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INVITATION TO CONFERENCE OCTOBER 18-19, 2007
UNIVERSITY OF OSLO
 
THINKING MEDIA AESTHETICS: THE EMERGENCE OF A RESEARCH
FIELD
 
The conference addresses a need to reorient aesthetic
theory and research in accordance
with the massive changes to human existence and social
organization
brought on by the omnipresence of information
technologies that integrate
previously separate media in global networks of
production. This
reorientation does not, however, simply concern
contemporary culture: it
opens onto new definitions of the nature of
technology, art, human bodies
and the sense-apparatus.
 
Our invited guest speakers – N. Katherine Hayles
(UCLA), Trond Lundemo
(University of Stockholm) , Bernard Stiegler (Centre
Georges Pompidou,
Paris) and Samuel Weber (Northwestern University) –
have all made
important contributions towards such reorientation.
The members of the
research project; Liv Hausken (UiO), Arild Fetveit
(University of
Copenhagen), Eivind Røssaak (UiO), Susanne Sæther
(UiO) and Ina Blom (UiO)
will also present themes from their individual
research projects under
this general perspective. (See more information about
the speakers at the
end of this document)
 
 
PROGRAM
 
N. Katherine Hayles: Thinking Database Aesthetics in
the Context of Narrative
 
Trond Lundemo: The Politics of Video Compression;
MPEG, Pattern
Recognition and the Moving Image Database.
 
Bernard Stiegler: Anamnesis and Hypomnesis Today:
Plato as the Thinker of
the Proletariat
 
Samuel Weber: On the Origins of Walter Benjamin's
Media Theory: From
Reflexivity to 'Sobriety'"
 
Liv Hausken: Towards a Media Aesthetic Analysis
 
Arild Fetveit: Thinking Media Aesthetics Through the
Noise of the Medium
 
Eivind Røssaak: Rereading the Ends of Cinema
 
Susanne Sæther: The Archival Versus the Immersive
Impulse: Mediality in
recent video art
 
Ina Blom: From Screen to Space: Media Aesthetics and
the Discursive
Context of Television Art
 
 
THE CONFERENCE IS OPEN TO ALL INTERESTED!
A conference fee of NOK 350,- covers lunch and coffee
for both days. You
sign up for the conference by sending an email to
[EMAIL PROTECTED] with information about your
invoice address.
Einar Søberg will then send you an invoice.
 
The conference will take place in the auditorium at
Håndverkeren in
downtown Oslo. The address is Rosenkrantz gate 7, 0159
OSLO.
 
See also our website
http://www.media.uio.no/prosjekter/medieestetikk/misc/e_oktk_start.html
for more information.
 
 
ABOUT THE SPEAKERS
Samuel Weber is Professor at Northwestern University.
He is a leading
American theorist in a cross-disciplinary field that
spans literature,
philosophy and psychoanalysis. Weber has previously
been a professor of
English and comparative literature at the University
of California, and
has also worked as a ”dramaturg” at German opera
houses and theatres (in
Frankfurt, Stuttgart and Düsseldorf). He has
translated Theodor Adorno and
Jacques Derrida to English, and published on themes
ranging from Balzac,
Lacan and Freud to the relation between institutions
and media. His
publications include The Legend of Freud (1982), Mass
Mediaurus: Form,
Technics, Media (1996) , Institution and
Interpretation (2001); and Targets
of Opportunity. On the Militarization of Thinking
(2005).
 
N. Katherine Hayles is professor of English at the
University of
California. She is well known for her highly original
research on the
relation between literature, technology and science in
the 20th century,
with particular emphasis on the question of electronic
textuality and the
interaction between humans and intelligent machines.
Her publications
include: Chaos Bound: Orderly Disorder in Contemporary
Literature and Science
(1990), How We Became Posthuman: Virtual Bodies in
Cybernetic, Literature
and Informatics (1999), Coding the Signifier: 
Rethinking Semiosis from
the Telegraph to the Computer (2002) og My Mother was
a Computer: Digital
Subjects and Literary Texts (2005).
 
Trond Lundemo is lecturer at the Film and Media
department at Stockholms
University. His research interests are centered on the
themes of time
technologies, aesthetics and intermediality, with
particular weight on the
mnemotechnics of digital archives, Jean Epsteins film
theory and Japanese
film from the 1920s and 30s. His publications include
Bildets oppløsning; Filmens bevegelse i teoretisk og
historisk perspektiv
(1996), Jean Epstein: The Intelligence of a Machine
(2001) as well as two
anthologies on the relation between film and other art
forms (Film/Konst,
Kairos vol. 9:1 og 9:2, 2004).
 
Bernard Stiegler is director of the department of
cultural development at
the Centre Georges Pompidou and has previously been
director at the
Collège Internationale de Philosophie, professor at
l’Université de
Compiègne, and director at IRCAM in Paris. Stiegler is
trained as a
philosopher and his research is particularly focused
on the relation
between humans and technology. His publications
include La technique et le
temps 1: La faute d’ Epiméthée, (1994), La technique
et le temps 2: La
désorientation (1996),  De la misère symbolique 1:
L’époque
hyperindustrielle (2004), De la misère symbolique 2:
La catastrophe du
sensible (2004) og Echographies of television: filmed
interviews (with
Jacques Derrida) (2002).
 
Ina Blom is an associate professor at the Department
of Art History,
University of Oslo. Her field of interest has been
modernism/avant-garde
studies and contemporary art, with a particular focus
on intermedial or
postmedial practices and event-oriented aesthetics. A
former music critic,
she has also worked extensively as an art critic and
curator. Publications
include ”The Touch through Time. Raoul Hausmann, Nam
June Paik and the
Transmission Technologies of the Avant-garde”, in
Leonardo Journal of Art
and Technology, no.3, 2001, MIT Press, Joseph Beuys.
An Essay. Oslo:
Gyldendal, 2001, “Visual/televisual”, in Bice Curiger
(ed.) The Expanded
Eye, Hatje Cantz Verlag 2006. Forthcoming: On the
Style Site. Art,
Sociality and Media Culture, Sternberg Press, New
York, 2007.
 
Eivind Røssaak is Associate Professor of literature at
HiT, Bø (on leave). Currently: research fellow at the
Department of Media and Communication, University of
Oslo. He has written several books and articles on
theory, film and literature. Among his most recent
books are Selviakttakelse. En tendens i kunst og
litteratur Fagbokforlaget 2005, Kyssing og slåssing.
Fire kapitler om film, Pax 2004 (medforfatter:
Christian Refsum), and Sic. Fra litteraturens
randsone, Spartacus forlag 2001. Recent articles are
“Figures of Sensation: Between Still and Moving
Images” in W. Strauven (ed): The Cinema of Attractions
Reloaded (Amsterdam University Press 2006) and
“Freeze!” in G. Iversen og S. Brinch (ed.): Estetiske
teknologier 1700-2000. Vol. 3, Spartacus 2006. He has
also translated among others Bruno Latour and Donna
Haraway into Norwegian, in Teknovitenskapelige
kulturer (K. Asdal et al, ed.), Spartacus forlag 2001.
 
Susanne Ø. Sæther is a curator and a PhD-candidate at
Department of Media
and Communication at University of Oslo, where she is
writing a
dissertation on the aesthetics of sampling in video
art (working title: An
Aesthetics of Sampling. Materiality and mediality in
recent video art).
She has been a visiting Fulbright academic to the
Cinema Department, TISCH
School of the Arts, NYU and Curatorial Fellow in the
Whitney Independent
Study Program, New York, 2005/2006. She has published
articles nationally
and internationally on aspects of mediality and
materiality in film and
media art.
 
Arild Fetveit is associate professor at the Department
of
Media, Cognition and Communication, University of
Copenhagen, Denmark. He
has published in the field of reception studies,
reality TV, and
digitalization of film and photography as well as
written a dissertation
on the discursive possibilities between documentary
and fiction film. He
has recently co-edited the volume Digital Aesthetics
and Communication
(2007) forthcoming from Intellect Books.
 
Liv Hausken is associate professor at Department of
Media and
Communication, University of Oslo. Recent
publications: "Fotografisk
Erfaring" in Krogholm, Claus and Mogensen, Jannie Uhre
(eds) Fotografiske
Dialekter, NSU Press (Aarhus University Press), 2006,
pp.107-122, and "The
Aesthetics of X-ray Imaging" in Melberg, Arne (ed)
Aesthetics at Work,
UniPub, 2007.
 


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Ina Blom
Associate Professor 
Dept. of Philosophy, Classics, 
History of Art and Ideas
University of Oslo
Box 1020 Blindern
0315 Oslo
Norway 


[EMAIL PROTECTED]
mobile +47 41688266
office +47 22841912







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