On Wednesday 14 Jul 2004 12:19 pm, William wrote: > I thought that was already explained near the start of this thread: > > It's a B by its continental European name. > but this was contradicted by Gilles who seems to be uniquely aware > of major geopolitical changes in Europe :)
Come now, Gilles was definitely the more correct pedant there. Had you said "one of its continental European names", you'd be quite right: but "its continental European name" implies only one such. Back to the topic, I didn't completely understand what Vlada was asking for myself -- do I get the idea that the requirement is to split a part in cases where there are lower notes that do not match the start and/or end times of higher notes? It sounds like something quite feasible for simple examples but potentially troublesome for more complex pieces, particularly where you might have a large number of overlapping notes happening at once. Relatedly, Joerg Anders has recently implemented in NoteEdit an algorithm that splits imported MIDI into multiple voices by trying to find the set of shortest monophonic routes (where "short" is measured in distance both in pitch and time between neighbouring notes) through a part. I couldn't get it to work at all well for unquantized or incompletely quantized input, though the principle sounds OK to me for well-quantized input. Chris ------------------------------------------------------- This SF.Net email sponsored by Black Hat Briefings & Training. Attend Black Hat Briefings & Training, Las Vegas July 24-29 - digital self defense, top technical experts, no vendor pitches, unmatched networking opportunities. Visit www.blackhat.com _______________________________________________ Rosegarden-devel mailing list [EMAIL PROTECTED] - use the link below to unsubscribe https://lists.sourceforge.net/lists/listinfo/rosegarden-devel
