Call For Papers:

BLACK SEX
Edited by Jafari Sinclaire Allen and Jason King


AMONG INTELLECTUALS WORKING ON BLACK CULTURAL PRACTICE, THERE HAS BEEN A 
TENDENCY TO TALK ABOUT SEXUALITY WITHOUT ACTUALLY TALKING ABOUT SEX . . .

This critical anthology seeks to intervene in the field by interrogating how 
racialized sex (as a set of physicalized, 'performed' activities) is negotiatied 
in both texts of representation and everyday life. Orbiting around questions of 
intercourse, foreplay and afterplay, nudity, fetishism, voyeurism, bodily 
limits, interracialism, abstincence, virginity, fertility, reproduction, 
procreation, virility and impotence, this anthology aims to map out a vast array 
of representations of sexual performances and erotic acts.

These representational texts may include (but are in no way limited to) films 
like "Looking for Langston" (1989) and "Jason's Lyric" (1993); musical 
performances of Ma Rainey, Marvin Gaye, Millie Jackson, Prince, L.L. Cool J, 
Blowfly, Foxy Brown, 2 Live Crew, and Lauryn Hill; porn videos and magazines; 
performance texts of stand-up comedians from Moms Mabley to Richard Pryor; the 
popular literature of Terry McMillan to James Earl Hardy; and the performance 
work of Pamela Sneed, Lyle Ashton Harris, Bill T. Jones, and many others.

While mapping this array that may include portrayals of sex that call forth 
ideas about compassion, romance, loving, healing, nurturing, spirituality, 
intimacy and interiority, the project of BLACK SEX will access a more fugitive 
archive than representations found in the market of 'mass mediated texts'.

To talk about sex in black culture(s), then, is also to talk about the everyday 
lived experience of the sexual black body. This bodily experience includes (but 
is in no way limited to) issues of: joy, pleasure and "The Good Life"; mobility, 
travel and "The Tropics"; hedonisms and (international) sex trade; disease; 
purity, contamination; AIDS; passing and discretion; public sex, cybersex and 
chat rooms; group sex and orgies; slavery; violence, kink, freaky-deaky, smut, 
sleaze, snuff, s/m and other bondages; addiction; body management and healing; 
childhood, adolescent and elder sex; sexual gymnastics and positioning. How has 
(the) 'sex' in black culture contributed to popular perceptions about the power 
and possibilities of the black body at the end of this Millenium?

Theorizing the sexual imagination of black popular culture and everyday life can 
provide an interesting angle from which we might begin to address larger issues 
of importance to black communities, including longings for Freedom and acts of 
survival. BLACK SEX encourages submissions that address the way racialized sex 
(spanning the continuum of sexualities) is connected to notions of class, 
ethics, work and labor, ephemera, melancholy, mourning and loss, formal 
politics, migration and mobility, and technology. What are the rewards, 
drawbacks limits and controversies of posing questions around 'black sex'?

We seek a range of creative, critical, and descriptive interventions which 
reflect the experiences of black people(s) throughout the African Diaspora. We 
welcome fiction, poetry, ficto-critical writing, historical writing, public 
policy writing and photography, among many styles. We especially welcome writing 
from those involved in the sex and entertainment industries, community based and 
public health organizations, as well as traditional academic institutions.

This anthology is under consideration for publication by New York University 
Press, Sexual Cultures series. Please submit abstract (1-2 paragraphs) or 
completed manuscripts (no longer than 30 pages) by MAY 15th, 1999 to:


Jason King
Department of Performance Studies
New York University
721 Broadway
6th Floor
New York, NY USA 10003

or

Jafari Sinclaire Allen
Columbia University,
Department of Anthropology, 452 Schermerhorn Hall
1200 Amsterdam Avenue
New York, NY 10027- MC 5523



For information or inquiries: please contact Jason King (212) 229-7461 or
[EMAIL PROTECTED]; or Jafari Allen at [EMAIL PROTECTED]
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