The Power of Popular  Culture    
 
Chapter 10  Part #  2
 
Sufi Saints, Sufi Sinners, and Sufi  Alternatives
 
 
 
 

Jalal ad-Din Rumi
 
 
Without question the most well known Sufi saint is Jalal ad-Din Rumi.
He was the founder of the 13th century Mevlevi Order of Sufis, best  known
for ecstatic dancing in circular motions, hence "whiling Dervishes." A  
dervish
is simply a member of a Sufi order who has taken a vow of poverty and  who
dedicates himself  to religious faith. Unlike Catholic priests,  however, a
dervish takes part in what may be called religious "performance" in  which
music and animated dancing are central to everything else, all of  this
while wearing colorful middle eastern garments.
 
Rumi himself was a paradox. Although best known for his florid  mystical
poetry, and his ecumenical theology  -part philosophy, part  Comparative
Religion, part commentary on his life experiences-  he was a teacher  in
a madrassa, an Islamic school, an Islamic jurist, someone who issued
fatwas (legal rulings) and delivered sermons in the mosques of his
home town of  Konya in southwestern Anatolia. 
 
Indeed, in his Diwan, he went as far as to say that a Sufi should  cling
to Muhammad the way that a son heeds his own father. However, this is
hardly what Rumi is best known for saying since he regularly also  said
that he was not a Muslim and not a follower of any religion except
the 'religion of the heart,' based on inner spiritual experience   -which is
the emphasis given Rumi in the West.
As the useful article about Rumi in  Wikipedia puts it :   
"His doctrine advocates unlimited  tolerance, positive reasoning,
goodness, charity and awareness through  love. To him and to 
his disciples all religions are more or  less truth.  Looking with
the same eye on Muslim, Jew and  Christian alike,  his peaceful
and tolerant teaching has appealed to  people of all sects and creed..."
Another of Rumi's sayings has it that "I am neither Christian, nor  Jew,
nor Gabr [Zoroastrian], nor Moslem. I am not of the East nor of
the West, nor of the land, nor of  the sea..."
 
 
As for Sufi dancing, it represents a mystical journey to the  so-called
"Perfect One," during the course of which the seeker is supposed
to learn truths, set his or her ego aside, and grow through love.
The destination is then found to consist of service to others
without regard to their religion or race or wealth or nationality.
No wonder that Rumi has appeal to many Americans
since this is our basic creed.
 
 
Moreover, unlike orthodox Islam which considers music to be
the Devil's work,  Rumi took the opposite view, namely, that  music
-along with poetry and dance- is essential for reaching God.
While Americans may not be all that interested in poetry,
and not everyone is much for dancing, they cannot conceive
of true faith without its special music  -whether Evangelical
or Lutheran or Catholic or anything else.

All of this said, it also is the case that Rumi returned to Muslim  themes
again and again in his many writings. In fact, as Hâdî Hâ'irî,  a modern 
Iranian scholar has reported, there are literally thousands of references  
to
the Koran and selected Hadiths in Rumi's work, much of this unknown
in the West since most has not been translated into English.
 
What we have, then, is a highly selective set of writings of  Rumi  which
omit most of  his free translations of verses from the Koran, his  
paraphrases
of Hadiths, or his use of anecdotes that illustrate Muslim beliefs. It is  
this 
selective body of work that is the foundation for Rumi's
reputation in America and Europe.
 
 
There is one additional matter to discuss, however, allegations that  Rumi
was homosexual. This has been the viewpoint of homosexuals like
Andre Harvey, more-or-less a scholar of world religions, albeit  someone
who takes a Matthew Fox outlook  -viz, religion reinterpreted as if  all
faiths were versions of  New Age spirituality. In any case, Andre  Harvey
began to promulgate the theory  -presented as fact-  that Rumi  was
a pervert. Which, to Harvey was "good" inasmuch as it allowed him
to insist that real Islam is homosexual-tolerant. But, for Harvey,  this
is true for all world religions no matter how vehemently they may
condemn homosexuality and regard homosexuals as destined for Hell.
 
Since Andre Harvey began to promote his view in the 1990s that Rumi 
was a degenerate it has gained the support of a number of other homosexuals 
who, into 2017, have added their voices to this smear. Hence there now is 
a movement of sorts among homosexuals who not only claim Rumi as one 
of their own, but also tell others that Mother Meera, a Hindu of reputation 
in India, approves of this slander, but also other pro-homosexuals who are 
at least nominal Christians, Jews, Buddhists, and so forth, including  
followers
of Sri Aurobindo. Harvey has been aided in his efforts by his  association
with various colleges and universities where he has lectured,  including
Oxford and Cornell   -plus alternative schools such as the  California
Institute of Integral Studies and the 'University' of Creation  
Spirituality.
 
Others also have reasons for identifying Rumi with homosexuality,
such as Hindus and Christians who are most interested in equating  Rumi
with Muslim orthodoxy since they detest Islam. Not that their  criticisms
of Islam aren't basically valid, but eagerness to defame anyone as  a
homosexual when there is no evidence, or no better than supposition
based on questionable readings of documents, is a really bad idea.
 
An example of  a Christian derogation  of Rumi can be found in a 2009 paper
by someone named "Spengler," entitled  "Sufism, sodomy, and Satan." 
What makes this especially interesting is  that it has attracted a Hindu
readership as well, whom, one supposes,  are adding their words
to those of  the Rumi-was-homosexual  homosexuals along with
the Christian  detractors.

 
Needless to say, inasmuch as Islam in all of its normative forms is  
strongly
opposed to homosexuality, there has been considerable pushback by
Muslims, especially on the part of  Sufi followers of Rumi.
 
An example is a lengthy article by Ibrahim Gamard, available online,
entitled "
A Reply to  Misunderstandings about Rumi and  Shams."
 
What this is all about is the relationship between  Rumi and an older 
follower
named Shams. They were friends in a shared faith for  an unknown period 
of time, 40 days according to legend, several years  according to some
historical accounts. There we no other similar  relationships in Rumi's life
and Sufis insist that what was involved was a  literary friendship centered
on religious texts and their interpretation, and the  study of poetry. 
There is
no real question that after this time Rumi began to  write the many poems 
for
which he is deservedly  famous.
 
Where the supposed homosexual connection comes from  is Rumi's frequent
use of love terminology. There is also reference to  nudism and states of 
mind
that can be thought of as forms of rapture or bliss.  However, as Ibrahim
Gamard explained, it is absurd to transpose the stylized  language of Rumi's
verses and the cultural associations of 800 years  ago in Anatolia to the
world of homosexuals in San Francisco or other  limp-wrist venues
in 21st century America.
.
Gamard provides a  history lesson: 
Think of our own  culture and its transformations in just the past few  
decades. 
"Consider" said  Gamard, "how much the words "love" and "lover" have  
become sexualized  in the English language. Only thirty years ago, for 
example,  
"making love" in  popular songs meant no more than hugging and kissing.  
Now it always means  "having sexual relations." Similarly, "lovers" now  
always means  "people who have or had sex together." There is no longer  
any concept of  lovers who don't engage in sex with each  other...."  
But this was not  the world that Rumi knew. 
. 
As Rumi and many other Sufi poets used the word "lover" it meant
"lover of God," someone especially devoted to religion. This is
similar in some respects to Catholic usage on the part og nuns
in which a woman is a "bride of Christ." For a Sufi of the classical
period, the word "beloved" means God as object of devotion.
.
Oddly, it must be said, that word choice is  often borrowed from
(very heterosexual) love poetry, but those were the literary
conventions of the era. But no more odd, perhaps, than the
gender change that occurred in medieval China when the
male Kuan Yin eventually became the female Kuan Shih Yin
of the past millennium and into our own time. Which was not
a case of transgender anything but an accommodation to 
folk beliefs that centered on a traditional Goddess which had
been submerged in official Taoism only to re-emerge through
a process of replacement of one Kuan Yin with another.
 
In any case, a custom of youthful cross  dressing was fairly common 
in the historic Mid East, indeed, among pre-schoolers in the  West 
until as  late as the WWII era in some places. The last of this cultural
practice seems to be that found in Afghanistan  as commemorated
in the 2007 movie, The Kite  Runner.
 
 
Word confusion also surrounds the alleged nudism in Rumi's poetry.
What this refers to is a Dervish practice of  ritualistic tearing  one's 
cloak
during Sufi dances as an indication of spiritual ecstasy. The  purported
nudism, which is forbidden in Islam, is symbolic metaphor. 
 
All of which would be far clearer if some modern translations of  Rumi's
verses weren't created to appeal to readers with contemporary  interests
-like literary elitists or homosexuals-  unknown to the  poet. 
 
Not that, to refer to Spengler's article, no Sufis were ever  homosexual;
some obviously were exactly that, to judge from relevant materials,
but these groups were offshoots that existed in the shadows of their
time in history and which have ever since been condemned by 
Sufi orthodoxy. Most recently by Stephen Schwartz, the noted
Jewish convert to Sufism.
 
Not only this, but Rumi, his father (also a  cleric), and Shams, each
overtly condemned homosexuality.  The  true Sufi, said Rumi, "is one
who becomes a seeker of purity, not from  wearing garments of wool ( suf ),
and sewing patches and sodomy." He went on to  call homosexuals
"vile people" unfit for spiritual  things.
 
Additionally, as Gamard said, Rumi "was  married during the time he knew
Shams" and acted as matchmaker for Shams who,  in that time, married
the woman Rumi found for him to consider. To  say the least this is
not typical homosexual behavior.
 
Finally, there are five references  in Rumi's work to a passage in the 
Koran,
Surah 27: 54-58, that condemns homosexuality, one of a limited number 
of verses that I happen to agree with, that  calls sodomites "impure" and 
deserving the fate (fire and brimstone) of the people of Lut, the Biblical 
figure 
named Lot, an allusion to sodomites at the  time of the destruction 
of Sodom and Gomorrah.
 
Which is to say that accusations of  homosexuality concerning Rumi
consist of slanders based on a gross  misinterpretation of his poetry.
 
-----
 
 
Rumi's influence has been worldwide. As the  Wikipedia article says:
"Rumi's poetry forms the basis of much classical _Iranian_ 
(https://en.wikipedia.org/wiki/Music_of_Iran)  
and _Afghan_ (https://en.wikipedia.org/wiki/Music_of_Afghanistan)  music/
 
Pakistan's heroic literary figure and  exemplar, _Muhammad Iqbal_ 
(https://en.wikipedia.org/wiki/Muhammad_Iqbal) , was also 
inspired by Rumi's works and considered him to be his spiritual  leader..."
 
 
And translations of  Rumi's poetry are now found in Bengali,  Urdu,
Arabic, Italian, Spanish, and French, and probably still other  languages.
It is presented in a wide variety of formats including "concerts,  
workshops,
readings, dance performances," and the like.


 
The article adds a comment by Shahram Shiva to  the effect that in our  
world
"Rumi's poems can be heard in churches,  synagogues, Zen monasteries, 
as well as in the downtown New York  art/performance/music scene."
 
There also are Rumi-theme websites such as  that maintained by
The Threshold Society, but there are many  others.

People  who have been influenced by Rumi  -an incomplete list-  are  such
celebrities as Deepak Chopra, Madonna, Goldie  Hawn, Demi Moore,
and  Philip Glass, the minimalist  composer.

-- 
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