I also think that embedded in all the talk is a very admirable ethic
of health, human and environmental rights. It just depends on whether
you're willing to write off all the manufacturers in a whole country
or if you believe that you can find a balance between cost and those
three aforementioned things.

I am a poor-as-funk grad student so I shop at VO more than I do RBW
lately. I also like supporting competition in any arena. I think that
VO's rise in popularity has stimulated RBW to do certain things and
that's a Good Thing(tm).

I trust Tom and Chris's judgement on the factories they get their
stuff from. I don't think that all mass-manufacturing is bad - only
when done in an irresponsible manner.

In the end, they are two different companies. Thank god for that.

Also, make sure you check out Leslie Larson's fantastic blog
http://archivalclothing.blogspot.com Archival Clothing for some retro,
traditional clothing and other fare.

-Justin

On Sep 13, 9:40 pm, beth h <[email protected]> wrote:
> Esteban wrote:
>
> "I'm not a huge V/O fan myself. Some of their nifty items fill a nice
> niche/need (and I've bought such things), but many of their products
> are just more-cheaply-made- versions of fine products from storied
> companies that I'd much rather support (Nitto, Brooks, Honjo, etc.).
> At RBW, a lot of thought goes into not just the design, utility, cost
> (with lots of handwringing while Trying To Do the Right Thing), and
> quality of the product, but also where it comes from - who makes it,
> what kind of business model it supports (small, craft-producers; or
> race-to-the-bottom logics).  I'd rather go with that philosophy."
>
> **********************
> As a Rivendell owner, I agree that Riv designs beautiful things -- and
> has all of them made by Someone Else, Somewhere Else. Rivendell is
> essentially a design house for bicycle lovers of a certain stripe. The
> same can be said of Velo Orange.
>
> VO is answering a growing desire -- I won't call it a need just yet --
> for beautiful designs that are similar to what you can find from Riv,
> Berthoud, Ebisu, Carradice and a host of other small companies that
> sell bicycles-as-functional-art.
>
> What VO has done -- and rather brilliantly so -- is to anticipate the
> growth in popularity (of a style) that so often comes along AFTER a
> series of desirable designs has been on the market for some time. The
> best designs have grown a noticable following among those with tighter
> budgets. We see this happen all the time in fashion -- and in fact, I
> liken VO to the smart designers who stopped focusing on Fashion Week
> in New York and instead focus on designing directly for shoppers at
> Target. Their more affordable [but still fresh] designs are getting to
> the marketplace very quickly, garnering attention for the designer and
> loyalty from appreciative shoppers.
>
> While I don't think the nice folks at Brooks have anything to worry
> about just yet, I do notice more and more "Rivendell-styled" bikes
> coming into the shop with more affordable copies of original designs;
> a Surly LHT, for example, kitted out with VO pre-drilled fenders,
> Cardiff leather saddle and Cyclone leather handlebar tape, and Rubena
> street tires (a nice copy of the Schwalbe Marathon). Is that bad? I
> don't think so. If this "copying" brings good design ideas to more
> bicyclists then somebody is doing something right, and there's still
> plenty of pie for everyone -- at least for now.
>
> Beth

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