 Tamiko Thiel - Manifest.AR @ Künstlerhaus Wien http://manifestarblog.wordpress.com http://mission-base.com/tamiko 18. Oktober 2012, 20 Uhr Künstlerhaus Passagegalerie  Begrüßung: Joachim Lothar Gartner, Präsident des Künstlerhauses Moderation: Jana Wisniewski, Kuratorin Manifest.AR ist ein internationales Künstlerkollektiv, das die neue Technologie der Augmented Reality für Interventionen im öffentlichen sowie im institutionellen Raum einsetzt. Bekannt geworden durch seine Intervention im MoMA New York im Jahr 2010, hat sich Manifest.AR mit der Intervention in der 2011 Venedig Biennale einen festen Platz in der Geschichte der Medienkunst erobert. Zur Zeit bestreitet Manifest.AR zwei grosse Kommissionen, für die Zero1 Biennale in Silicon Valley und für FACT im Liverpool. TAMIKO THIEL, Gründungsmitglied der Manifest.AR wird am 18.10.2012, um 20 Uhr, im Künstlerhaus einen Vortrag zum Thema Augmented Reality halten, mit Bildbeispielen ihrer eigenen Arbeit und jener der Gruppe Manifest.AR. Die Gruppe wird eine Intervention zu dieser Zeit im Künstlerhaus starten: Virtuelle Objekte/Bilder wird man mit Android-Handys, I-Phone, I-Pad, mit einer speziellen Software/App so sehen als ob sie hier ausgestellt wären. Eine ausführliche Beschreibung welche Software/App in Frage kommt, und wo man sie runterladen kann: http://www.zdnet.de/41560363/augmented-reality-starke-apps-fuer-android-und-iphone/ internetart.info _______________________________________________________________________________ The AR Art Manifesto "All that is Visible must grow beyond itself and extend into the Realm of the Invisible" (Tron, 1982) Augmented Reality (AR) creates Coexistent Spacial Realities, in which Anything is possible – Anywhere! The AR Future is without boundaries between the Real and the Virtual. In the AR Future we become the Media. Freeing the Virtual from a Stagnant Screen we transform Data into physical, Real-Time Space. The Safety Glass of the Display is shattered and the Physical and Virtual are united in a new In-Between Space. In this Space is where we choose to Create. We are breaking down the mysterious Doors of the Impossible! Time and Space died yesterday. We already live in the Absolute, because we have created eternal, omnipresent Geolocative Presence. In the 21st Century, Screens are no longer Borders. Cameras are no longer Memories. With AR the Virtual augments and enhances the Real, setting the Material World in a dialogue with Space and Time. In the Age of the Instantaneous Virtual Collective, AR Activists aggravate and relieve the Surface Tension and Osmotic Pressure between the so-called Networked Virtual and the so-called Physical Real. Now hordes of Networked AR Creatives deploy Viral Virtual Media to overlay, then overwhelm closed Social Systems lodged in Physical Hierarchies. They create subliminal, aesthetic and political AR Provocations, triggering Techno-Disturbances in a substratosphere of Online and Offline Experience. Standing firmly in the Real, we expand the influence of the Virtual, integrating and mapping it onto the World around us. Objects, banal By-Products, Ghost Imagery and Radical Events will co-exist in our Private Homes and in our Public Spaces. With AR we install, revise, permeate, simulate, expose, decorate, crack, infest and unmask Public Institutions, Identities and Objects previously held by Elite Purveyors of Public and Artistic Policy in the so-called Physical Real. The mobile phone and future Visualization Devices are material witness to these Ephemeral Dimensional Objects, Post-Sculptural Events and Inventive Architectures. We invade Reality with our Viral Virtual Spirit. AR is not an Avant-Garde Martial Plan of Displacement, it is an Additive Access Movement that Layers and Relates and Merges. It embraces all Modalities. Against the Spectacle, the Realized Augmented Culture introduces Total Participation. Augmented Reality is a new Form of Art, but it is Anti-Art. It is Primitive, which amplifies its Viral Potency. It is Bad Painting challenging the definition of Good Painting. It shows up in the Wrong Places. It Takes the Stage without permission. It is Relational Conceptual Art that Self-Actualizes. AR Art is Anti-Gravity, it is Hidden and must be Found. It is Unstable and Inconstant. It is Being and Becoming, Real and Immaterial. It is There and can be Found – if you Seek It. Endorsed by the founding members of the cyberartist group Manifest.AR, on 25 January 2011: Mark Skwarek (US), Sander Veenhof (NL), Tamiko Thiel (US,JP,DE), Will Pappenheimer (US), John Craig Freeman (US), Christopher Manzione, (US), Geoffrey Alan Rhodes (US), and John Cleater (US). And by: Lily & Honglei Joseph Hocking (US), Phoenix Perry (US), Nathan Shafer (US), Warren Armstrong (AU), Virta-Flaneurazine Damon Loren Baker (US), Patrick Lichty (US), Alan Sondheim (US), Foofwa d’ImobilitÂŽ (CH), Cooper Holoweski, Naoko Tosa (JP), 4 Gentlemen, Second Front, Caitlin Fisher, Helen Pappagiannis, Rod Berry, Todd Margolis, Lalie S. Pascual Caroline Bernard and Margaret Dolinsky http://www.manifestar.info/ |
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