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Which curatorial criteria should be applied to the creation and curation of 
urban screens? Do urban screens suit a presentation of elaborate artistic 
content or will entertainment win over art? These questions along with many 
others will be addressed on day two of the conference, accompanied by two 
inspiring screenings from the art & events programme. Read on...

 

Focus Session: Curating Screen Art for an Urban and Architectural Context, 
Cornerhouse
Moderator Mike Stubbs (UK) is Director of FACT in Liverpool. His own 
internationally commissioned artwork includes media installations and 
large-scale projections for public environments. He will lead the discussion on 
the role that curators and new media experts could play in the conception of 
media facades and other urban screens. At present, many existing urban screens 
lack the comprehensive sophistication that allows exploration of spatial, 
architectural or medial potentials. 

 

Sylvia Kouvali (GR) is the initiator and curator of Yama, the first 
international space for publicising contemporary art in Turkey that opened in 
July 2007. Based on this experience, Kouvali will present a dialogue on how 
democratic or populist the content of the imposing and omnipresent screen can 
be and how much one can really show in public.

Michelle Kasprzak (CA/UK) is a curator, writer, and artist. She argues that 
presenting artwork on urban screens comes with a special set of considerations, 
challenges, and advantages that are unique to that context. Kasprzak will 
examine the opportunities that are opened up to artists and curators within 
this emerging format. 

 

Dooeun Choi (KR) is the curator at Art Center Nabi which opened in 2000 as the 
first media art centre in Seoul, Korea. She will introduce COMO, an extended 
media platform located in the centre. Since 2004, the LED displays have been 
known as a unique multi-media installation which integrates art and 
architecture to create a new convergence. The focus is not on the outcomes but 
the creative energy emerging from free and imaginative human communication. 

 

Otherworldly & Best of Transmedia, All screens

Curated by Michelle Kasprzak, Otherworldly premiered on the public screen at 
Federation Square, Melbourne, and features contributions by artists that take 
viewers on a journey through spaces that are at once familiar and alien. Best 
of Transmedia is a programme for which artists produced moving-image work that 
is very short (often a minute or less), and that could be sandwiched between 
advertisements. But as with most limitations, the condition of using urban 
screens as a platform fosters innovative work.

 

Communication <--> Spaces, All Saints 

Dooeun Choi has curated Communication <--> Spaces, a time-based visual poem and 
collaboration between the Korean motion graphics designer Weong-Woong Cheong 
and artist Bill Seaman. The work poetically explores notions of the space of 
communication, underlined by traditional Korean music and experimental dance 
music.

 

Register your interest now at www.manchesterurbanscreens.org.uk

 

Urban Screens Manchester has been curated by Dr Susanne Jaschko .

Urban Screens Manchester has been supported by Cornerhouse and BBC.

It has been funded by Arts Council England, Manchester City Council, Marketing 
Manchester. With support from MDDA and Manchester Knowledge Capital. 

 

 


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.................................................
Sarah Turner
International PR
Urban Screens Manchester 07
www.manchesterurbanscreens.org.uk
+49 (0)162 526 5624
 
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