy drama writing. But, alas,  the
writers like some (nearly all) of the cast members, are politically  correct
in their views to such an extent that you'd think that all scripts
were approved by the DNC. Or the New York Times
editorial board.
 
Consider a heinous crime that the show once was based upon. In  reality 
it was committed by black hoodlums expressing specifically  black 
grievances.  
But through the magic of politically correct screen writing that crime was  
recast 
"as if," since the problem surely is universal even when it is no such  
thing, 
the terrible crime was committed by white punks,  now, after the  fashion 
of black rioters in Ferguson, Missouri, with their hands in the air,
proclaiming victimization.
 
For the benefit of the uninitiated,  the Ferguson episode was  debunked
by on-the-scene video evidence not released until later. Which did  not
deter others from making full use of street theater, avec hands in  the air,
to make more claims, in subsequent weeks, , about 
their supposed victimization.
 
Then there is that Law & Order speciality, put downs of  Christianity 
at every opportunity    -along with the view expressed in  all cases where 
the subject is relevant, that Muslims are misunderstood, Islam is  really
a peaceful religion, and Islam is to blame for nothing at all.
 
And, mais oui, intransigent Muslim anti-Semitism (Judaeophobia) 
sanctioned by the Koran simply does not exist. All of which is  reinforced
by several actors who have a gift for  Left-wing self-righteousness.
 
There is also the show called "Criminal Minds."  Each episode is worse 
than the last, the violence portrayed is utterly gratuitous, for shock  
effect, 
to no valid point except appealing to, shall we say, warped minds
who watch an excess of television.  The cast is quite good, but  for 
what purpose?  To promote the "thrill effect" of senseless  violence?
 
More might be said about other dramatic shows but surely the idea
is reasonably clear.
 
There also are comedy shows of various kinds. How can anyone listen / look  
at
any of these productions for even 3 minutes? And 3 minutes is my  
approximate 
maximum. The gags are almost all juvenile, the level of intelligence  
involved 
is abysmal,  grade school level. Except for Jimmy  Kimmel; he is not too 
bad,
but this is to discuss a show that isn't seen until after 11 PM.
 
You can watch several "Judge Judy" type shows but who can stand these
productions, either?  Judge Judy herself is fair and honest, and  likeable,
but what is the point? Which is especially the case for the spin-off  shows.
One meaningless problem after another, of no significance to anyone 
except those directly involved in some petty crime.
 
Or you can watch shows with audience participation, almost always
including at least one grossly fat woman, at least one ridiculously  
ignorant
male who apparently has never cracked a book in his entire life,
plus some assortment of twenty-somethings who, to be clinical
about it, wouldn’t know a productive idea if it bit them on the  ass. 
 
And on it goes, into the evening hours.
 
About "prime time" and late night programming, yes, you can find  worthwhile
substance to look at. Sometimes this "substance" is  more than  enough to 
make
you happy. Sometimes a re-run of an episode of Columbo you  had not seen 
before may catch your attention. 
 
Even after dark, though, what is available to watch isn't much. Unless your 
 IQ 
is under water. But non-prime-time television is a disaster area. Added up, 
to count about 105 hours per week when audiences matter, possibly  
twenty-five 
hours have some kind of value. That means 80 hours per week of drivel
or worse. And we allow this for programs which are broadcast
on assigned channels owned by the public? In what way is this
responsible public policy?
 
What about news channels?  Fox,  for most of its daytime slots,  is amateur 
in taste and content,  mostly youthful news people who  lack all  gravitas
and who could use at least a decade of homework before going on air.
Fox certainly has top quality news analysts like Charles Krauthammer,
and  Chris Wallace is one of the best in the business, but  mostly
the network is a platform for gimmicks with little or no news value.
 
CNN, except for Jake Tapper, a liberal but someone who actually
tries to be objective, is the Democratic Party News Network,
it is that biased. Could Wolf Blitzer be any more subjective
in his Left-wing views?  Yet he actually seems to think of  himself
as objective, as if any other outlook besides that of the political  Left
is completely beyond the pale.
 
There also is Charlie Rose of  PBS, et. al.  That network's news  people 
do make an effort to be fair-minded, as far as their Left-of-center values  
allow,
but Mr. Rose is a special case, a shill for the Democratic  Party who has 
pretensions of objectivity but who invariably falls short and never is the  
wiser; 
he cannot be. Mr. Rose habitually interrupts his guests so that he may  
sidetrack 
points that are intended to be critical of Democrats  or even that are  
non-partisan 
but not supportive of Democratic Party positions.
 
Which maybe is too excessive by way of criticism but to convey
an impression that seems objectively fair.
 
In other words, most television news or news analysis shows
are unfit to watch.
 
These characterizations are certainly unfair to C-Span even though 
the station's selection of features and authors it interviews may  leave 
you 
wondering what is going on.  Are these things really all that  important?
Yet at least here is one place to turn where there may be some substance 
even if that substance is not relevant to anything that matters to most  
people.
Yet sometimes C-Span is absolutely first class, with guests or  speakers
who know their stuff, who are experts in their field, and who  actually
represent the full spectrum of American political thought from hard  Left
to rock-ribbed Republican, plus Independents of a variety of  persuasions.
 
Some network television shows are interesting enough, with their own  
fascination.
As a red-blooded male in good standing it can be worthwhile to  watch 
"Gas Monkeys" in Dallas rebuild vintage cars and make them look brand  new; 
and the show discusses the dollars and cents dimension of the business to 
good effect. One of the few complaints anyone can make is that some of 
the diversions indulged in by the people in the show, like tricks burning  
rubber, 
are literally crazy;  I mean, how many days or weeks  are subtracted from 
the useful life of a meticulously restored classic car each time someone 
does a "burnout" in the parking lot for kicks? 
 
 
American Pickers is an offbeat look at American history told through
artifacts that antique dealers shop for in back yards and garages.
Antiques Road Show usually is quite good. The Vintage Vehicle Show
may sometimes be a little arcane but for classic car aficionados, 
there is nothing else like it.
 
"Alaska, The Last Frontier," takes viewers on a guided tour of life  in
the wilderness, as spirited men and women do everything the hard  way
of necessity simply to survive in the rugged far North.
 
And who doesn't enjoy  "I [almost] got away with it" ?  Terrific show, 
at least when the escaped convict isn't a complete dunce while running 
from the law who gets recaptured  all too easily. 
 
Also quite good is Hometime, a program hosted by a man and woman
who share the surname "Johnson" but who are not related. Each are building 
contractors and skilled at construction trades. They remodel houses of all  
kinds 
and explain what they made the decisions they did.  
 
And did I mention NCIS or Foyle's War?
 
There are three "education" channels available in Eugene, Oregon,
which, now and then, telecast worthwhile  material even if one of  these 
channels killed a really good history lecture series by a USC professor 
to replace it with a far-Left history show that is so far to the sinister  
that 
it qualifies as Marxist in inspiration. Make that Cultural  Marxist,
to be more accurate.
 
To be sure, this is a report on television as found in Eugene,  Oregon.
Still, my experiences during the month of January 2017 were  consistent
with other times during the past 30 years or so when I watched a 
good amount of TV while resident in the state of Washington, in  Arizona,
in California, and in Utah. There will be different mixes of shows  
depending
on where you live. But the principle seems to be unarguably true.
Most television is a disservice to the people who watch.
 
 
Is religion an exception to the rule?
 
Religion shows sometimes can be interesting, with special mention due to  
3ABN,
the Adventist channel. Not because of  7th Day theology, which  is  trapped 
in a 19th century mental universe which long ago became obsolete. But the  
people 
who run the network are trying everything they can think of to produce  
quality 
television and sometimes they hit it, as with "Tiny Tots for Jesus" and 
Hal Holbrook's lectures on Protestant history, which, when this series  
airs, 
is genuinely informative.
 
There is the interfaith series broadcast on local CTV, which, every so  
often,
offers something thoughtful  -but which also espouses a theology  that
is all too easy to disagree with for its excessive universalism. That  is, 
to cite a lecturer on C-Span from another context, if you want to be honest 
and objective about  Islam, and not simply take on faith the latest  
religious-Left 
party line interpretation on Muhammad's religion, just ask Christians who 
of necessity live side-by-side with Muslims in Islam dominated countries. 
 
What the Eugene interfaith show does is to idealize each religion it  
features 
as if all believers are saintly types, have zero prejudices, and who should 
never need to answer for questionable beliefs or values. As a teacher 
of Comparative Religion you don't need to guess that on principle I favor 
an ecumenical approach to faith. Its just that unless this is based on 
a foundation of honesty the whole effort is worthless.
 
What believers in any religion actually do must be the acid test  of the 
worth 
of that faith. You would only be deceiving  yourself if you accepted  an 
idealized 
version as the "real" Islam or the real  anything else. In other  words, 
ask 
the Copts of Egypt what Islam is really like, especially in the days  
following 
a bomb blast at a church. Ask the Christians of Iraq in the days after a  
bomb 
blast at one of their churches. Ask the Christians of  Turkiye, of  Syria, 
of Iran, 
of Sudan, and on and on.
 
And do not confuse the tame Muslims who are the pet believers
at places like Eugene's First Christian Church, which hosts the  interfaith
TV show, who may more-or-less be representative of the 1% of the 
US population that follow Islam, with the 99% of Muslims globally  who,
anyone who is sane can tell you, are not tame at all and instead
would kill you if they could get away with it. They would certainly
kill every Jew if they could get away with it, this should not  be
in dispute.
 
This characterization is exaggerated for effect. Given high rates of  
illiteracy
in many Muslim nations, such  that believers cannot read their  'sacred' 
text,
many of these people have poor understanding of Islam. They, along  with
secularized Muslims, constitute the body of MINOs, Muslims In Name  Only,
who generally aren't much different than anyone else. They go along to get  
along. 
And there are sects like the Sufis, maybe 8% or 9% of all Muslims  
worldwide; 
with exceptions in places like Egypt or the Caucasus, these are people who  
are 
peaceful by the nature of their heterodox faith.
 
There are others, such as Ibadis in Oman, like Ahmadis in Pakistan,
plus indigenous groups in Indonesia, some of the saint venerating
Shi'ah in India as well, who also are peaceful. But that still leaves
the great majority of Sunni believers in most of Dar Al-Islam.
 
There is a problem when they start to take their religion seriously.
When they read the Koran with its 120 jihad verses, about 70 of which
tell Muslims to behead unbelievers, to fight against non-Muslims and
convert them or enslave them or kill them. Which is only to scratch 
the surface. By western standards the ethical code taught in the  Koran
counsels believers to commit crimes that are totally unacceptable
in America or Britain or France and other nations. Which, alas,
the political Left seems unable to fathom  -for, when  it comes  to
religion, the Left is approximately just as illiterate as illiterate  Arabs
in Yemen, illiterate Sudanese, or illiterate Somalis. They have no  idea
what the Koran says because they have never read it. 
 
They have no idea of the nature of Muslim practice now or historically  
because 
(1) they have no interest in it, and (2) because of what they assert about  
Islam 
without evidence, assertions that derive from  modern-day  Cultural 
Marxism, 
which is  a fiction meant to define Muslims as victims of  oppressors, 
hence 
are believed  to be people who necessarily deserve to be  thought of the 
same way 
we think  of the European proletariat. Or what remains of the  proletariat 
after 50+ years of  essentially secular prosperity.
 
Perhaps you can tell that I have written extensively about Islam, hardly a  
surprise 
for a teacher of Comparative Religion. There is much more to say, but  to
at least open the discussion...
 
These considerations are somewhat far afield from the subject of television 
culture but there is a connection. For the misinformation that reaches  
millions 
of Americans every day and every night strongly conditions our views  of 
Muhammad's religion. It is repeated continually by just about every  
broadcast 
journalist who comments on the issue. Most (most) of what any of us  hears
about Islam, in other words, is distorted, skewed, falsified, and  otherwise
consists of sanitized descriptions that color the story in ways that  serve
the interests of oil companies with investments in the Mid East such  as
Exxon-Mobil, the interests of the State Department which has been
notoriously pro-Islam since the 1960s, the interests of the Democratic 
Party which seeks the votes of Muslims in the United States, the  interests
of  the religious Left (think the United Church of Christ, etc.), and  the
interests of various multinationals like mega construction firms,  hotel 
chains,
international banks, and the tourist industry.
 
The trouble is that the narrative in question is fabricated out of  lies,
there is no kind "alternative" way to say it.
 
This is typical of television at large, not just with respect to  Islam.
Marie Osmond lost 50 pounds on a diet of lasagna and ice cream
sandwiches; Nutrisystem makes that claim. Miss Osmond  sure looks
better since shedding all those pounds. But skepticism is in order,
isn't it?  Yet this is the least of problems.
 
Is there someone who watches television who isn't impressed by the acting  
skills
of Tom Selleck? However, he now is hawking one of the worst, most  
unethical,
financial instruments ever devised: Reverse mortgages.  Why? Is Selleck 
living
on a minimum wage salary and needs the money? 
 
Reverse mortgages take advantage of the most vulnerable population of  any
American demographic except infants, the old and the very old. Yes, some 
senior citizens continue to function as intelligent adults well into  their 
twilight years. 
Peter Drucker worked at his writing and business into his early 90s; so did 
Frank Lloyd Wright. But many of the oldest are mentally unfit, or not much  
better 
than minimally functional. For this reason they make easy prey. The  
institutions
who make these "deals" know exactly what they are  doing: Stealing from
the senile, the desperate, or the befuddled. 
 
You have to see it to believe it, I suppose. But sometimes the very best  
thing
for a senior is to forget about the house he or she lived in for several  
decades
simply because it is financially unsustainable  -and it is far better  to 
be realistic
about it than to indulge in a fantasy of perpetual comfort that you cannot  
afford.
 
Television stations and networks don't care. What they do care about is 
maximizing every conceivable opportunity to make money; social values
simply do not rate very high.
 
About some things on television you cannot trust one word.
 
Television culture is only the beginning of a necessary discussion of the  
problems
of Popular Culture. TV is ubiquitous, however, it is everyone's frame  of
reference some of the time and often a lot of the time. It also is  
something 
anyone can understand. Unfortunately its contribution to Popular Culture 
is injurous, or no better than usually injurous.
 
Any honest study of Popular Culture must start with the fact that we  are
conditioned by television in how we form our attitudes and what  values
we choose to make our own. To say the same thing, we are lied to
day in and day out via televsion, many or most people are none the  wiser,
and nearly all opinions based on television as their ultimate  source
are opinions based on falsehoods. Not falsehoods and nothing but
falsehoods, but ceaseless falsehoods, uncriticized falsehoods,
and new and more decitful falsehoods all the time.
 









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