THE AGE
A liberal Liberal sells his soul

BY ROBIN USHER 
Saturday 22 April 2000 

EVERYTHING has its price. The Immigration Minister, Philip Ruddock,
understands
this all too well. He told the ABC's 7.30 Report this week that the
Government had
spent $100 million caring for 4000 Kosovar refugees who were in
Australia for up to
12 months.

Governments around the world have been chanting the importance of the
bottom line
for decades. But Ruddock's decision to extend it to cover even
compassion revives
the legend of Faust, whose grandiose ambition led him to sell his soul
to the devil in
exchange for knowledge and power.

Faust's story has been an enduring myth in the Western tradition for the
past 500
years. The English dramatist Christopher Marlowe was the first to
dramatise the story
in The Tragicall History of Dr Faustus at the end of the 16th century.
His character
pays the ultimate price, of course. "The devil will come, and Faustus
must be
damned," he laments. 

Marlowe well understood that you don't get something for nothing. In
ordering the
Kosovar refugees home, Ruddock was only adapting this way of thinking.
The budget
for compassion had run dry. It did not matter that many wanted to stay
in Australia
until more work was done to restore services in their war-ravaged
homeland.

So the Kosovars arrived in the devastated capital, Pristina, only to
find there was no
one from Australia to meet them. Australia, after all, has no diplomatic
representation
there, and arranging for someone to look out for the refugees would cost
even more
money. Too bad no one thought to make any arrangement for them to
exchange
Australian dollars.

Ruddock is still seen by some as part of the conscience of the Liberal
Party, the small
group of moderates who identify themselves with a small "l". In 1988, he
crossed the
floor to vote with the Labor Government opposing John Howard's call for
Australia to
alter the ethnic mix of its migration program.

But much has changed now he is a senior minister. Amnesty International
is trying for
a second time to get him to stop wearing its badge when speaking for the
Government
on immigration. Last year it wrote to him citing Amnesty's "fundamental
opposition"
to the Government's treatment of refugees. It did not want him
identified with
Amnesty when he announced or defended Government policies.

Ruddock's evolution has similarities to the most famous version of the
Faustian
bargain by the German playwright Goethe. His character is driven not
only by
ambition, but also by a restlessly inquiring spirit. After his deal with
Mephistopheles,
the devil's agent, he becomes a force for modernisation - with
disastrous results for all
concerned. This is especially true for his girlfriend, Gretchen, who is
abandoned by
Faust in much the same way the Australian Government has washed its
hands of the
Kosovar refugees.

One of the latest adaptations of Faust's story is the Hungarian film
Mephisto, which
won the Oscar for best foreign film in 1982. The leading character is a
German actor
famous for his portrayal of Mephistopheles, with hopes to establish a
workers theatre
in Berlin in the '30s.

But when the Nazis take power, he finds his hunger for fame overwhelms
his political
and moral principles. In return for starring roles, he betrays his
colleagues and even
members of his family to the fascist authorities. 

The moral is the same: everything has its price, even fame. Ruddock
might consider
watching a video of the film to appreciate the enduring relevance of the
Faust story.

Robin Usher is a staff writer. E-mail: [EMAIL PROTECTED]
-- 
_________________________________
Truth is a pathless land. --- Krishnamurti
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