THE AGE
Anne Frank: The danger of forgetting

By ROBIN USHER 
Tuesday 16 May 2000 

Tammy Williams knows what racism means. When her
mother was walking her to primary school in the Queensland
town of Gympie, the driver of a passing car leaned out and
spat at them. In high school, she was shocked to find the
word "nigger" written above her photograph in a school
magazine.

These are recent events. Williams might be only 22 but she is
a member of the first generation in her family for nearly 200
years to be able to move about the country and to receive a
standard education. "We are the first to be free," she says.

Her parents were not stolen from their community but were made to live
on reserves -
unable to leave or even get married without permission - and to work for
no wages. 

"Racism dehumanises you," Williams says. "All oppression does that - it
eats at your
soul and prevents people achieving their full potential. We have to
acknowledge what
has occurred if ever we are going to move beyond it, but so far very few
Australians
are aware that slavery-like schemes existed in parts of the country."

Williams is the only non-European to feature in a human rights
exhibition, Anne Frank
- A History For Today, that begins a three-year national tour at the
Glen Eira City
Gallery in Caulfield today.

Produced by the Anne Frank House in Amsterdam, the exhibition encourages
people
to think about intolerance and inequality in today's world, more than 50
years after
the Nazi persecution of Jews, Gypsies, homosexuals and the mentally
handicapped led
to the construction of death camps. A previous exhibition, Anne Frank in
the World,
was seen by more than seven million people in 40 countries.

Williams has an answer to those who might claim the horrors of the
Holocaust are a
long way removed from modern-day Australia. "My people have been
repressed. We
are survivors of atrocities and racism and have gained strength from our
ability to
move beyond it," she says. 

"But racism continues everywhere in various forms and it is crucial to
get people to
acknowledge it and talk about it. That's what the Anne Frank exhibition
is all about -
its aim is to make people consider what has happened in the past so that
they can
learn from the mistakes."

The human rights campaigner and UNICEF ambassador for children Justice
Marcus
Einfeld, who is opening the exhibition, sees it as an important event in
Australian
history because it demonstrates the evils that can be unleashed when
racism becomes
state orthodoxy.

"These are the same dangers we might face if we do not pull ourselves
together just
now," he says. "Australia has not been immune from some of this genre of
human
activity. As the One Nation experience showed, the possibility of
serious racial
disharmony is very great. It is quite easy for political elements to
play on and
encourage people's fears so that community harmony can be placed under
threat if the
truth is not told."

Einfeld describes the plight of Aborigines living in below-standard
settlements and the
continuing disputes over reconciliation as fiascos that demonstrate "a
dearth of
political leadership".

While he stresses this is true for both sides of politics, he calls for
a national uprising
to reverse the government's refusal to say sorry for what happened to
Aborigines over
the past 200 years. "This (refusal) only arouses racist tendencies and
creates disunity
and disharmony. There is no legal or moral justification to say an
apology would
mean the current generation was to blame for what happened, or that it
would open
the way to the government being forced to pay compensation."

Tammy Williams' mother, Lesley, has received some form of apology for
the way she
was treated. She was brought up on Cherbourg, a reserve north of
Brisbane, and her
only education was to prepare her for life as a domestic servant. People
who
disobeyed officials had their heads shaved and were forced to wear a
hessian sack
with holes for the head and arms. Those found outside the reserve
without a pass
would be jailed.

Lesley was sent to work as a domestic servant from 6am to 9pm, without
holidays,
and forced to live in a shed outside the house. Instead of being paid,
her salary and
that of many others went into government-controlled trust funds and the
money was
used to fund hospitals and utilities. She was the first to sue to get
her salary paid to
her and, in 1998, reached settlement with the Queensland Government, as
well as
receiving an apology.

Her daughter, who is now in the third year of a law degree as well as
writing her
mother's biography, had barely heard of the Anne Frank House five years
ago. But
she went to see the Amsterdam museum while on a trip to Europe for a
United
Nations human rights conference after winning an essay competition.
Museum
officials were intrigued by the way writing had changed her life.

The museum, visited by 850,000 people a year, commemorates the site
where Frank,
a German-born teenager, lived secretly for two years with seven others
in a vain
attempt to escape deportation by the Nazis to Germany. That is where she
wrote her
diary that survived the war and has now sold 27million copies and been
translated into
55 languages. Frank, 15, her sister and mother died in the camps. Only
her father
survived to return to Amsterdam and publish the diary in 1947.

Einfeld says the exhibition's Australian tour will help to change
people's attitudes to
racism, which he says is the only way to improve human rights. "You
can't pass laws
to make decent human beings, you can only educate them. We must get out
among
the people and give them the facts about racism and tolerance. We must
meet falsity
with truth," he says.

"What Germany did to human decency, not to mention the Jewish people, is
indescribable in polite words - yet it must be described over and over
again so that
people do not forget and so that it can hopefully never happen again."

He believes the exhibition could play a crucial role because of the
delicate balance of
race relations today. "Australia could go either way. Attitudes to
racial issues could get
even tougher or we could see the light. No sacrifice can be too big to
achieve decent
race relations."

Although many of his remarks seem aimed at Prime Minister John Howard
and his
ministers, Einfeld says he suspects members of the Labor opposition
might hold
similar views.

"Politicians of all parties read the public opinion polls that purport
to show what
people are thinking and then adopt policies that won't risk alienating
the voters. No
one seems interested in explaining what harm the various policies might
cause. I think
if people knew the extent of the human misery involved, they would
accept the need
to change."

But race is not the only area where Einfeld says Australia's reputation
is being
damaged. He says the treatment of illegal migrants and such decisions as
the forced
repatriation of Kosovar refugees is lowering the country's international
standing "at a
great pace of knots".

He believes most Australians would be horrified at conditions at the
Port Hedland
detention centre in remote Western Australia, where people who arrive
without papers
on boats from Indonesia are held.

"The government paved the way for the way these people are being treated
by
holding out the threat the country was going to be flooded by 10,000 or
50,000 new
arrivals. That was never possible and represents nothing better than
scaremongering."

He says more than 90 per cent of the refugees are Christians from
Afghanistan and
Iraq and have now been accepted by the government, a far cry from the
"Muslim
invasion" that had been threatened.

"There is no such thing as an illegal refugee or an economic refugee.
People are either
trying to escape persecution or not. Others are facing poverty so
extreme they cannot
keep their children alive. That is why they seek to make their lives
elsewhere.
Australia in fact takes a very small percentage of boat people compared
to Holland
and the Scandinavian countries."

Refugee policies are set by Immigration Minister Philip Ruddock, and
Einfeld says he
is so concerned by what is happening that he is waiting for Ruddock to
retire from
politics before resuming their friendship, which extends back years
(both once worked
in the same fields as Sydney lawyers). "I am incapable of explaining
some of the
decisions his department has made," he says.

He was particularly upset by the government's decision to send the
Kosovar refugees
back to their Balkan homeland, even though they requested to stay longer
in Australia.

"We seem to forget all about real human misery once it is off the front
page. The
government took a narrow, ideological view about sending the refugees
back that is
just nonsense and an insult to the rest of us. Problems exist long after
the fighting
ends and unless rich countries like Australia help in the
reconstruction, the country
will remain in ruins.

"What would it have cost to keep the Kosovars a few extra months? But if
we insisted
they go back, why didn't the government send over equipment to build
them some
pre-fab houses with food packages and some local money? It would have
cost
peanuts."

Einfeld says decisions seem to be left to a heartless bureaucracy that
knows nothing
about compassion. "We should remember the Nazis were also extremely
efficient
bureaucrats. Democracy involves some sacrifices and may not be the most
efficient
system, but its benefits far outweigh totalitarian bureaucracies like
Nazi Germany and
Stalinist Russia."

He says countries such as Australia have moral obligations to maintain.
He believes
the Anne Frank exhibition is timely because it will serve as a reminder
of what can
happen when those obligations are forgotten.

"I'm not suggesting concentration camps are about to be built in this
country, but there
is a type of mentality developing that the exhibition confronts
directly. It is a reminder
that all forms of racism are sinful and evil and have an extremely
deleterious effect on
the victims."

Exhibition organiser Jonah Jones expects about 12,000 schoolchildren to
visit the
show during the three months it is at Caulfield, and he is confident it
will stimulate
debate on human rights. He says the exhibition, which consists of a
series of modules
with photographs and texts about Anne Frank and other Holocaust victims,
as well as
Tammy Williams, is not designed to be a grand story but to make people
examine
what is happening today.

Jones quotes the Italian author and Holocaust survivor Primo Levi, who
wrote: "If we
were capable of taking in the suffering of all those people who died, we
would not be
able to live."

Jones says the exhibition tries to make people concentrate on
individuals and the fate
that befell them. "No one can cope with figures like the six million
people who died in
the Holocaust. But this individualises the tragedy so that we can
examine all the
incidents that led up to it. Instead of being a World WarII horror show,
it concentrates
on the eternal issues of preserving everybody's human rights. That makes
the timing
of its Australian tour very appropriate."
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