Tempest in a teapot  department....
 
 
 
-------------------------------------------------------
 
Daily Beast
 
 
 
WHITE  PRIVILEGE

On Bill Maher, the  N-Word, and 
the Myth of the  ‘Pass’
During their heated  ‘Real Time’ confrontation, Ice Cube got to the heart 
of the outspoken comedian’s  racial transgressions.

 
By:  
 
_TOURÉ_ (http://www.thedailybeast.com/author/tour) 

06.11.17

 
 

 
In the _long history of Bill Maher on TV_ 
(http://www.thedailybeast.com/keyword/bill-maher)  there has never been a more 
real time  moment onReal Time 
than  last Friday’s episode. I struggle to think of another major _TV_ 
(http://rover.ebay.com/rover/13/0/19/DealFrame/DealFrame.cmp?bm=240&BEFID=96252&ac
ode=214&code=214&aon=&crawler_id=812061&dealId=xmY1_3LwyYg9OK2u1jbDKw==&sear
chID=&url=https://www.crutchfield.com/I-rdtmc11OQ/Product/Item/Default.aspx?
I=30575Q9F&DealName=Samsung%2075Q9F%20%2075"%204K%20Smart%20LED%20TV&Merchan
tID=9231&HasLink=yes&category=0&AR=-1&NG=1&GR=1&ND=1&PN=1&RR=-1&ST=&MN=msnFe
ed&FPT=SDCF&NDS=1&NMS=1&NDP=1&MRS=&PD=0&brnId=2455&lnkId=8070676&Issdt=17061
1050419&IsFtr=0&IsSmart=0&dlprc=9999.99&SKU=30575Q9F)  host who responded 
to a national  firestorm by allowing people to come on his show and _beat him 
up over his own  transgressions_ 
(http://www.thedailybeast.com/bill-maher-drops-the-n-word-on-real-time-sen-ben-sasse-laughs)
 . It’s like  Maher went 
to the town square, locked himself in the pillory, and let people  have at 
him for an hour. But strangely, the courage to have Dr. Michael Eric  Dyson, 
Ice Cube and Symone Sanders take him to the woodshed did not lead to the  
best version of Maher. He was contrite—at least early on in the show—but he 
was  also defensive, excuse-heavy, mentioned the omnipresence of the n-word in 
 culture (_as he’s done before_ 
(https://twitter.com/TheRevAl/status/872434342873755650) ), Kathy Griffin, a 
litany of America’s historical  atrocities 
(groan), and the fact that we’re all evolving. What? 
Maher’s conversation with Dyson was  weird; at times, it seemed like they 
were speaking different languages. My  friend Dr. Dyson missed the mark by 
over-intellectualizing in a moment of  pain—Dyson surrounded some solid 
questions to Maher with so much verbal  cogitation that the comedian was able 
to 
avoid really answering them. On the  other hand, _Ice Cube was direct, 
emotional, and powerfully  plain-spoken_ 
(http://www.thedailybeast.com/ice-cube-schools-bill-maher-on-the-n-word-thats-our-word-now-and-you-cant-have-it-back)
 
. He forced the  conversation to its true center as Maher grew grumpy. But 
Cube is right: the  problem is that Maher thinks he has a pass.

 
 
 
By “a pass” I mean he feels that he can do  things that other white people 
can’t—things that are culturally reserved for  Blacks. The pass is both I’
m  unique among whites and I get special privilege from  Blacks. Many of us 
have known someone who thinks they have a pass. That guy  who dates only 
Black women, or has lots of Black friends, or really, really  loves hip-hop, or 
mastered some Black cultural skill (dancing, hooping, rhyming,  whatever) 
and thinks that means he’s an honorary Black person. Cube alluded to  this 
right off the bat: “there’s a lot of guys out there who cross the line  
because they a little too familiar… Guys that, you know, might have a black  
girlfriend or two that made them Kool-Aid every now and then, and they think  
they can cross the line. And they can’t.” 
Cube’s talking about bad ally behavior.  Maher’s sin may be rooted in 
loving Blackness too much but it is still a  cultural sin because there is no 
such thing as a pass. There’s nothing that a  white person can accomplish that 
makes them become Black. The notion of a  pass—of over-identifying with 
Blackness—is so problematic and so painful because  it objectifies Blackness. 
It posits Blackness as akin to something one can learn  their way into. 
Blackness cannot be earned like a Boy Scout badge. And people  who think they 
have a pass use it only to access the fun and joyful side of  Black culture. 
They want Fun  Blackness: The parties, the style, the rhythm of mama Africa. 
They don’t  want to grapple with the fact that Blackness also comes with a 
whole lot of  pain.
 
 
 
 
Don’t tell me you’re Black without having felt  the pain of having 
ancestors who were enslaved and cousins who are imprisoned  and brothers and 
sisters who were named Trayvon Martin, Sandra Bland, and  Philando Castile. 
Don’t 
tell me you’re Black without having had to navigate a  system designed to 
crush you. Don’t tell me you’re Black without knowing what it  is to think 
your country hates you, without knowing how it feels to have doors  shut in 
your face, without knowing that any basic traffic stop could be the end  of 
your life. Black people know what it is to fear what white privilege will do  
to you or your family. Black people know what the lash of white supremacy 
feels  like. People who think they have a pass never use it to access that  
stuff. 
 

 



Maher offered the notion of comic privilege as  one of his many excuses but 
I don’t think that’s what this is about. Yes, comics  often craft jokes 
that are meant to offend and it’s valuable for society to  allow comedians to 
explore taboo subjects. But this wasn’t that. This was a  knee-jerk reaction 
that showed that Maher, given just a second to think, would  reveal that he 
sees himself as analogous to a house slave. This rich and famous  white man 
may be over-identifying with Blackness a bit much. I am not in the  camp 
that believes Maher should be fired but I do think he should spend some  
considerable time engaging in introspection and find the space to support 
racial  
justice, love Black culture and be a true ally without seeing all that as a 
path  to becoming Black.

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