The advantage my client enjoys is that as he adds spots, one fill song is dropped for every 4 minutes of spot time. The fill songs are all edited to 4 minutes precisely, so his log will never run more than two minutes early or late no matter how many spots he adds.


Rob


On Tue, 20 May 2014, Jim Stewart wrote:


A lot of times, depending on your traffic software, it could be easy have
traffic add these elements in as part of the break. If it can be done as
part of a "traffic template" (usually on an hour by hour basis, if I
understand correctly) then once it is set up, they don't have to deal with
it on a day to day basis.



On Mon, 19 May 2014, Alan Smith wrote:

> Lets say you are a music format, and you have liners on your clock going
into
> and out of an imported commercial break.

> If the break is empty, is there an easy way to have Rivendell not play
both
> liners back to back?

I have one client who does this:

1) Creates a music schedule, assuming there will be no spots at all. Each
commercial break is filled with a song, and has a liner in front and
another afterwards.

2) Creates a traffic schedule.

3) Runs a script to merge the traffic schedule into the music schedule,
dropping the "fill song" from each break as the spots are added.

4) Imports the merged log into Rivendell. Filled breaks will run as liner,
spots, liner; unfilled breaks will run as liner, song, liner.



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