I was thinking of permission slips for my class - everyone in high school 
with exception on an 8th grader. That is a good point the film rating though.

-Ed

On Wed, 18 Feb 2004 10:58:54 -0600, Travis Wayne wrote
> Yeah I was wanting to see it first to see if I should be shown to my 
> Expedition Rangers.
> 
> Commander Travis "CrazyOx" Maddox
> 
> >From: "Bob Triphahn" <[EMAIL PROTECTED]>
> >Reply-To: <[EMAIL PROTECTED]>
> >To: "Travis Wayne" <[EMAIL PROTECTED]>
> >Subject: RE: [RR] Paul Harvey Comments on The Passion of Christ
> >Date: Wed, 18 Feb 2004 00:27:24 -0600
> >
> >Travis,
> >
> >The film might be too graphic (from what I hear) to show to some of our
> >Rangers (younger ones of course). Rated R for violence.
> >
> >Blessings,
> >
> >Bob
> >
> >
> >  -----Original Message-----
> >From:        [EMAIL PROTECTED] [mailto:owner-
[EMAIL PROTECTED]  On
> >Behalf Of Travis Wayne
> >Sent:        Tuesday, February 17, 2004 10:46 AM
> >To:  [EMAIL PROTECTED]
> >Subject:     RE: [RR] Paul Harvey Comments on The Passion of Christ
> >
> >
> >I can't wait to see it! If it comes out on video I want to show it at
> >Rangers some night.
> >
> >
> >Commander Travis "CrazyOx" Maddox
> >
> >
> >
> >
> >
> > >From: "Jim Hufferd" <[EMAIL PROTECTED]>
> > >Reply-To: "Jim Hufferd" <[EMAIL PROTECTED]>
> > >To: <[EMAIL PROTECTED]>
> > >Subject: [RR] Paul Harvey Comments on The Passion of Christ
> > >Date: Tue, 17 Feb 2004 06:17:50 -0800
> > >
> > >Paul Harvey comments on "The Passion" by Mel Gibson
> > >
> > >The majority of the media are complaining about this movie. Now Paul 
> >Harvey
> > >tells "The rest of the story" and David Limbaugh praises Gibson. Most
> > >people
> > >would wait and see a movie before giving the reviews that have been 
> >issued
> > >by the reporters trying to tell all of us what to believe.
> > >
> > >Paul Harvey's words:
> > >
> > >I really did not know what to expect. I was thrilled to have been invited
> > >to
> > >a private viewing of Mel Gibson's film "The Passion," but I had also read
> > >all the cautious articles and spin. I grew up in a Jewish town and owe 
> >much
> > >of my own faith journey  to the influence. I have a life long, deeply 
> >held
> > >aversion to anything that might even indirectly encourage any form of
> > >anti-Semitic thought, language or actions.
> > >
> > >I arrived at the private viewing for "The Passion", held in Washington DC
> > >and greeted some familiar faces. The environment was typically
> > >Washingtonian, with people greeting you with a smile but seeming to look
> > >beyond you, having an agenda beyond the words. The film was very briefly
> > >introduced, without fanfare, and then the room darkened. From the 
> >gripping
> > >opening scene in the Garden of Gethsemane, to the  very human and tender
> > >portrayal of the earthly ministry of Jesus, through the betrayal, the
> > >arrest, the scourging, the way of the cross, the encounter with the
> > >thieves,
> > >the surrender on the Cross, until the final scene in the empty tomb, this
> > >was not simply  a movie; it was an encounter, unlike anything I have ever
> > >experienced.
> > >
> > >In addition to being a masterpiece of film-making and an artistic 
> >triumph,
> > >"The Passion" evoked more deep reflection, sorrow and emotional reaction
> > >within me than anything since my wedding, my ordination or the birth of 
> >my
> > >children. Frankly, I will never be the same. When the film concluded, 
> >this
> > >"invitation only" gathering of "movers and shakers" in Washington, DC 
> >were
> > >shaking indeed, but this time from sobbing. I am not sure there was a dry
> > >eye in the place. The crowd that had been glad-handing before the film 
> >was
> > >now eerily silent. No one could speak because words were woefully
> > >inadequate. We had experienced a kind of art that is a rarity in life, 
> >the
> > >kind that makes heaven touch earth.
> > >
> > >One scene in the film has now been forever etched in my mind. A 
> >brutalized,
> > >wounded Jesus was soon to fall again under the weight of the cross. His
> > >mother had made her way along the Via Della Rosa. As she ran to him, she
> > >flashed back to a memory of Jesus as a child, falling in the dirt road
> > >outside of their home. Just as she reached to protect him from the fall,
> > >she
> > >was now reaching to touch his wounded adult face. Jesus looked at her 
> >with
> > >intensely probing and passionately loving eyes (and at all of us through
> > >the
> > >screen) and said "Behold I make all things new." These are words taken 
> >from
> > >the last Book of the New Testament, the Book of Revelations.
> > >
> > >Suddenly, the purpose of the pain was so clear and the wounds, that 
> >earlier
> > >in the film had been so difficult to see in His face, His back, indeed 
> >all
> > >over His body, became intensely beautiful. They had been borne 
> >voluntarily
> > >for love.
> > >
> > >At the end of the film, after we had all had a chance to recover, a
> > >question
> > >and answer period ensued. The unanimous praise for the film, from a 
> >rather
> > >diverse crowd, was as astounding as the compliments were effusive. The
> > >questions included the one question that seems to follow this film, even
> > >though it has not yet even been released. "Why is this film considered by
> > >some to be "anti-Semitic?" Frankly, having now experienced (you do not
> > >"view" this film) "the Passion" it is a question that is impossible to
> > >answer. A law professor whom I admire sat in front of me. He raised his
> > >hand
> > >and responded "After watching this film, I do not understand how anyone 
> >can
> > >insinuate that it even remotely presents that the Jews killed Jesus. It
> > >doesn't." He continued "It made me realize that my sins killed Jesus" I
> > >agree.
> > >
> > >There is not a scintilla of anti-Semitism to be found anywhere in this
> > >powerful film. If there were, I would be among the first to decry it. It
> > >faithfully tells the Gospel story in a dramatically beautiful, sensitive
> > >and
> > >profoundly engaging way.
> > >
> > >Those who are alleging otherwise have either not seen the film or have
> > >another agenda behind their protestations. This is not a "Christian" 
> >film,
> > >in the sense that it will appeal only to those who identify themselves as
> > >followers of Jesus Christ. It is a deeply human, beautiful story that 
> >will
> > >deeply touch all men and women. It is a profound work of art. Yes, its
> > >producer is a Catholic Christian and thankfully has remained faithful to
> > >the
> > >Gospel text; if that is no longer acceptable behavior than we are all in
> > >trouble. History demands that we remain faithful to the story and
> > >Christians
> > >have a right to tell it. After all, we believe that it is the greatest
> > >story
> > >ever told and that its message is for all men and women. The greatest 
> >right
> > >is the right to hear the truth.
> > >
> > >We would all be well advised to remember that the Gospel narratives to
> > >which
> > >"The Passion" is so faithful were written by Jewish men who followed a
> > >Jewish Rabbi whose life and teaching have forever changed the history of
> > >the
> > >world. The problem is not the message but those who have distorted it and
> > >used it for hate rather than love.
> > >
> > >The solution is not to censor the message, but rather to promote the kind
> > >of
> > >gift of love that is Mel Gibson's filmmaking masterpiece, "The Passion."
> > >
> > >It should be seen by as many people as possible. I intend to do 
> >everything
> > >I
> > >can to make sure that is the case. I am passionate about "The Passion." 
> >You
> > >will be as well. Don't miss it!"
> > >
> > >****************************************
> > >
> > >(2) This is a commentary by DAVID LIMBAUGH about Mel Gibson's very
> > >controversial movie regarding Christ's crucifixion. It, too, is well 
> >worth
> > >reading.
> > >
> > >MEL GIBSON'S passion for "THE PASSION"
> > >
> > >How ironic that when a movie producer takes artistic license with
> > >historical
> > >events, he is lionized as artistic, creative and brilliant, but  when
> > >another takes special care to be true to the real-life story, he is
> > >vilified. Actor-producer Mel Gibson is discovering these truths the hard
> > >way
> > >as he is having difficulty finding a United States studio or distributor
> > >for
> > >his upcoming film, "The Passion," which depicts the last 12 hours of the
> > >life of Jesus Christ.
> > >
> > >Gibson co-wrote the script and financed, directed and produced the movie.
> > >For the script, he and his co-author relied on the New Testament Gospels 
> >of
> > >Matthew, Mark, Luke and John, as well as the diaries of St. Anne 
> >Catherine
> > >Emmerich (1774-1824) and Mary of Agreda's "The City of God."
> > >
> > >Gibson doesn't want this to be like other sterilized religious epics.
> > >
> > >"I'm trying to access the story on a very personal level and trying to be
> > >very real about it." So committed to realistically portraying what many
> > >would consider the most important half-day in the history of the 
> >universe,
> > >Gibson even shot the film in the Aramaic language of the period.
> > >
> > >In response to objections that viewers will not be able to understand 
> >that
> > >language, Gibson said, "Hopefully, I'll be able to transcend the language
> > >barriers with my visual storytelling; if I fail, I fail, but at least 
> >it'll
> > >be a monumental failure."
> > >
> > >To further insure the accuracy of the work, Gibson has enlisted the 
> >counsel
> > >of pastors and theologians, and has received rave reviews. Don Hodel,
> > >president of Focus on the Family, said, "I was very impressed. The movie 
> >is
> > >historically and theologically accurate." Ted Haggard, pastor of  New 
> >Life
> > >Church in Colorado Springs, Colo., and president of the National
> > >Evangelical Association, glowed: "It conveys, more accurately than any
> > >other
> > >film, who Jesus was."
> > >
> > >During the filming, Gibson, a devout Catholic, attended Mass every 
> >morning
> > >because "we had to be squeaky clean just working on this."  >From 
> >Gibson's
> > >perspective, this movie is not about Mel Gibson. It's bigger than he is.
> > >"I'm not a preacher, and I'm not a pastor," he said. "But I really feel 
> >my
> > >career was leading me to make this. The Holy Ghost was working through me
> > >on
> > >this film, and I was just directing traffic. I hope the film has the 
> >power
> > >to evangelize."
> > >
> > >Even before the release of the movie, scheduled for March 2004, Gibson is
> > >getting his wish. "Everyone who worked on this movie was changed. There
> > >were
> > >agnostics and Muslims on set converting to Christianity...[and] people
> > >being
> > >healed of diseases." Gibson wants people to understand through the movie,
> > >if
> > >they don't already, the incalculable influence Christ has had on the 
> >world.
> > >And he grasps that Christ is controversial precisely because of  WHO HE 
> >IS
> > >-
> > >GOD incarnate. "And that's the point of my film really,to show all that
> > >turmoil around him politically and with religious leaders and the people,
> > >all because He is Who He is."
> > >
> > >Gibson is beginning to experience first hand just how controversial 
> >Christ
> > >is. Critics have not only speciously challenged the movie's authenticity,
> > >but have charged that it is disparaging to Jews, which  Gibson vehemently
> > >denies. "This is not a Christian vs. Jewish thing. '[Jesus] came into the
> > >world, and it knew him not.' Looking at Christ's crucifixion, I look 
> >first
> > >at my own culpability in that." Jesuit Father William J. Fulco, who
> > >translated the script into Aramaic and Latin, said he saw no hint of
> > >anti-Semitism in the movie. Fulco added, "I would be aghast at any
> > >suggestion that Mel Gibson is anti-Semitic." Nevertheless, certain groups
> > >and some in the mainstream press have been very critical of Gibson's
> > >"Passion."
> > >
> > >The New York Post's Andrea Peyser chided him: "There is still time, Mel, 
> >to
> > >tell the truth." Boston Globe columnist James Carroll denounced Gibson's
> > >literal reading of the biblical accounts. "Even a faithful repetition of
> > >the
> > >Gospel stories of the death of Jesus can do damage exactly because those
> > >sacred texts themselves carry the virus of Jew hatred," wrote Carroll. A
> > >group of Jewish and Christian academics has issued an 18-page report
> > >slamming all aspects of the film, including its undue emphasis on 
> >Christ's
> > >passion rather than "a broader vision." The report disapproves of the
> > >movie's treatment of Christ's passion as historical fact.
> > >
> > >The moral is that if you want the popular culture to laud your work on
> > >Christ, make sure it either depicts Him as a homosexual or as an everyday
> > >sinner with no particular redeeming value (literally). In our
> > >anti-Christian
> > >culture, the blasphemous "The Last Temptation of Christ" is celebrated, 
> >and
> > >"The Passion" is condemned. But if this movie continues to affect people
> > >the
> > >way it is now, no amount of cultural opposition will suppress its force 
> >and
> > >its positive impact on lives everywhere. Mel Gibson is a model of faith 
> >and
> > >courage."
> > >
> >
> >_________________________________________________________________
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