Fantastic work. Compliments to Jezreel.

Sanjeev

On Sun, Sep 16, 2018, 4:38 PM Frederick Noronha <[email protected]>
wrote:

> Goan artist Jezreel Nathan gets featured in Design FabricMemories of her
> idyllic house in Goa
> [image: Jessyl Fernandez]  <http://www.itsgoa.com/author/jessyl/>Jessyl
> Fernandez <http://www.itsgoa.com/author/jessyl/> 3 weeks ago
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>  438  4 minutes read
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> [image: Goan artist Jezreel Nathan] Jezreel at her workstation in Mumbai
>
> Growing up in her ancestral house in Saligao, Goan artist Jezreel Nathan
> worked hard to make it in life. Art came naturally to her as a child.
> Passing out from her Alma Mater – Lourdes Convent High School, Saligao,
> Jezreel graduated in Commercial Art from Sir J. J. College of Art, Mumbai.
> Equipped with a degree in art, there was no looking back.  After a stint
> with Oglivy and Mather, one of Mumbai’s famous advertising firms, Jezreel
> collaborated with artists to design for projects honorarily. That gave her
> career the fillip it required. Her art began to be recognised. Some of her
> designs were also bought by an online t-shirt store. Moving to Singapore
> after marriage, Jezreel began to miss her home in Saligao. Fond memories of
> growing up in an idyllic Portuguese ancestral home began clouding her
> mind.  That’s when the idea of putting those memories into print was born.
> The speciality of her series on Goa is they are done digitally. Each
> painting has a story to tell.
>
> In conversation with Ritupriya Basu of Design Fabric
> <https://designfabric.in/log/an-illustrated-trip-back-in-time-to-jezreel-nathans-idyllic-house-in-goa>,
> Jezreel reveals that though she intended to paint these memories a few
> years ago, she was only able to do so after settling down to married life
> in Singapore. Her memories take her back to 1986 when she was only two
> years old. Says Jezreel, “Most of these pieces are drawn from memory and in
> some of the artworks, I’ve combined my recollections of my house as I saw
> it as two-year-old, as it was when I was a teenager, and as it is today.”
>
> Some of Jezreels illustrations from the series of her Childhood memories
> of her home in Goa are given below:
>
> Breakfast
>
> [image: Jezreel]
>
> Says Jezreel, “One morning, I sat at my computer with a cup of chai and as
> I took a sip, I thought of my grandfather David Nathan, who is my morning
> chai buddy back in Goa. I was reminded of the slurping sound he makes while
> he takes his first few sips of hot tea and the giant aluminium kettle in
> which he’d brew it; sometimes, the kettle was also used as an iron for our
> damp school socks when we’d have a power cut, and we had many of those in
> Goa.” She also mentions “the black tea mugs with leaves and berries” that
> her grandmother wouldn’t allow them to use.
>
> Old Portuguese Red Floor and slaked lime walls
>
> “The floor of my house was red and so was the mud, the walls were painted
> white with chuna – a mixture of powdered shells and slaked lime — that
> would stain your clothes and skin if you brushed against them.”
> The slaked lime walls and the red floor of the house
>
> “I woke up early every morning to the sound of the baker’s horn and ran to
> the back gate, where I’d wait patiently for our neighbour, Aunty Idine
> (pronounced – Eeeedheen, I think), to take her goats out for a walk. As
> they passed my gate, I’d bleat after them.”
>
> The Baker’s cycle
>
> “Kitchen walls blackened up to the roof by soot from using an open wood
> fire stove. Millipedes and black hairy caterpillars that dropped from the
> roof during the monsoons. There were giant red ants, hornets, wasps and
> bees everywhere, always ready to bite and sting. Sticky frogs would hide in
> my jeans and in every corner of the house. Mould, fungus and moss
> everywhere. We’d have power cuts for days. And of course, poor Internet
> connectivity and telephone network because we lived at the foot of a hill.”
>
>  Tamarind Cupboard
>
> “Tamarind with chilli powder, sea salt and sugar was our favourite snack.
> We’d actually make a meal of it, leaving nothing for my mom to cook with.
> My mom soon became an ace at hiding the tamarind and though she hid it in
> the same cupboard, she’d keep switching the dabbas, making it harder for us
> to find it without being caught red-handed. We’re still not sure who we
> feared more, my mom or the lizards that crawled out of nowhere.”
>
> Jezreel’s paintings are “heavily influenced by her emotions.” says
> Ritupriya Basu.
>
> Growing up in the lap of nature made an indelible impression on Jezreel as
> a child. “Millipedes and black hairy caterpillars dropped from the roof
> during the monsoons. There were giant red ants, hornets, wasps and bees
> everywhere, always ready to bite and sting. Sticky frogs would hide in my
> jeans and in every corner of the house. Mould, fungus and moss everywhere.
> We’d have power cuts for days. And of course, poor Internet connectivity
> and telephone network because we lived at the foot of a hill.” Coming from
> an “unconventional, quirky and pretty crazy family” only helped make her
> experiences more vivid.
>
> *“This is where I fell in love with imperfection and found beauty in
> dysfunction. All of these experiences played a role in shaping me as an
> artist. It allowed me the freedom to create work which to many might seem
> incomplete or lazy or incoherent.”*
>
> Design Fabric, a ‘go-to publication’ captures and documents creative
> explorations taking place in India in the fields of visual art and design. 
> Ritupriya
> Basu captured these anecdotes beautifully in conversation with Jezreel
> Nathan in her interview “An illustrated trip back in time to Jezreel
> Nathan’s idyllic house
> <https://designfabric.in/log/an-illustrated-trip-back-in-time-to-jezreel-nathans-idyllic-house-in-goa>in
> Goa.
>
> Jezreel has a lot more to tell!  When asked about her upcoming pieces yet
> to be published and whether she intended to take the project beyond
> Instagram, Jezreel replied, “I have a long list of memories that I can’t
> wait to illustrate. I can’t really tell what the next piece is going to be
> as the entire process is very spontaneous. Having said that, at some point,
> I will illustrate the people I grew up around, like my family, old and new
> neighbours, friends and teachers and what I took away from my interactions
> with them. I plan to take this project beyond Instagram. I hope to turn
> this series into a book once I begin to see a more structured narrative
> emerge from this process.”
> “Life in Goa, as a baby and then a teenager, was filled with wonder and
> surprise. I grew to love its old world charm though some would find it very
> depressing.”
>
> The above is a concise account of her works and illustrations, some of
> which could not be included here eg. ‘Grandmothers mirror, Ferns Bar, Buke
> the neighbour’s dog, grinding stone’, etc. For a greater insight into her
> works follow her on instagram @Jezreelnathan.
>
> Picture Credit: Jezreel Nathan
>
> Information Credit: Design Fabric
>
>
>
> http://www.itsgoa.com/goan-artist-jezreel-nathan-gets-featured-in-design-fabric/
>
>
>
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