[This book is available at Saligao Super Market at Rs 850, with a DVD
included. Saligao, a land of music, mando and the Merry Makers in the
past... not to forget Oslando and his magical cassettes coming in from
Bombay ... could do with a music revival here. --FN]

NEW ALBUM OPENS WORLD'S DOORS TO KONKANI MUSIC

FOCUS/Pamela D'Mello [The Asian Age]
[email protected]

WHICHEVER WAY ONE looks at it, there's no denying that lots
of things are happening in regional KOnkani music, the
popular music of Goa. A few months earlier, a German world
music record company put out a CD of old Konkani
compositions, taking it to the European audience. This month,
a transcription of 30 favourites -- complete with lyrics,
guitar tabs, sheet music and programme notes -- is being
published and released for world sales, along with a DVD of
piano renditions, the first of several promised volumes.

The endeavour takes the music from this small region to
another level, "making it easily available for choral,
chamber, orchestral and other arrangements", besides opening
the door "for the world to be able to perform and experience
the great beauty of Konkani music," says the Toronto-based
transcriber and publisher Francis Rodrigues. Significantly,
this lawyer and musician plans to do the same for Hindi film
music as well.

Excerpts from an interview:

Q: What motivated you to put together this project?

Our traditional Konkani music -- mandos, dulpods, dekhnnis --
has been documented by a number of learned scholars, but not
our popular music unfortunately. The wonderful compositions
from the so-called "polden period" of Konkani music -- the
decade of the sixties and seventies -- is sadly unavailable
in music notation.

This is a prime requisite for our music to go forward. Once
transcribed, it is then not only easily available for choral,
chamber, orchestral and other arrangements; but more
importantly opens the door for the world to be able to
perform and experience the great beauty of Konkani music.

Q: It must have taken a great deal of time and effort...

Well.....!

Transcription is a rather difficult process -- akin to
extracting pure gold from base ore! Once done though, it's
beauty is available to all.

But getting the melody, the timing, the accents, the
phrasing, the nuances and tempo down one hundred percent
musically correct, exactly as the composer intended, was a
mammoth task.

Where many recorded versions exist, we had to assimilate a
composite. We tested the transcriptions under many different
conditions -- against recordings, in live performances,
reverse-engineered midis and finally with Sibelius, the most
advanced music software available.

Mind you, I'm only talking about the sheet-music here! Each
song has six facets -- the sheet-music, chordal
accompaniment, guitar tablature for bands, authentic lyrics,
the rhymed translations, and finally, detailed and original
programme notes.

The intricate process I outlined above for just the
sheet-music, was repeated in every detail for each of the six
facets. In a sense, each song was a little novella in itself,
so aside from all the other adjunct material in the book,
you're getting thirty fascinating little novella episodes of
Konkani life! And the rhymed translations uniquely ensured
these tunes could now be sung in English!

Q: One hears you have plans for a whole series.

Popular recorded Konkani music runs to over twenty thousand
songs -- giants like Alfred Rose with five thousand and Wilfy
Rebimbus with three thousand, dominate -- but again, our
criteria was simply the most musically memorable.

A three-year survey distilled to the above essence, resulted
in a core of approximately five hundred songs. At thirty
songs a volume, this would approximate sixteen volumes! Very
time-consuming and thankless perhaps, but at the end of the
day, great personal satisfaction.

Q: Seems like a very ambitious project. One wishes you luck,
but few would venture into this without some cultural grant
or something, and yet you have!!

Whilst they're an excellent idea, grants are great, but they
do have their limitations. Subconsciously I'm allergic to
handouts, and if my publishing company is happy to bankroll
my foibles, at the very least maybe somebody in greater need
will get the grant I didn't take!

Q: It's seems to be a comprehensive endeavour. Others have
done it in bits and pieces, I imagine....

I'm sure everyone who's gone before has done so to the best
of his or her abilities. My personal ethos is giving the
punter the complete product, lacking in no facet. Hopefully
this may ensure its longevity.

Q: Konkani music seems to have a niche audience -- people
from the region, expatriates. Can it maybe travel beyond? Is
that what you hope to help make happen?

In a sense, yes. But music is universal! And every culture,
believe it or not, has some form of enchanting music, that
will give pleasure to others. But unless transcribed, it will
remain unavailable to musicians worldwide. And who knows what
inspiration our unique music will provide?

          Great pop artists are forever on the lookout for
          ethnic music from diverse regions. Paul Simon, for
          example, one of the most gifted composers of our
          time (I've quoted his "Cecilia" in relation to our
          dulpod), wrote his enormously successful "El
          Condor Pasa" from an Andean folk tune;
          "Scarborough Fair" from an English canticle; and
          his great 1986 "Graceland" album from a South
          African odyssey, trawling through their
          traditional music.

Q: You come from a family with sound musical traditions, your
children were prodigies. Do you think third generation
expatriate children identify with the music from back home?

As a matter of fact, they actually seem to! The further away
in time, distance and ancestry seems to enhance the pull of
the roots! Grandchildren strangely seem more receptive to the
old-time tunes hummed by granpa and granma! When they get to
music class in school, they do try to play these tunes with
the help of the firangi music-teacher, but fumble, due to the
absence of notation.

Q: A compilation on Bollywood songs in sheet music and chords
is also on the cards. I'm curious as to how you'd make the
selection. Old Hindi film music or new ones, or just all time
popular hits?

Whilst I would prefer "All-time popular hits," a sensible
mixture of all three was our plan. This project though became
more intriguing as regards the extraneous protagonists
involved!

Unlike Konkani music where we've dealt with the minimal
copyright issues extant, Bollywood is a different ball-game!
Quite a few erratic bits of Bollywood extract-type of
transcriptions are available for sale - albeit quite
rudimentary. I will not comment on their musicality.

These "albums" of around twenty extracts, retail for approx.
sixty dollars. Perhaps copyrights aren't navigated. In our
case, after we approached the umbrella companies who own the
rights to many Bollywood movies, they started making rumbling
noises.

Then came the denouement! Representatives had seen a copy of
our Konkani "Greatest Hits". Turns out the two big companies
(no naming names, but think Michael Jackson!) had their own
plans for Bollywood compilations -- and last week, were
impressed enough to ask if we'd do a similar one for them --
and be paid handsomely for our efforts! I've yet to decide!

Q: That compilation will be a first, will it not? I don't
think music students or anyone could find sheet music for
Bollywood songs, if they went looking for it somewhere, could they?

As I've mentioned, rudimentary extracts are available on the
internet -- an "album" for around sixty dollars, or
individual songs, ranging in price from eight to twenty-five
dollars each. Of course, in all instances, this is only the
single-line melody. There's no chords accompanying, guitar
tab, lyrics, translations or liner notes. Not to mention our
very competitive price!

Launch dates: Goa (Kala Academy) - 9 Aug. U.K. (Staines) -15
Aug. Canada - 20 Aug and U.S. - 30 Aug. For full details of
the book go to http://www.konkanisongbook.com/

http://goanvoiceuk.wordpress.com/2009/08/05/the-asian-age-05-aug-2009-page-14/

-- 
FN +91-9822122436 P +91-832-2409490
Konkani adages  http://konkani-adages.notlong.com/
Medieval Goa     http://medieval-goa.notlong.com/

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